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Composing in code.

Disquiet Junto Project 0223: Layered Sameness

Record multiple, slightly varying takes on the same looped composition in this project by Monome's Brian Crabtree.

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Each Thursday in the Disquiet Junto group on SoundCloud.com and at disquiet.com/junto, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

Tracks will be added to this playlist for the duration of project 0223:

This project was posted in the morning, California time, on Thursday, April 7, 2016, with a deadline of 11:59pm wherever you are on Monday, April 11, 2016.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0223: Layered Sameness
Record multiple, slightly varying takes on the same looped composition in this project by Monome’s Brian Crabtree.

This week’s project was developed by Brian Crabtree, who along with Kelli Cain makes the Monome, the adventurous grid music interface.

The project is an exploration in repeatability, phasing, and density.

Step 1: Compose a relatively simple, short(ish), performable moment to be repeated as a loop, such as notes on a guitar, or clapping, or vocalizing, or some other live performance technique.

Step 2: Choose how many times you’ll play the loop in a row. Aim for a total duration of a minute or two, but feel free to deviate from this suggestion.

Step 3: Record yourself performing this loop, without a metronome.

Step 4: On a new track, record yourself again performing the same number of loops for roughly the same amount of time without listening to the previous take(s) or to a metronome.

Step 5: Repeat step 4 between 4 and 40 times.

Step 6: Adjust master levels. If desired, pan each track randomly.

Step 7: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 8: Annotate your track with a brief explanation of your approach and process.

Step 9: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project was posted in the morning, California time, on Thursday, April 7, 2016, with a deadline of 11:59pm wherever you are on Monday, April 11, 2016.

Length: The length is up to you, though between one and two minutes feels about right.

Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0223-layeredsameness.” Also use “disquiet0223-layeredsameness” as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 223rd weekly Disquiet Junto project (“Record multiple, slightly varying takes on the same looped composition in this project by Monome’s Brian Crabtree”) at:

http://disquiet.com/0223/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

The image associated with this project is by Teresa Alexander-Arab and is used thanks to a Creative Commons license:

layers

By Marc Weidenbaum

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