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Disquiet Junto Project 0066: Communing with Nofi

The Assignment: Collaborate posthumously with the late Jeffrey (Nofi) Melton.

20130404-nofi

Each Thursday at the Disquiet Junto group on Soundcloud.com a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate.

This assignment was made in the mid-afternoon, California time, on Thursday, April 4, with 11:59pm on the following Monday, April 8, 2013, as the deadline.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0066: Communing with Nofi

This week’s project is a tribute to the late Jeffrey Melton, the talented musician, best known on SoundCloud and Twitter as @nofi. Melton passed away a few days ago, on March 30, in Fort Wayne, Indiana, where he lived with his wife and seven-year-old son. He was 42. Melton had been involved with the Disquiet Junto since the very first Junto project, back in January 2012, and he early on volunteered to create a Twitter list of the handles of participating Junto members.

The theme of this project, the 66th in the weekly Disquiet Junto series, is “posthumous collaboration”: communing through music.

These are the steps:

Step 1: Download the following live session of Jeffrey Melton performing. It was recorded in June of last year. Warning: it’s fairly sizable, at over 350 MBs:

Step 2: The track is quite long, so select a segment of between 2 and 5 minutes. The best way to go about this might be to do it at random (just put the needle down, as it were), but of course feel free to listen at length and select a favorite section.

Step 3: Once you have your extracted segment, set the opening of the track to fade in.

Step 4: Set the ending of the track to cut out suddenly.

Step 5: Listen to it several times, to get to know it.

Step 6: Record yourself performing live along with the segment you have selected. Any instrumentation is fine. Just no voice. Be sure to play alone for approximately 10 seconds after Melton’s performance cuts off.

Deadline: Monday, April 8, 2013, at 11:59pm wherever you are.

Length: Your finished work should be the length determined in steps 2 and 6 above.

Information: Please when posting your track on SoundCloud, include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto.

Title/Tag: Include the term “disquiet0066-nonofi”in the title of your track, and as a tag for your track.

Download: Please set your track in a manner that allows for attributed, commerce-free remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution). I’d like to potentially combine all the pieces into a single composition, and this license would allow me to do so easily.

Linking: When posting the track, be sure to include this information:

This track is a posthumous collaboration with Jeffrey Melton, aka Nofi, who passed away on March 30, 2013. It was recorded live in April 2013 atop a June 2012 Melton live recording.

More on this 66th Disquiet Junto project at:

Disquiet Junto Project 0066: Communing with Nofi

More of Melton/Nofi’s music at:

http://www.nofi.org/

Read Melton’s obituary here:

http://www.legacy.com/obituaries/fortwayne/obituary.aspx?page=lifestory&pid=163988588

More details on the Disquiet Junto at:

By Marc Weidenbaum

Tags: , , / Comment: 1 ]

One Trackback

  • By Paying tribute | echosonic on April 8, 2013 at 2:20 am

    […] More on this 66th Disquiet Junto project at: disquiet.com/2013/04/04/disquiet0066-nonofi/ […]

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  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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