A quick lunchtime office-ambience experiment, taking Buddha Machines by the duo FM3 and making new background music loops from them. Two Buddha Machines (the blue device is generation one, the uncertain color generation two), each going into separate channels, the input gain adjusted according to the selected loops. The gen-one device is split, half right to the voltage-controlled mixer, and half into Smog (a remix of the Mutable Instruments module Clouds). The Smog route provides some haze in the background. Both the gen-one and gen-two lines are then being operated on (their amplification adjusted by voltage control) thanks to dual pairs of rapid, unsynced LFOs (originating from the Batumi, those combined levels then adjusted by the SPO). And a much slower LFO from the neighboring Dixie II module is occasionally introducing a higher frequency range, which adds another layer. This experiment started off somewhere else entirely (that somewhere involving envelopes), and then was employing very slow LFOs throughout. But then the sound of the rapid LFOs worked even better. A very fast LFO can, in a manner of speaking, serve a slow LFO as well. The title, “Glass Horizon,” is a joke about how down the road there would be a Philip Glass collaboration on a Buddha Machine, but for now these automated arpeggios will have to suffice.
Current Activities
Upcoming
• February 5, 2020: The first session of the 15-week course I teach at the Academy of Art about the role of sound in the media landscape.
• April 15, 2020: A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the forthcoming book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)
• December 13, 2020: This day marks the 24th anniversary of Disquiet.com.
• January 7, 2021: This day marks the 9th anniversary of the start of the Disquiet Junto music community.Dates TBA
• There are entries on the Disquiet Junto in the forthcoming book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
• At least two live group concerts by Disquiet Junto members in the San Francisco Bay Area are in the works for 2020.
• I have liner notes for a musician's solo album and an essay in a book about an art event due out. I'll announce as the release dates come into focus.Ongoing
• The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
disquiet junto
Background
Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.Recent Projects
• 0463 / Making the Gradient / The Assignment: Make a piece of music inspired by the concept of a gradient.
• 0462 / Vade in Pace / The Assignment: Write a short piece of music that gets slower and slower as it proceeds.
• 0461 / Goldilocks Zone / The Assignment: Navigate a sonic space between the hospitable and the inhospitable.
• 0460 / Creative Destruction / The Assignment: Show how you got to a tortured sound.
• 0459 / From a Distance / The Assignment: Make music intended to be heard from afar.Full Index
And there is a complete list of past projects, 463 consecutive weeks to date.