At the end of each week, I usually collate a lightly edited collection of recent comments I’ve made on social media, which I think of as my public scratch pad. I find knowing I’ll revisit my posts to be a positive and mellowing influence on my social media activity. I mostly hang out on Mastodon (at post.lurk.org/@disquiet), and I’m also trying out a few others. And I generally take weekends off social media.
▰ It’s one thing to think the sounds from neighboring construction kinda resemble experimental percussion music. It’s a whole other level when it all starts to sound vaguely like the muffled vocals of an unidentifiable singer-songwriter.
▰ The city’s Tuesday noon sirens are still out of commission, but the bay fog horns appear to have gotten a new subwoofer
▰ A happy 707 Day to all who celebrate
That’s for the Roland TR-707 Rhythm Composer, which was first released 40 years ago, way back in 1985. The above INXS track came out two years later.
▰ I love when my speech-to-text tool identifies two different speakers, even when it’s just me rattling off notes verbally. There should be an LLM STT tool called Black Swan Fight Club that identifies your various sub-personalities for you.
▰ Been digging having my phone on grayscale mode. For one thing, it looks nice. For another, I find myself less drawn to wasting time on the device. For a third, the setting obviates the remotest consideration I might have had for a “dumbphone,” not that I had much of such a desire in the first place.
▰ The fog is so intense today. I wrote all day and then went for a walk and it felt like I was still indoors.
I kinda love it.
▰ Sometimes I just think about how much toast is consumed in the book Here, There and Everywhere: My Life Recording the Music of the Beatles, engineer/producer Geoff Emerick’s excellent memoir
▰ And this week in #dronescrolling — i.e., stuff other people posted: (1) Yuri Suzuki, sound artist and designer formerly of Pentagram, mentioned on Instagram that his partner, Amy Croft, founded a bed and breakfast in Margate, England, called Modja Modja House, and it now has artist residencies. He writes: “I’ve long had a passion for music and sound, and an ever-growing collection of synthesizers that really needed to be put to good use… so we thought: why not invite artists to stay and create?” ▰ (2) Robin Rimbaud is one of the OG electronic solo musicians from the 1990s, a peer — in time, impact, and sui generis quality — to Aphex Twin, Oval, and Squarepusher. His Instagram posts are regularly filled with his creative activities, as well as with a generous serving of what he is, himself, enjoying in terms of art and music. He writes detailed posts each time, such as this week about a visit to Céleste Boursier-Mougenot’s “Clinamen” exhibit in the rotunda at the Bourse de Commerce in Paris.
