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Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

That Time I Interviewed Brian Eno in 1990

And John Cale, regarding their Wrong Way Up collaboration

20151130-wrong

Twenty five years ago I stood on the rooftop of the Diva hotel in San Francisco and interviewed Brian Eno while a photographer did his best to take advantage of the light.

We were there to discuss Wrong Way Up, the album Eno had just released with John Cale of the Velvet Underground. I was on assignment for Down Beat magazine, and the article appeared in the January 1991 issue. I’ve just now uploaded it to Disquiet.com, backdating it to the original publication — hence this small note of its (re)appearance.

The record is a lot of fun, but apparently the daggers depicted on the cover were appropriate, as neither Eno nor Cale came away from it with warm feelings. Said Cale, whom I interviewed by phone:

“With Brian, I think what happened is that he would listen to what you said, but he really didn’t have much patience with it. His idea of listening to what you said was eventually, you know, slam the door and come out with a solution. I haven’t figured out yet what Brian’s notion of cooperation, or collaboration, is.”

Read the full piece: “Reconcilable Differences.” If I can track down my tapes of the interviews, I’ll transcribe them and post them, too.

By Marc Weidenbaum

Tags: , , / Comment: 1 ]

One Comment

  1. radiocitizen
    [ Posted November 30, 2015, at 4:48 pm ]

    For everything about Brian Eno: http://www.moredarkthanshark and http://twitter.com/dark_shark

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  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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