J. Soliday hosted the Disquiet Junto concert this past April in his Wicker Park, Chicago, home venue, aka Enemy, which he ran from 2005 until it closed this past July. (“We could still keep going,” he told the Reader back in July. “I need a break.”) Among those on the Junto Chicago bill were Soliday himself and Jeff Kolar, who runs the excellent Radius broadcast/podcast series, the opening sound cue of which served as source material for a recent Junto project (“Disquiet Junto Project 0034: Radius Joint”). And now Soliday is himself the subject of a Radius episode, number 30, in which he works through numerous variations on the same performed noise, a screech that is heard at times like an insectoid whorl, at others like a stuttering glitch. The versions are all to be considered part of a broader whole, explains a brief liner note: “Line and room recordings of the performance were sped up, slowed down, chopped, looped, replayed, and reprocessed through the system in which they were originally generated. The resulting works should not be considered definitive versions, neither individually nor as a whole, but merely as windows into an ongoing continuum.”
Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media
• February 5, 2020: The first session of the 15-week course I teach at the Academy of Art about the role of sound in the media landscape.
• April 15, 2020: A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the forthcoming book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)
• December 13, 2020: This day marks the 24th anniversary of Disquiet.com.
• January 7, 2021: This day marks the 9th anniversary of the start of the Disquiet Junto music community.
• There are entries on the Disquiet Junto in the forthcoming book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
• At least two live group concerts by Disquiet Junto members in the San Francisco Bay Area are in the works for 2020.
• I have liner notes for a musician's solo album and an essay in a book about an art event due out. I'll announce as the release dates come into focus.
• The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
Most Recent Posts
Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.
• 0430 / Solitary Ensembles x 2 / The Assignment: Record the second third of a trio that others will complete.
• 0429 / Solitary Ensembles / The Assignment: Record the first third of a trio that others will complete.
• 0428 / Urban Moss / The Assignment: What echoes of past concerts are retained within this pole?
• 0427 / Music 4 Airplanes / The Assignment: Make music that blends in with the industrial drone of modern air flight.
• 0426 / Cellular Chorus / The Assignment: Make music with the source audio from (and inspired by) a Patricia Wolf project.
And there is a complete list of past projects, 430 consecutive weeks to date.
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