New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

DJ Krush in the Temple by the Foot of the Mountain

An hour-long live set recorded in February


The widespread isolation of pandemic culture provided the natural incubator for DJ Krush to spin echoes of turntablist gestures alone in a Japanese temple as winter turned to spring.

Please trust me that while I’ve only seen Krush live a handful or so of times, I have listened to countless hours of his recorded concert performances, and this is, I believe, one of his finest. Krush originated as a Japanese hip-hop DJ, and from the beginning emphasized abstraction and atmosphere, as well as utilized regional music and sonic culture as source material and inspiration.

This hour-long set was first streamed in late February as part of the MUSO Cultural Festival, broadcast from the temple Daichuji, located in the Japanese city of Numazu, Shizuoka, by the foot of Mount Ashitaka. A brief accompanying statement explains: “Within the temple, a conceptual live performance was filmed as if to experience the essence of Zen through sound.” The festival takes its name from Muso Soseki, who founded Daichuji in 1313.

The show opens with an exceptionally sparse seven minutes of elegant, cautious play, then ratchets up to something closer to the smokey, noir quality of his early work. From there the pace slowly builds, remaining downtempo throughout, but gaining depth: more sounds, more motion, more contrast. Even as the audio accrues, there remains room for the slightest hand gesture to bring a warble to the surface, for his wrists to syncopate martial drums and drop in quick samples. So much gets folded in: dance music, chanting, birdsong, and rapturous percussion stuttered in his mixer.

The show ends as it began, with choice bits of sound, wooden flutes from some of his most famous music, until the beats drop out. From there on, for the last five minutes or so, the work is Krush at his most ghostly, not mournful so much as reflective, peaceful, finally resolving in a climactic drone before dissipating like a candle blown out.

Video originally posted at YouTube. More on the festival at muso-festival.com.

By Marc Weidenbaum

Tags: , , , / Leave a comment ]

Post a Comment

Your email is never published nor shared. Required fields are marked *

You may use these HTML tags and attributes <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <s> <strike> <strong>

*
*

Subscribe without commenting

  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

  • Field Notes

    News, essays, surveillance

  • Interviews

    Conversations with musicians/artists/coders

  • Studio Journal

    Video, audio, patch notes

  • Projects

    Select collaborations and commissions

  • Subscribe



  • Current Activities

  • Upcoming
    • December 13, 2022: This day marks the 26th anniversary of the founding of Disquiet.com.
    • January 6, 2023: This day marked the 11th anniversary of the start of the Disquiet Junto music community.

  • Recent
    • April 16, 2022: I participated in an online "talk show" by The Big Conversation Space (Niki Korth and Clémence de Montgolfier).
    • March 11, 2022: I hosted a panel discussion between Mark Fell, Rian Treanor and James Bradbury in San Francisco as part of the Algorithmic Art Assembly (aaassembly.org) at Gray Area (grayarea.org).
    • December 28, 2021: This day marked the 10th (!) anniversary of the Instagr/am/bient compilation.
    • January 6, 2021: This day marked the 10th (!) anniversary of the start of the Disquiet Junto music community.
    • December 13, 2021: This day marked the 25th (!) anniversary of the start of the Disquiet Junto music community.
    • There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
    • A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)

  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

  • disquiet junto

  • Background
    Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.

    Recent Projects

  • 0554 / Cage Chord / The Assignment: Riff on a chord by John Cage.
    0553 / Break That Cycle / The Assignment: Record in a steady tempo but break it on occasion.
    0552 / The Radio in My Life / The Assignment: Record music in response to a John Cage and Morton Feldman conversation.
    0551 / The Bends / The Assignment: Get less strict about something you're strict about.
    0550 / Abrupt Probability / Make music based on a chance graphic score.

  • Full Index
    And there is a complete list of past projects, 554 consecutive weeks to date.

  • Archives

    By month and by topic

  • [email protected]

    [email protected]

  • Downstream

    Recommended listening each weekday

  • Recent Posts