There’s nothing like the moment when the disconnect appears between action and effect. It’s a moment that happens with live looping and live processing, when the audience becomes aware that the concept of cause and effect has shifted, sometimes subtly, sometimes aggressively. This uncanny valley of live electronically mediated performance varies by musician, technique, and instrument. In his early work with processed guitar, you could watch Christopher Willits play something you didn’t hear — and then wait for it to surface in the mix. Turntablist-watchers are used to distinguishing between when the DJ is playing and when the DJ is cueing something yet to be played.
This video shows Hatis Noit, the Japanese vocalist, in an excerpt from a longer performance on the music platform NTS. Noit records for Erased Tapes, which earlier this year releaed her recent EP, Illogical Dance, featuring a fantastic Matmos remix. In this video, she starts off elegantly insinuating vowel tones. At 12 seconds you see the sync between lips and sound. Some 20 seconds later, the sync is no longer self-evident. (Later still, a minute and a half in, the camera shows where Noit’s downard-cast gaze has been looking — at a pedal-controlled looper at her feet.) That moment at 20 seconds is the signal of intent. From there the vocals layer further. Noit moves from tone to melody to spoken to something nearly operatic. It all coalesces into a single piece, a performance that is both recorded and live in the same moment. When Noit plays with twin microphones held in her extended, intertwined arms it is a bit like the sleight of hand employed by sidewalk magicians. She is also telling the audience something: “There are several of me present.”
The video itself is edited in a manner that emphasizes the asynchronous matter of her style. The short gives an additional atmospheric, out-of-body nudge because the video opens with shots of her doing things that don’t involve performing at all, just lingering in a window with Erased Tapes founder Robert Raths, though all the while we already hear her voice.