New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape. Slough, pentatonic, Stravinsky

From the past week

I do this manually each week, collating the tweets I made at (which I think of as my public notebook) that I want to keep track of. For the most part, this means ones I initiated, not ones in which I directly responded to someone. I sometimes tweak them a bit here. Some tweets pop up on sooner than I get around to collating them, so I leave them out of the weekly round-up. It’s usually personally informative to revisit the previous week of thinking out loud, especially these days, when a week can feel both like a year and like nothing whatsoever has happened or changed.

▰ Yes, I’m enjoying the new Mick Herron novel, Slough House (seventh in the Slow Horses series).

▰ Close-up of the speaker grate on the back of a battery-operated alarm clock. The speaker grate is 7 millimeters in diameter. (Insert grating joke here.)

▰ As someone who lived in New Orleans for four years, I appreciate that Mutable Instruments released a new module named Beads on Fat Tuesday.

▰ Today in guitar class pentatonic education. (Jeff Rona joked in reply: “A potentially great companion to my upcoming book ‘5 Things I Like About the Pentatonic Scale'”)

▰ Alternately alarmed and amused by (while also trying to focus on some still hazy metaphorical meaning to) the idea that it is mid-February 2021 and my phone claims to not recognize this word

▰ Nothing says “frictionless user experience” like a button that reads “Sign up with SAML SSO”

▰ 8:12am sounds: hour and a half in, the house still creaking as it warms; mechanical whir in the distance; interior echo of something a neighbor has dropped; white noise of cars passing in opposite directions (clearly one ignored the stop sign); hum of refrigerator two rooms away

▰ That moment when you’re using an online tool to sign something and the automated signature looks like Ralph Steadman scribbled it while under the weather

▰ “Random method generates the same numbers” is my kinda first thread to read on a music message board in the morning over coffee

▰ Today I learned that the modernist squiggle that’s always featured on the cover of the journal Perspectives of New Music was a scribble by Igor Stravinsky. (And they all look like Alexander Girard sketches to me.)

▰ Favorite Yoko Ono factoid: she was apparently Kobo Abe’s translator the first time he visited America. Happy 88th birthday to her.

▰ The new TV series Debris (starting March 1, at least in the U.S.) looks like someone sneaked in at night and asked me while I was sleeping what I wanna watch once a week. Which means that like Counterpart, Intelligence (the one with Ian Tracey), and Travelers it’ll have a short run. Maybe it’ll last as long as Fringe, which it most resembles.

▰ Just proofread some liner notes I wrote. Very excited for when this physical object is released into the world.

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

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