Disquiet Junto: Join Weekly Communal Music Projects • Previous: 1 2 3 4 5 6 7 8 9 10 11 12 etc. • Current: 21
Projects: Instagr/am/bientLX(RMX): Lisbon RemixedKey Topics: #sound-art, #classical
How To: Submit for ReviewElsewhere: Twitter, SoundCloud (Disquiet & Disquiet Junto), Facebook

Listening to art. Playing with audio. Sounding out technology. Composing in code.

Topic Archives: field notes

Disquiet Junto Project 0021: 4 Seasons

The Assignment: Create a piece with one field recording representing each of the four seasons.

Each Thursday evening at the Disquiet Junto group on Soundcloud.com a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership to the Junto is open: just join and participate.

Disquiet Junto activity really took off in advance of the mid-April concert in Chicago, and as a result I’ve fallen behind in two particular aspects: one is getting instructions to translators in advance of the projects’ start date; the other is post-project summaries. Instead of doing these summaries after the projects are complete, I’m going to experiment with creating a post here coincident with the launch of a new project, and occasionally update it throughout the project’s development. A new project launched today, this being a Thursday, and it will run through 11:59pm this coming Monday.


There’s a number of interesting projects coming up in the Disquiet Junto series: music + 1, animation, the blues, recycling, water, instrument construction, storytelling, and the 100th anniversaries of the births of both John Cage and Conlon Nancarrow are among the forthcoming themes. But before moving forward, it’s good to take a glance in the rearview mirror. For the 21st project we’re revisiting several distinct previous themes, this time in combination; among them are original field recordings, sonic transitions, and shared samples.

The assignment was made late in the day on Thursday, May 24, with 11:59pm on the following Monday, May 28, as the deadline. View a search return for all the entries: disquiet0011-4seasons. (They will take a little while to populate.)

These are the instructions that went to the participants. To receive them via email each Thursday, sign up at tinyletter.com/disquiet-junto:

Disquiet Junto Project 0021: 4 Seasons

Instructions:

Deadline: Monday, May 28, at 11:59pm wherever you are.

For this project you will employ four distinct samples. Each sample will individually represent one of the four seasons: spring, summer, autumn, winter. You will either construct your own field recordings to represent these seasons, or you will use the following provided samples:

Spring: Birdsong

http://www.freesound.org/people/HerbertBoland/sounds/28312/

Summer: Thunder

http://www.freesound.org/people/Erdie/sounds/23222/

Autumn: Walking in dry leaves

http://www.freesound.org/people/HerbertBoland/sounds/33207/

Winter: Walking in the snow

http://www.freesound.org/people/Spandau/sounds/30833/

Once you have collected your four samples, you will construct one single track from them. The track will be between two and four minutes in length. Each of the four seasonal samples will be highlighted in sequence for one quarter the length of your track, and there should be discernible transitions between the four segments — that is to say, each sample/season should slowly transform into the next. The underlying sonic bed should be constructed only from the four samples in combination — and in that role, they can be transformed as much as you desire. There should be no additional sounds. While a given sample is in the foreground (that is, during its prominent quarter of the overall track) it should remain at least somewhat recognizable.

Length: Please keep the length of your piece to between two and four minutes.

Information: Please when posting your track on SoundCloud include a description of your process in planning, composing, and recording it. This is an essential element of the communicative process inherent in the Disquiet Junto.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0021-4seasons” in the title of your track, and as a tag for your track.

Download: As always, you don’t have to set your track for download, but it would be preferable.

Linking: When you post your track, please include this information:

If you use any of the four provided samples, please include the source link as reference (per the Creative Commons agreement).

More details on the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/tracks

The image up top shows Vivaldi, composer of the original The Four Seasons.

