New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Tangents: Alvin Luci(f)er, Eno Automata, Sound …

News, quick links, good reads

¶ EVRP (Electronic Voice Recognition Phenomenon): The novelist Richard Kadrey made the following post on Facebook earlier this week. It’s reprinted by permission:

It’s a fascinating — especially because it’s unintentional — spin on Alvin Lucier’s classic “I Am Sitting in a Room.” The incident is particularly tasty if you’re familiar with Kadrey’s novels. His now four-volume Sandman Slim series, which deals with a hell-weary anti-hero, is rich with pop-song (and motion-picture) references to devilish activity. It seems all too perfect that his software would come to recognize a sentient presence in his absence. The EVP, or Electronic Voice Phenomenon, movement seeks to locate the semblance of speech in the noise of static. Kadrey experienced a step further into the metaphysical void: the less perceptible noise of a more generic sort, the everyday room tone. (I’ve known Kadrey for two decades now. He wrote a long profile of Ministry for me when I was an editor at Pulse! magazine and participated in a 2005 discussion here about Brian Eno’s album Thursday Afternoon.)

¶ Composition(al) Rules: Video below of the latest iOS app, Scape, from Brian Eno and Peter Chilvers:

The website says of the app: “Can machines create original music? Scape is our answer to that question: it employs some of the sounds, processes and compositional rules that we have been using for many years and applies them in fresh combinations, to create new music.” The approach and timing are intriguing since Eno referenced cellular automata in regard to the art installation that led to his forthcoming Lux album on Warp Records. The app and album should be considered in tandem.

¶ Sound The website has just two artists associated with the “gene” (or genre, or category) for “sound art” (Zimoun and Tom Marioni). It does, however, have a “tag” for “tape” that includes Christian Marclay, Michael Craig-Martin, and a handful of others. The site is still in beta. I have a heap of invites. If you’re interested, shoot me an email to request one.

¶ Far Afield Recordings: The “remix ←→ culture” project on Kickstarter has an interesting take on not only financial models but cross-cultural collaboration as well. The proposed iPad app makes source recordings (initially from Morocco) available for remixing, and channels funds back to the original musicians.

More on the project, led by Hatim Belyamani, at

¶ Love the Player (Piano): Also on, Other Minds is looking to fund “the largest festival in North America dedicated to the life and music of the genius composer Conlon Nancarrow,” Maverick of the player piano Nancarrow would have turned 100 this year, in the shadow of John Cage’s centenary — not to mention Alan Turing’s and, for good measure, Chuck Jones’. For $25, the second lowest level of participation, you’ll get audio downloads of the three-day festival, and a copy of the catalog.

¶ New Meaning to “Co-Op Mode”: There’s a remix contest sponsored by Halo 4 to rework music from the latest iteration of the game. The source material is by Halo 4 composer Neil Davidge, who’s worked extensively with Massive Attack:

¶ Glass(re)works: The NPR website is streaming remixes both by Beck and by Tyondai Braxton of the music of Philip Glass. More on the forthcoming Philip Glass – Reworked album at Also contributing are Amon Tobin, Cornelius, Dan Deacon, Johann Johannsson, Nosaj Thing, Memory Tapes, Silver Alert, Pantha du Prince, My Great Ghost, and Peter Broderick.

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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    • December 13, 2022: This day marks the 26th anniversary of the founding of
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    • April 16, 2022: I participated in an online "talk show" by The Big Conversation Space (Niki Korth and Clémence de Montgolfier).
    • March 11, 2022: I hosted a panel discussion between Mark Fell, Rian Treanor and James Bradbury in San Francisco as part of the Algorithmic Art Assembly ( at Gray Area (
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    • There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
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  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

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    Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.

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