New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

1 Harp x 50 Guitar Pedals

Emily Hopkins is a force for good.


You should know this old line, “Question: What was the acoustic guitar called before the electric guitar? Answer: the guitar.” Now, here’s a new one: “Question: What was the guitar pedal called after Emily Hopkins? Answer: the pedal.”

Emily Hopkins’ videos are always a treat. She regularly puts her massive harp through guitar pedals, transforming both in the process. We hear the harp as it is rarely heard, and we hear the pedals put to use that is unusual for them, as well. In this video, Hopkins plays the same exact phrase through no fewer than 50 guitar pedals. Sometimes we just hear the phrase, rendered through echo, or delay, or crushed nearly beyond recognition; others we hear it on repeat as the pedal is itself manipulated — or, in a manner of speaking, played. The result is a sparkly rainbow of electronic possibility.

Video originally posted at YouTube.

By Marc Weidenbaum

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