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Past Week at Twitter.com/Disquiet

  • Spending the day just me and my 20-month-old. Will be wandering around @artmrkt, among other places. #
  • Four more now: @nodebeat + (1) keyboard, (2) Moog Slim Phatty, (3) drone pad, and (4) piano: http://t.co/lSzqLIp5 #
  • My one regret about my Macbook Air is I shoulda gone with the larger harddrive. Didn’t realize at the time it’d become my core computer. #
  • All in all, I got a brick in the mail from @primusluta. #
  • The first three @NodeBeat Disquiet Junto pieces pair the mobile sound app with a ukulele, a guzheng, and a sitar: http://t.co/lSzqLIp5 #
  • You’re a dreamer. RT @mmaddencomics: “There’s some very thoughtful dubstep behind this blog”; “Wiley revitalizes curating on his new single” #
  • 1st @NodeBeat track in latest Disquiet Junto project is up, courtesy of @ethanhein + his processed ukulele http://t.co/Iny6uyLO #
  • “It’s refreshing to hear a curate track that doesn’t have a drop.” “They’re hiring someone to dubstep a blog of found objects.” #
  • Perfect. RT @primusluta: Headed out to this gallery my friend dubstepped. Hopefully there’ll be wine and good headnoding curation. #
  • “That new Burial remix is true curate.” “I’m dubstepping 18th-century leather wallets on my Tumblr.” #
  • The words “dubstep” and “curate” are so overused, we should just use them interchangeably. #
  • Not a speaker. (Bathroom fan.) http://t.co/ICf6NrGN #
  • Read More »

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Past Week at Twitter.com/Disquiet

  • I wonder if my whole interest in drones has to do with the 13-year-old me wishing the opening notes of Yes’ Fragile would go on forever. #
  • Incredible sonic moire outside Old Navy in downtown San Francisco between store-entrance stereo speakers and drumming busker. #
  • PR email received for band whose picture, artfully, doesn’t show faces. No description of music, just links to streaming services. #
  • I suspect @tinyletter may have held up the Disquiet Junto email because it had three embedded links. Spam red flag. #
  • The Disquiet Junto email just seems to have been received, even though it was sent yesterday afternoon by @tinyletter. #odd #
  • We email a lot with our neighbors. I don’t miss the continuous phone ringing that was the soundscape of my childhood. #
  • Yojiro Imasaka’s inspiring photo of an alley: http://t.co/bLprwyAs. It’s the graphic score Disquiet Junto musicians interpret this week. #
  • The gritty-spectral background photo, by Yojiro Imasaka, for my Twitter page serves as a graphic score in the new Disquiet Junto project. #
  • Instructions for 19th Disquiet Junto are now live: http://t.co/XdRJsrQ9. Project due this Monday at 11:59pm, wherever you are. #
  • “rojiura” is a Japanese word for alley #
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Past Week at Twitter.com/Disquiet

  • I’ve been thinking in rhymes since MCA died. #
  • Anyone strongly recommend a password manager? This “store your passwords in the cloud” thing seems, er, like a self-fulfilling prophecy. #
  • 5th piece in this week’s Junto is by @ETALABEL (Poland). Like how each piece’s waveform is clearly divided in three: http://t.co/lSzqLIp5 #
  • Tatsuya Yoshida from the Ruins is playing the Hemlock tonight. (In San Francisco.) #
  • Disquiet Junto is 2 shy of its 180th participant in 18 weeks. Number 178 is Athens, Greece–based Sim_psi: http://t.co/yny4EKyp #
  • RIP, MCA. Instrumentals: “The New Style”: http://t.co/SKTNMvjx. “Sabotage”: http://t.co/B6X36Vdk. “Flute Loop”: http://t.co/A0230aL3. #
  • Cancer Is Killing Music #

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Patch & Static: The Top 10 Posts & Searches of April 2012

Among the top 10 most popular posts of the past month, April 2012, were (1) an interview with Morton Subotnick (“The Patch Cord Godfather”) and (2) the announcement of a live Disquiet Junto concert in Chicago on April 19.

Five of the 10 most popular posts were drawn from the daily recommended free downloads: (3) thoughts on hotel bedside radio (“The ‘Classical’ Button”x), (4) a sound collage by Jane Burton and Doris Lake (together working under the moniker Public Domain), (5) Carl Ritger (aka Radere) working with a tape-based four-track recorder, (6) the static-based work of C. Cu, and (7) a preview track from the forthcoming IoNiZeR album.

Also in the top 10, not (8) one but (9) two weekly automated collections of what is posted at twitter.com/disquiet, and (10) the top-10 list from March 2012.

The most popular searches on the site during the month of April were: junto, salvagione, weidenbaum, mallet, would-be messiahs, autobiography, automaton, bitlabrecords, modular, Peter 7 Paelinck, rjdj, subotnik, Vitiello, ableton, amirkhanian, autechre, bars, cacophony, friends.

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