#30s Block Chain

Early this morning, right when doing so became legal according to local noise ordinance standards, construction began down the block, by “down the block” meaning what was being attacked by a small army of workers was the entire next block and then continuing around its far corner and down the subsequent hill. The rattling was constant, like the world’s largest coffee grinder on a coarse setting. I set about recording the goings-on, but too many other morning noises conflicted. I set down my phone and got to work. The phone and I were eventually drawn back to the window by the sort of beeping that signals a vehicle is backing up. Each time this bulbous alert sounded, everything else quieted down: traffic, footsteps, construction clatter. It was real-world sidechain, in which the relative seeming volume of one set of sounds seemed to drop in inverse correlation with the rise of another sound, in this case the warning beeps. I never did manage to get a good recording of the rattle caused by all the hammering and digging, but if there is anything I am confident of, it is that this morning will not have been the last of that.

Recorded on an iPhone 17 Pro at 9:20am on Thursday, December 18, 2025, in San Francisco’s Richmond District. Posted to SoundCloud and Freesound. This post is part of a collection of field recordings that last for roughly 30 seconds and are collectively titled #30s.

Disquiet Junto Project 0729: Community Remix (Nina)

The Assignment: Rework a shared recording from over 100 years ago

Each Thursday in the Disquiet Junto music community, a new compositional challenge is set before the group’s members, who then have five days to record and upload a track in response to the project instructions.

Membership in the Junto is open: just join and participate. (A SoundCloud account is helpful but not required.) There’s no pressure to do every project. The Junto is weekly so that you know it’s there, every Thursday through Monday, when your time and interest align.

Tracks are added to the SoundCloud playlist for the duration of the project. Additional (non-SoundCloud) tracks also generally appear in the lllllll.co discussion thread.

Disquiet Junto Project 0729: Community Remix (Nina)
The Assignment: Rework a shared recording from over 100 years ago

There is just one step to this project: This week’s project, the next to last of 2025, is a community remix. In an act of globe-spanning asynchronous holiday-season camaraderie, we’ll all work from the same shared source material, a recording that dates back well over 100 years. Download the performance of “Nina” by Hans Kindler (1892 – 1949) and remix it and rework it to your heart’s delight. The recording credits G. B. Pergolesi (1710 – 1736) as the work’s composer, but more recently it has become attributed to Vincenzo Legrenzo Ciampi (1719 – 1762). Access it at:

https://archive.org/details/78_nina_hans-kindler-g-b-pergolesi_gbia0055100a

Tasks Upon Completion:

Label: Include “disquiet0729” (no spaces/quotes) in the name of your track.

Upload: A person participating in the Disquiet Junto should post only one track per weekly project (SoundCloud account preferred but not required). If on occasion you feel inspired to post more than one track (whether to a single account or across multiple accounts), you should clarify which is the “main” rendition for consideration by fellow members and (if on SoundCloud) for inclusion in the SoundCloud playlist.

Share: Post your track and a description/explanation at https://llllllll.co/t/disquiet-junto-project-0729-community-rework-nina/

Discuss: Listen to and comment on the other tracks.

Additional Details:

Length: The length is up to you.

Deadline: Monday, December 22, 2025, 11:59pm (that is: just before midnight) wherever you are.

About: https://disquiet.com/junto/

Newsletter: https://juntoletter.disquiet.com/

License: It’s preferred (but not required) to set your track as downloadable and allowing for attributed remixing (i.e., an attribution Creative Commons license).

Please Include When Posting Your Track:

More on the 729th weekly Disquiet Junto project, Community Remix (Nina) — The Assignment: Rework a shared recording from over 100 years ago — at https://disquiet.com/0729/.

#30s Play Misty

The city wakes to rain

It hasn’t rained in ages, and then overnight the modest tides of the colloquial atmospheric river shifted, and drops began to accumulate on the ground. Around 3:45am, I wasn’t sleeping well, which is unusual for me. In retrospect, the rain must have begun, the unfamiliar nocturnal noises registering louder than they actually were. Likewise, after I woke, I wasn’t yet aware rain had fallen or, for that matter, continued to fall. Strange little plinks and pops registered as background texture, disparate as stray thoughts, until I raised a window blind and saw the gentle precipitation. The street in particular sounds different during the rain. Cars creep along like footsteps on Saran wrap, and they are more likely than generally to obey the nearby four-way stop sign. Far less chatter passes by, as morning walkers stay home, perhaps hoping for a respite later in the day. This goes as well for rattling skateboards and chiming bicycles. There is a squish and crunch and a mushy whir to the city when it is waking to the rain. This is what it sounds like, through the living room window, which overlooks the street from the second floor.

Recorded in San Francisco’s Richmond District at 8:42am on Wednesday, December 17, 2025. Recorded on an iPhone 17 Pro using the standard Voice Memos app. Posted to Freesound and SoundCloud. This post is part of a collection of field recordings that last for roughly 30 seconds and are collectively titled #30s.

#30s Retail Phase

At night in the aisles

I found myself in an office supply store after dark, dark coming early this time of year, mid-December. The plan was to purchase some take-out Chinese food around the corner for dinner, but first came this errand. I wandered the aisles, items large and small on shelves that occasionally flirted with the emptiness one might associate with bankruptcy. A palpable emptiness defined the place, a single floor taking up a substantial portion of a city block, yet nearly devoid of people. There were two other customers: one on his phone, the other standing in a corner saying “hello” repeatedly in hopes of earning the attention of the two present employees, one of whom was stationed at the register, the other also wandering the aisles. At times the five of us were spread out as if we had claimed some portion of the known territory as our own. The customer who wasn’t saying “hello” was on his phone narrating his day to someone else, what seemed to be a close friend. This customer apologized to the friend for having been “irrespective” of his interlocutor’s recent emails. I wandered over to what I came to understand was my corner of the store, from which I could barely hear the repeated hellos or the phone conversation, and in that emptiness a sound caught my ear — two sounds, in fact: a pair of repetitive clicks. I drew closer to several rows of hanging backpacks, all connected by lengthy cabling, and each affixed by a plastic alarm. I came to understand that this clicking was somehow the result of the shoplifting-prevention system. The clicks circumnavigated the modest gallery of backpacks, the pair of them running at ever so slightly different speeds, so they came in and out of phase with each other. In the background, amid the muffled sound of traffic and the rumble of the HVAC, you can just make out people talking, and as well as the sharp ping of a distant cash register.

Recorded at roughly 6:50pm in San Francisco’s Richmond District on Tuesday, December 16, 2025, on an iPhone 17 Pro using the standard Voice Memos app. Posted to Freesound and SoundCloud. This post is part of a collection of field recordings that last for roughly 30 seconds and are collectively titled #30s.

In Sequence

It's about time

I haven’t gotten a new (used) module in a while. I’ve wanted a sequencer for some time, and though I’ve had gate sequencers and trigger sequencers and sequencers that are a tiny part of a larger thing, and I’ve constructed the results of a sequencer from various modules, I’ve never before owned what you might call a proper sequencer, a dedicated sequencer — not until now. Looking forward to learning the ins and outs of this one. There are more advanced, or at least more fully featured, versions of the foundational elements found in this one, but the price was right, and I can always level up — and, of course, constraints are the name of the game.