- The Tone LÅc/Dust Bros”“sampling, MC 900 Ft. Jesus”“style monotone rap from recent True Blood: http://is.gd/1Dm8B I desire the instrumental. #
- Screen/keyboard-sharing: Synergy 1.3.1 glitchy on Vista64. Win2VNC complicated for my brain. Input Director FTW: runs but copy/paste limited #
- Afternoon sounds: plane overhead, squeaky wheels against wood floors, distant street noise, talking below, typing, paper shuffling. #
- Got a new notebook. Wondering what the first thing is that will begin to fill it — beyond from today's date. #
- Didn't realize iPod Touch software update, to v. 3.0 of its OS, would take half an hour to install. Wasn't completed before my bus commute. #
- If you Twitter it's #followfriday: label @ghostlyint & musician @fieldswn (aka William Fields) & musician @jimmybehan (aka Jimmy Behan) #
- RIP, photographer Julius Shulman (b. 1910), friend to modernism. http://is.gd/1CdnE http://is.gd/1CcAi RT compactrobot #
- Just experienced my first "1 person liked this" in Google Reader. Feels invasive, yet useful. Benjamin Franklin spins in his grave. #
- Testing/digging new iPhone/Touch @ghostlyint app. It streams the label's catalog by mood, tempo & digital-ness. Due out next week, for free. #
- "Inside the shack a white plastic portable radio was trying to play the big beat; it sounded like a grasshopper fight." The Rare Coin Score #
- Afternoon sounds: fans in window, internal HVAC on high, fans overhead, coughing, typing, footsteps. … Portrait of San Francisco at 70°F. #
- Mid-morning sounds: percussive typing from various computers; melody of someone dialing while on speaker phone. Instant instrumental pop. #
- Man, Walter Murch works his foley off on Coppola's Tetro. It's garish, but also a sound feast: bugs, glaciers heartbeats, traffic, opera … #
- DJ @rhawtin is live-twittering his set again, from Budapest. Join the @rhawtin Drinking Game: guess a track. … My money's on Alva Noto. #
- Sunday afternoon sounds: not insignificant wind; buses/cars; laundry; other chore-noise; & poppy glitchy new album Middlemarch by @hecanjog #
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about
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Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media
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Current Activities
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Upcoming
• December 13, 2022: This day marks the 26th anniversary of the founding of Disquiet.com.
• January 6, 2023: This day marked the 11th anniversary of the start of the Disquiet Junto music community. -
Recent
• April 16, 2022: I participated in an online "talk show" by The Big Conversation Space (Niki Korth and Clémence de Montgolfier).
• March 11, 2022: I hosted a panel discussion between Mark Fell, Rian Treanor and James Bradbury in San Francisco as part of the Algorithmic Art Assembly (aaassembly.org) at Gray Area (grayarea.org).
• December 28, 2021: This day marked the 10th (!) anniversary of the Instagr/am/bient compilation.
• January 6, 2021: This day marked the 10th (!) anniversary of the start of the Disquiet Junto music community.
• December 13, 2021: This day marked the 25th (!) anniversary of the start of the Disquiet Junto music community.
• There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
• A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.) -
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• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
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disquiet junto
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Background
Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.
Recent Projects -
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• 0560 / Sonic Disambiguation / The Assignment: Help the Wikimedia Foundation develop a sonic logo.
• 0559 / Yes Exit / The Assignment: Compose your personal entrance and exit cues for conference calls.
• 0558 / Chore Progressions / The Assignment: Use a routine activity as the map of a composition.
• 0557 / Condensation Is a Form of Change / The Assignment: Interpret a graphic score that depicts four phases.
• 0556 / Gabber Ambient / The Assignment: Field-test a hybrid genre. -
Full Index
And there is a complete list of past projects, 560 consecutive weeks to date. Archives
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Recent Posts
2 Comments
just wanted to say thank you for posting that link to the track “dig” from the closing credits of True Blood! I posted that link at the official True Blood facebook page, someone was hoping to find out who made that track and where they could hear it, nobody had found it yet so I posted the link giving your site credit of course! Your site is one of my daily bookmarked music/sound sites, thank you for all the work you do! Peace, J.
My pleasure, J. That track really jumped out at me. It’s odd that there’s so little information available online about it currently. Perhaps it’s a pseudonym? I hope we’ll learn more about whoever recorded it.