New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

twitter.com/disquiet: Slough, pentatonic, Stravinsky

From the past week

I do this manually each week, collating the tweets I made at twitter.com/disquiet (which I think of as my public notebook) that I want to keep track of. For the most part, this means ones I initiated, not ones in which I directly responded to someone. I sometimes tweak them a bit here. Some tweets pop up on Disquiet.com sooner than I get around to collating them, so I leave them out of the weekly round-up. It’s usually personally informative to revisit the previous week of thinking out loud, especially these days, when a week can feel both like a year and like nothing whatsoever has happened or changed.

▰ Yes, I’m enjoying the new Mick Herron novel, Slough House (seventh in the Slow Horses series).

▰ Close-up of the speaker grate on the back of a battery-operated alarm clock. The speaker grate is 7 millimeters in diameter. (Insert grating joke here.)

▰ As someone who lived in New Orleans for four years, I appreciate that Mutable Instruments released a new module named Beads on Fat Tuesday.

▰ Today in guitar class pentatonic education. (Jeff Rona joked in reply: “A potentially great companion to my upcoming book ‘5 Things I Like About the Pentatonic Scale'”)

▰ Alternately alarmed and amused by (while also trying to focus on some still hazy metaphorical meaning to) the idea that it is mid-February 2021 and my phone claims to not recognize this word

▰ Nothing says “frictionless user experience” like a button that reads “Sign up with SAML SSO”

▰ 8:12am sounds: hour and a half in, the house still creaking as it warms; mechanical whir in the distance; interior echo of something a neighbor has dropped; white noise of cars passing in opposite directions (clearly one ignored the stop sign); hum of refrigerator two rooms away

▰ That moment when you’re using an online tool to sign something and the automated signature looks like Ralph Steadman scribbled it while under the weather

▰ “Random method generates the same numbers” is my kinda first thread to read on a music message board in the morning over coffee

▰ Today I learned that the modernist squiggle that’s always featured on the cover of the journal Perspectives of New Music was a scribble by Igor Stravinsky. (And they all look like Alexander Girard sketches to me.)

▰ Favorite Yoko Ono factoid: she was apparently Kobo Abe’s translator the first time he visited America. Happy 88th birthday to her.

▰ The new TV series Debris (starting March 1, at least in the U.S.) looks like someone sneaked in at night and asked me while I was sleeping what I wanna watch once a week. Which means that like Counterpart, Intelligence (the one with Ian Tracey), and Travelers it’ll have a short run. Maybe it’ll last as long as Fringe, which it most resembles.

▰ Just proofread some liner notes I wrote. Very excited for when this physical object is released into the world.

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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    • December 13, 2022: This day marks the 26th anniversary of the founding of Disquiet.com.
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  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

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