tangents / Score Keeper (Resfest, Martinez, moonlighting …)

The lineup for the annual Resfest video festival has been announced. The touring fest starts on September 18 in San Francisco (res.com) with a party featuring Amon Tobin and RJD2. Res is a series of screenings of adventurous, creative videos, often with an electronic-music component. One screening, titled Cinema Electronica, celebrates the electronic-video intersection with 21 shorts, including efforts by Towa Tei, Kid Koala (the exceptional “Basic Street Blues” cut), Dan the Automator, Ken Ishii, DJ Shadow, Four Tet, Bjork, Cassius, Yoko Ono, Adam Freeland and others. A Michael Gondry retrospective will feature videos he has shot for Bjork, Radiohead, Chemical Brothers, Cibo Matto and others. Another event will focus on pieces by director Spike Jonze (Fatboy Slim, Beastie Boys). The group Daft Punk has collaborated with Leiji Matsumoto for Interstella 5555: The 5tory of the 5ecret 5tar 5ystem. After the SF dates (September 18 – 21), the festival heads to Washington, D.C., and then to New York, Chicago and elsewhere. … (2) In related news, Gondry and Jonze, along with director Chris Cunningham (Aphex Twin’s “Come to Daddy” and “Windowlicker”), conversed in the New York Times recently (“Music Videos That Show Everything but the Performance,” August 17). … (3) Among the speakers at the Music Video Wire conference on September 25 in Maitland, Florida (musicvideowire.com) is David Slade, who directed Aphex Twin’s “Donkey Rhubard” video and LFO’s “Tied Up.” … (4) Composer Cliff Martinez has scored most of Steven Soderbergh‘s movies and sadly few of anyone else’s. That seems to be changing. Following work on director Joe Canahan‘s Narc (and Soderbergh’s Solaris), he is attached to Wonderland (the story of porn star John Holmes, directed by James Cox) and Obsessed (a remake of the French thriller L’Appartement, to be directed by Paul McGuigan), according to IMDB.com. … (5) Jeff Samuel is another sound designer by day (for video games at Microsoft), electronic musician by night. The Seattle Weekly profiled him in its August 13 issue (“Passive Progression”).

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