[ August 25, 2010 / bookmark ]
It’s kinda funny that it’s called “program music,” given what such a term suggests in our age of computer-assisted cultural activity. That’s the term for the classical tradition in which an instrumental work has an inherent but unspoken (that is, unsung) narrative. Perhaps the best known, and best loved, example is The Sorcerer’s Apprentice, by [...]
[ August 24, 2010 / bookmark ]
Stereoscopic play is a common trope in computer music and, more broadly, electronic music. The power to move sound right and left — and to a somewhat lesser extent forward and back — in the spatial stereo spectrum is an enticing one. It’s the DJ’s equivalent of all the stop-motion, physics-freezing hyperrealism that made those [...]
[ August 23, 2010 / bookmark ]
The news is circulating that Brian Eno‘s new full-length record will be released by the British label Warp. In many ways, Warp is itself the news — there’s much anticipation for any new Eno album, but especially so now that he’s aligned himself with the home of Aphex Twin, Autechre, Flying Lotus, Battles, and Prefuse [...]
[ August 20, 2010 / bookmark ]
There must be a third round coming. These things come in threes, don’t they, like celebrity deaths and blockbuster movie franchises? The “thing” in this case is the mass popularity of — the sudden mass consciousness of — what, generally speaking, is a matter of sonic composition relegated deep in left field, in the outer [...]
[ August 19, 2010 / bookmark ]
If merely the list of ingredients entices you, then know in advance that “Glitch” by Daniel Wohl does not fall short, does not disappoint, and if anything is more than the sum of its equally spare and excellent parts. Those ingredients are the musical elements “string quartet” and “electronics,” plus the tantalizing “and” placed in [...]
[ August 16, 2010 / bookmark ]
The model for the independently produced film Determinism isn’t unfamiliar: turf battle, racial firestorm, class-crossing love triangle, domineering kingpin, addled drug-runners. Part of what makes it different — more to the point, what makes it tick like a time bomb — is that all these things play out on a suburban college campus. To some [...]
[ August 16, 2010 / bookmark ]
The Lisbon, Portugal, netlabel feedbacklooplabel.blogspot.com just released a great three-track set by Landrecorder, the British phonographer. FeedbackLoop proprietor Leonardo Rosado (aka twitter.com/sbtrmnl) invited me to write the mini-album’s liner notes, based on his sense that its mix of composed sound and field recordings would entice me. He was by no means mistaken, and he was [...]