New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Reflecting (on) Noise

Chicago's J. Soliday says salutes Enemy.

J. Soliday hosted the Disquiet Junto concert this past April in his Wicker Park, Chicago, home venue, aka Enemy, which he ran from 2005 until it closed this past July. (“We could still keep going,” he told the Reader back in July. “I need a break.”) Among those on the Junto Chicago bill were Soliday himself and Jeff Kolar, who runs the excellent Radius broadcast/podcast series, the opening sound cue of which served as source material for a recent Junto project (“Disquiet Junto Project 0034: Radius Joint”). And now Soliday is himself the subject of a Radius episode, number 30, in which he works through numerous variations on the same performed noise, a screech that is heard at times like an insectoid whorl, at others like a stuttering glitch. The versions are all to be considered part of a broader whole, explains a brief liner note: “Line and room recordings of the performance were sped up, slowed down, chopped, looped, replayed, and reprocessed through the system in which they were originally generated. The resulting works should not be considered definitive versions, neither individually nor as a whole, but merely as windows into an ongoing continuum.”

Track originally posted for free download at soundcloud.com/radius-14. More at theradius.us. More on Soliday at jsoliday.com.

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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