New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Stems: Phone Tinkering, MRI Beatboxing, Ambient Journalism …

Plus free Matmos, Junto notes, museum sounds, and more

¶ The deadline for signing the White House petition to “Make Unlocking Cell Phones Legal” is February 23. This is a serious issue that relates to many subjects of importance to this site: creative reuse, terms of service, intellectual property, and the right to tinker, among others. Please give it a read and consider weighing in: petitions.whitehouse.gov.

¶ Fascinating if brief interview with Jeff Kolar over at rhizome.org about the correlations between radio and dance, about forms that might be thought to correspond with the disembodied and the body. The interview was done in response to a collaboration Kolar has undertaken with performer/choreographer Jennifer Monson and lighting designer Joe Levasseur. Kolar performed at the 2012 Chicago Disquiet Junto concert, and founded the Radius broadcast, a frequent source of entries in this site’s Downstream coverage.

¶ We talk a lot about sonification, the aural parallel to data visualization, but the flipside is important, too: the application of big data to sound. Interesting Q&A at forbes.com about Gracenote’s API, with smart contrast drawn to how it compares with that of Echo Nest.

¶ Beat boxing, an MRI, and learning about the physiology of language: bbc.co.uk

¶ Not sure I’ve mentioned this. Thanks to my newly upgraded SoundCloud account (courtesy of the service’s Heroes program), both the Instagr/am/bient (with music from 25 musicians, including Marcus Fischer and Ted Laderas) and LX(RMX) (with music by Steve Roden, Scanner, and six others) compilations are available for free download.

¶ This mockup of the forthcoming HTC One mobile phone seems to suggest it has stereo speakers. Note the grill pattern on top and bottom: androidandme.com.

¶ Pitchfork is streaming the new Matmos album, The Marriage of True Minds, for the next few days: pitchfork.com.

¶ Joon Oluchi Lee was Roddy Schrock’s partner in the second of the pieces that Schrock performed at the apexart Disquiet Junto show back in November. Over at his lipstickeater.blogspot.com blog Lee talks more about his development of the piece. Video here: apexart.org.

¶ John Kannenberg has posted his first download at johnkannenberg.bandcamp.com, Live at ZKM Medienmuseum | 11”‹.”‹11”‹.”‹12, a “live site-specific performance of electronically manipulated field recordings of other museum sounds.” Two bucks.

¶ The Verge tech/gadget website has been doing some interesting things with its design of late, notably the inclusion at the top of Sam Byford’s interview with Craig Mod (“What is a book in the age of the iPad?”) of the ambient noise of the Tokyo, Japan, location where they had their conversation. Byford, in the comments, notes what he recorded the noise, and presumably the interview, on: “I got a Sony TX-50 on fire sale, which turned out to be perfect for what I need it for. Super thin and convenient.” (Via Evan Cordes, aka pheezy.com.) … In a related note, “Chronicling the Trip: From Pixels to Paper” by Stephanie Rosenbloom in the New York Times includes this observation: “No app is as foolproof as my Moleskine notebook. But they can make multimedia memories with details like miles traveled and ambient sounds heard along the way, whether they’re church bells in Florence or Pacific loons in Alaska.” Needless to say, the idea of journalists and travelers making sound recordings on a regular basis, whether professional or casual, is a welcome one.

By Marc Weidenbaum

Tags: , , , , , , , / Leave a comment ]

Post a Comment

Your email is never published nor shared. Required fields are marked *

You may use these HTML tags and attributes <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <s> <strike> <strong>

*
*

Subscribe without commenting

  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

  • Field Notes

    News, essays, surveillance

  • Interviews

    Conversations with musicians/artists/coders

  • Studio Journal

    Video, audio, patch notes

  • Projects

    Select collaborations and commissions

  • Subscribe



  • Current Activities

  • Upcoming
    • December 13, 2022: This day marks the 26th anniversary of the founding of Disquiet.com.
    • January 6, 2023: This day marked the 11th anniversary of the start of the Disquiet Junto music community.

  • Recent
    • April 16, 2022: I participated in an online "talk show" by The Big Conversation Space (Niki Korth and Clémence de Montgolfier).
    • March 11, 2022: I hosted a panel discussion between Mark Fell, Rian Treanor and James Bradbury in San Francisco as part of the Algorithmic Art Assembly (aaassembly.org) at Gray Area (grayarea.org).
    • December 28, 2021: This day marked the 10th (!) anniversary of the Instagr/am/bient compilation.
    • January 6, 2021: This day marked the 10th (!) anniversary of the start of the Disquiet Junto music community.
    • December 13, 2021: This day marked the 25th (!) anniversary of the start of the Disquiet Junto music community.
    • There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
    • A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)

  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

  • disquiet junto

  • Background
    Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.

    Recent Projects

  • 0561 / Samplelicker / The Assignment: Rework environmental sound recordings with Aphex Twin's new software.
    0560 / Sonic Disambiguation / The Assignment: Help the Wikimedia Foundation develop a sonic logo.
    0559 / Yes Exit / The Assignment: Compose your personal entrance and exit cues for conference calls.
    0558 / Chore Progressions / The Assignment: Use a routine activity as the map of a composition.
    0557 / Condensation Is a Form of Change / The Assignment: Interpret a graphic score that depicts four phases.

  • Full Index
    And there is a complete list of past projects, 561 consecutive weeks to date.

  • Archives

    By month and by topic

  • [email protected]

    [email protected]

  • Downstream

    Recommended listening each weekday

  • Recent Posts