My 33 1/3 book, on Aphex Twin's Selected Ambient Works Volume II, was the 5th bestselling book in the series in 2014. It's available at Amazon (including Kindle) and via your local bookstore. • F.A.Q.Key Tags: #saw2for33third, #sound-art, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art.
Playing with audio.
Sounding out technology.
Composing in code.

field notes

News, essays, reviews, surveillance

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Half-life of Braille versus text. #ui #ux

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“Audio” says Caltrain. #soundstudies #ui #ux #buttons

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Hear that whistle, or equivalent, blowing. At Caltrain station. #soundstudies

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Snapshot from my childhood or John Slepian ode to Sol LeWitt at Catherine Clark?#both

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One More Month of “Sonic Frame”

My sound installation at the San Jose Museum of Art

20150122-sjma

The installation “Sonic Frame” that I developed for the San Jose Museum of Art will be exhibited for one more month from today. The exhibit runs from October 2, 2014, through February 22, 2015. I’ll be giving a little talk the early evening of February 19, 2015, at the museum as part of the latest edition of its Art Rage event series (details will surface at sjmusart.org).

“Sonic Frame” is a three-screen response to Josh Azzarella’s video “Untitled #8, 2004.” Each of the three screens has original pieces of music, 21 total, that are intended to serve as scores to the video. Each score changes the viewer’s experience of the video, which in its original form is entirely silent.

The scores are largely drawn from members of the Disquiet Junto community of weekly music projects (disquiet.com/junto), and were created by the following musicians: Taylor Deupree, Van Stiefel, Natalia Kamia, Naoyuki Sasanami, Carlos Russell, Mark Rushton, Paolo Mascolini (Sōzu), Stephen Vitiello, Steve Roden, ævol, Marcus Fischer, Julia Mazawa, the duo of Westy Reflector and Lee Rosevere, Ezekiel Kigbo (The Atlas Room), Steiner (Stijn Hüwels), Christina Vantzou, Scanner, Inlet (Cory K.), Jean Reiki, Marco Raaphorst, and Bad Trails.

There is a video in which I talk about the piece. The thorough summary is here: “How Sound Frames Vision.”

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