New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

twitter.com/disquiet: Andorian Opera, Email Overload

From the past week

I do this manually each week, collating the tweets I made at twitter.com/disquiet that I want to keep track of. For the most part, this means ones I initiated, not ones in which I directly responded to someone. I sometimes tweak them a bit here. It’s usually personally informative to revisit the previous week of thinking out loud, and yow what a week this has been.

▰ Someone likes an old tweet of yours, so you check the date, and it’s 2010, and you’re like, “How long have I been doing this?” (June 2007)

▰ “Andorians have the best singers. Their antennae increase resonance. This particular soprano was discovered on the street corner. If you hear her live, in the right hall, you can hear four layers of overtones.” (Hostage-scene dialog from Star Trek: Discovery, which I’m digging)

▰ Yes, I’m enjoying Joe Country, the sixth book in Mick Herron’s Slough Horses series. After much drama between the two in the past, this sliver of a scene is all that a main character and his granddad share in the book. (Well, so far. There’s always memories. And intrigue.)

▰ 2020: I’ll vote for anyone who abolishes Daylight Savings Time.

2021: I’ll vote for anyone who abolishes autoplay.

▰ First Tuesday of the new year, the noon void as barren as ever. The Tuesday noon Outdoor Public Warning System siren, a true soundmark of San Francisco, is on a two-year hiatus as of December 10, 2019. Here’s what it used to sound like:

▰ I can only imagine what it would have taken to earn a 24-hour suspension.

▰ Deep breaths. Deep. Today was numbing.

▰ Listening to Albert Collins very loud. Typing. Clearing my mind. What a day. (Trying to sort out the next song to [try to] learn in guitar class.)

▰ For my family’s sake, I am announcing that I am throwing out this moldy apple that’s in my fridge. It’s been moldy for weeks (actually a little over a month — OK, four years) but today I’ve decided it’s too moldy. I can no longer abide by its moldiness. Enough is enough.

▰ Very happy that the first Disquiet Junto track in the first project of the new year was by a first-time participant.

▰ Latest from an occasional series on why I haven’t replied to a given email about an upcoming album:

▰ Best rendition of 4’33” yet

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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  • Current Activities

  • Upcoming
    • December 13, 2022: This day marks the 26th anniversary of the founding of Disquiet.com.
    • January 6, 2023: This day marked the 11th anniversary of the start of the Disquiet Junto music community.

  • Recent
    • April 16, 2022: I participated in an online "talk show" by The Big Conversation Space (Niki Korth and Clémence de Montgolfier).
    • March 11, 2022: I hosted a panel discussion between Mark Fell, Rian Treanor and James Bradbury in San Francisco as part of the Algorithmic Art Assembly (aaassembly.org) at Gray Area (grayarea.org).
    • December 28, 2021: This day marked the 10th (!) anniversary of the Instagr/am/bient compilation.
    • January 6, 2021: This day marked the 10th (!) anniversary of the start of the Disquiet Junto music community.
    • December 13, 2021: This day marked the 25th (!) anniversary of the start of the Disquiet Junto music community.
    • There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
    • A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)

  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

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  • Background
    Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.

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  • 0544 / Feedback Loop / The Assignment: Share music-in-progress for input from others.
    0543 / Technique Check / The Assignment: Share a tip from your method toolbox.
    0542 / 2600 Club / The Assignment: Make some phreaking music.
    0541 / 10BPM Techno / The Assignment: Make some snail-paced beats.
    0540 / 5ive 4our / The Assignment: Take back 5/4 for Jedi time masters Dave Brubeck and Paul Desmond.

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