It’s been almost exactly a year since I posted one of the brief videos of the artist Zimoun’s tactile, economical, kinetic sculptures, sculptures whose impact — humorous, touching, majestic — is so out of proportion with the modest material from which they are constructed. Here’s a new one, posted today. A short video such as this is how Zimoun announces a newly installed work. Its title, as is generally the case for Zimoun, is little more than a list of the components, here “51 prepared dc-motors, 189 m rope, cardboard sticks 30 cm,” followed by the year of production: “2019.” The footage is a view from the Museum of Contemporary Art MAC, Santiago de Chile. And it’s not even 40 seconds long.
Vimeo, unlike YouTube, doesn’t have an easy way to allow for looped, repeated viewing, but you’ll be drawn in and hitting repeat almost for certain. Watch as the tiny cardboard sticks dance around in circles, suspended like the most rudimentary conception of a marionette. Their balletic footsteps suggest Amazonian rainfall: cardboard drops on a cold concrete floor.
Part of the beauty of Zimoun’s videos is how the sound is and isn’t in sync with what we see. The video cuts from one view to another: a closeup, giving us a sense of the mechanisms, a fuller one to give a sense of scale, a room view for sense of scope. Throughout the cardboard raindrops fall.