- Excited to see musical based on Matthew Sweet's Girlfriend tonight. Concerned it's not based on Robert Quine & Richard Lloyd's guitar parts. #
- Great news to wake to: the @rjdj "music hack day" is coming to San Francisco on May 15 & 16: http://is.gd/c07PK #
- Donor categories for Other Minds Fest: minimalist, impressionist, neo-classical, post-modernist, expressionist, electro-acoustic, maximalist #
- Just saw great Bill Cunningham doc, in which he describes how he was instructed to use the camera like a pen — phonographers take note. #
- Few things make me as happy as the Radio Shack spam emails telling you there's still time to get that perfect gift for Mom. #
- Thanks to @wammusic & @errrvolpe for write-up on Despite the Downstream ("alluringly open-ended and intriguing"): http://twurl.nl/vpkdv3 #
- I'm no audiophile but really good jazz on a really bad stereo can sound like really bad jazz, can sound like the opposite of the jazz it is. #
- On the bus, three people at once folding newspaper sections, a sound all the more nuanced because of its increasing scarcity. #
- Unfamiliar noise amid city traffic. Filter out cars, buses, people, bicycles. What's left? The busy-beaver buzz of a Segway along Valencia. #
- Photocopy machine doing its qawwali dirge again, no doubt mourning the dead tech that lines the street corners of SoMa here in San Francisco #
- BoingBoing picked up my Despite the Downturn found-score "answer album" compilation. Major congrats to the participants: http://is.gd/bVLCh #
- Four Barrel Coffee (SF) is hardcore: vinyl-only music (a barista said an occasional iPod gets plugged in), no wifi, & no electrical outlets. #
- Dang. Robotspeak on Haight Street is closing, to focus on education. Bought my USB audio and Kaoss Pad there, & took Ableton Live lessons. #
- 9th track (2nd post-launch) added to the Despite the Downturn "answer album," this one by Jettatura / @jamesrotondi http://is.gd/bTUtt #
- 1st post-launch track (and 8th total) added to Atlantic response album Despite the Downturn: http://is.gd/bTUtt by @my_fun #
- Pretty psyched. I commissioned 7 musicians to respond to Megan McArdle's recent Atlantic story about copyright & music: http://is.gd/bT9O8 #
- Charles Stross on Apple v. Adobe: First year Apple's WWDC awards only open to iPhone/iPad apps. "Mac apps need not apply" http://is.gd/bT3My #
- Odd sensation: uploading something to @internetarchive / archive.org, knowing its offices are less than 20 blocks away. #
- ♫ Noon tune: Background music by Andreas Bick for radio play based on work by Roland Barthes, all ambient guitar texture: http://is.gd/bSuZn #
- Morning sounds: garbage truck, hard drive, distant cars, nearby bus. #
- Listening to music while reading ebook on Kindle-for-PC. Needed to get up. Had urge to pause not only the music but the book. #
- Love the Internet: 7 days in, have 7 completed tracks from 7 acts for sonic-activism compilation. More to follow. Should debut in 24 hours. #
- Auction for @resonancefm: Marclay slipmaps, Bailey poster, C. Palestine toy, Umeda Rice Cannon, Papadimitriou walk, more: http://j.mp/9wLjVP #
- Pretty neat: Last night dreamt I talked with Chuck Berry for long time. Little less neat: Was the Mos Def Chuck Berry from Cadillac Records. #
- Such an odd societal consensus that things in ALL CAPS "sound" loud. Even A TINY PIN DROP or MERE FILAMENT OF WHITE NOISE seem ear-damaging. #
- I don't prefer to type in green-on-black in fixed-width font 'cause it's retro. It's 'cause it's the environment in which I learned to write #
Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media
• February 5, 2020: The first session of the 15-week course I teach at the Academy of Art about the role of sound in the media landscape.
• April 15, 2020: A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the forthcoming book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)
• December 13, 2020: This day marks the 24th anniversary of Disquiet.com.
• January 7, 2021: This day marks the 9th anniversary of the start of the Disquiet Junto music community.
• There are entries on the Disquiet Junto in the forthcoming book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
• At least two live group concerts by Disquiet Junto members in the San Francisco Bay Area are in the works for 2020.
• I have liner notes for a musician's solo album and an essay in a book about an art event due out. I'll announce as the release dates come into focus.
• The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
Most Recent Posts
Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.
• 0461 / Goldilocks Zone / The Assignment: Navigate a sonic space between the hospitable and the inhospitable.
• 0460 / Creative Destruction / The Assignment: Show how you got to a tortured sound.
• 0459 / From a Distance / The Assignment: Make music intended to be heard from afar.
• 0458 / Phrase Shift / The Assignment: Make music in a sequence of parts with shared elements.
• 0457 / System Alert / The Assignment: Compose sounds for an OS.
And there is a complete list of past projects, 461 consecutive weeks to date.
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