One of the many side benefits of sound art are the audio documents left behind after the exhibit closes — or, for that matter, that are circulated while the exhibit is still happening. Over at the Touch podcast spinoff, touchradio.org.uk, Philip Marshall has made available an edit of his piece “Ghost.” It’s a mysterious mix of digital music and spoken fragments, amid swaths of field recordings, the latter replete with wind-blown microphones, a smattering of rain, and all manner of passing fragile incidents (MP3). The work is intended to be heard as part of “The Space Between Seeing and Knowing Is Haunted,” an exhibition curated by D”“L Alvarez at two Berlin galleries (Exile thisisexile.com; Arratia, Beer: arratiabeer.com). The spoken material originated on The Ghost Orchid: An Introduction to EVP, a collection of “electronic voice phenomenon” examples. The rain was provided by Dale Cornish (baraclough.co.uk) — at least, the recordings of the rain were.
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about
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Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media
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• December 13, 2022: This day marks the 26th anniversary of the founding of Disquiet.com.
• January 6, 2023: This day marked the 11th anniversary of the start of the Disquiet Junto music community. -
Recent
• April 16, 2022: I participated in an online "talk show" by The Big Conversation Space (Niki Korth and Clémence de Montgolfier).
• March 11, 2022: I hosted a panel discussion between Mark Fell, Rian Treanor and James Bradbury in San Francisco as part of the Algorithmic Art Assembly (aaassembly.org) at Gray Area (grayarea.org).
• December 28, 2021: This day marked the 10th (!) anniversary of the Instagr/am/bient compilation.
• January 6, 2021: This day marked the 10th (!) anniversary of the start of the Disquiet Junto music community.
• December 13, 2021: This day marked the 25th (!) anniversary of the start of the Disquiet Junto music community.
• There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
• A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.) -
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• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
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disquiet junto
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Background
Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.
Recent Projects -
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• 0548 / Drone Vox / The Assignment: Make a drone using just your voice.
• 0547 / Genre Melee / Combine two seemingly different genres.
• 0546 / Code Notes / The Assignment: Make music that includes a secret message.
• 0545 / Unself-Awareness / The Assignment: Learn from feedback intended for others.
• 0544 / Feedback Loop / The Assignment: Share music-in-progress for input from others. -
Full Index
And there is a complete list of past projects, 548 consecutive weeks to date. Archives
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