New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Current Favorites: Soil, Tree, “Apache”

Heavy rotation, lightly annotated

A weekly(ish) answer to the question “What have you been listening to lately?” It’s lightly annotated because I don’t like re-posting material without providing some context. I hope to write more about some of these in the future, but didn’t want to delay sharing them.

Garble Blox is Chicago’s J. Soliday on the Portland (Maine) label Traced Objects in sheer joyous noise mode. True to the title this is John Cage by way of Carl Stalling, found sounds and sound effects broken and reconstituted with the hijinks set to 11. Two tracks, 17 minutes each:

▰ This isn’t literally “The Sound of a Soil Sleeping,” but it sure has the droning, industrious quality of life underground, plick plock activity amid the earthy gravitas. It’s a highlight of Five Days in March, the Berthoud, Colorado, musician C. Reider’s brand new album. Also particularly recommended: the similarly percolating one with non-fungible tokens in its title:

▰ Forget the sound of a tree falling in the forest. How about the sound of the wind that might fell a tree, as heard from inside the tree. That’s what Robert Cole Rizzi captures in this track:

▰ A friend mentioned this video of the “Apache” breakbeat on loop for 10 hours, and while I didn’t quite make it to 10, I sure got lost in it for extended periods of time. The video is from 2017, the source audio from 1973. Nonetheless: timeless.

By Marc Weidenbaum

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