New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Tangents / Sound Art (Badger, Nicolai, Rubin …)

Quick Notes from the World of Sound Art: (1) I missed the piece “Harmonic Field,” by Christopher Badger, which had been on display at the gallery Silverman in San Francisco — it was part of an exhibit, titled Double Resonator, that also included work by Robert Smithson and La Monte Young (images in the archives at … (2) That gallery currently has work up by Desiree Holman with Lynda Benglis and Joan Jonas, under the collective title TV Honey, through November 10; the excellent three-channel video installation by Holman, “The Magic Window” (a riff on sitcom families), includes music by Soft Pink Truth (aka Drew Daniel from Matmos). Jonas, of course, studied with Alvin Lucier . … (3) There’s also a Jonas exhibit — The Shape, the Scent, the Feel of Things — up over at the Berkeley Art Museum through July 31, 2008 ( … (4) And also over at BAM/PFA, the exhibit rip.mix.burn.bam.pfa opened on October 24; it runs through March 2, 2008 ( … (5) It was a week for missing things — I wandered into the Michelle O’Connor Gallery on Mission Street in San Francisco just as Eric Ryan‘s “Denial and Repression” (headphones, canvas, rubber mats, rocks and audio) was being dismantled, so I didn’t get a chance to check it out. …

(6) The Feature Inc. Gallery in Manhattan currently has featured the Gentle Wind Project/Family Systems Research, a collection of tools developed for healing by the controversial organization that lends its name to the exhibit; among them is a piece, “Puck-Puck” (2001), made of three tuning forks ( … (7) The show by Carsten Nicolai (aka Alva Noto), static balance, runs through November 3 at PaceWildenstein in Manhattan (,; the gallery website is hosting one video from the show, “fades” (2006). The exhibit was reviewed by the New York Times: “The experience is enhanced, though not greatly, by white noise coming from speakers” ( …

(8) Excellent scene report by Ben Sisario last week in the New York Times on China’s emerging avant-gardge music activity, focused on FM3 (of Buddha Machine fame), Wang Fan, Sulumi, Yan Jun, Sun Wei, Dou Wei and others ( … (9) The Times doesn’t just cover sound art — it funds it; the paper’s new building in Manhattan has a permanent installation by Ben Rubin and Mark Hansen, creators of the “Listening Post,” which has been covered on previously. This new piece, titled “Moveable Type,” draws data not from the Internet as a whole, but from the New York Times’s own online presence. Sonic component? “[F]rom hundreds of small hidden speakers, issuing the din of typewriters, the lost music of newsrooms” ( …

(10) Images from the Brooklyn opening of Selling the Sound of My Voice, a collaborative exhibit between visual artist Brice Brown and composer Alan Shockley: “The exhibition centers on a large wall-mounted piece consisting of 88 twelve-inch square aluminum panels, and a looped 30-minute electro-acoustic score” (;, … (11) Advance notice: Tuned City: Architecture and Sound is the name of a conference, exhibition and performance series to be hosted in Berlin in June/July 2008 (

By Marc Weidenbaum

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  • Marc Weidenbaum founded the website in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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    December 13, 2021: This day marks the 25th anniversary of the founding of
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    July 28, 2021: This day marked the 500th consecutive weekly project in the Disquiet Junto music community.
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    The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm:

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    Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.

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    0508 / Germane Shepard / The Assignment: Use the Shepard tone to create a piece of music.
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