A shot of the stage of Heiner Goebbels‘s human-free performance work at Lincoln Center, Stifters Dinge: “first presented in 2007 at the Théâtre Vidy-Lausanne in Switzerland, is teasingly described in the program as a composition for five pianos with no pianists, a play with no actors, a performance without performers,” writes Anthony Tommasini in his New York Times review.
Full article at nytimes.com. More at lincolncenter.org.