New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

The Refraction Context

When open source means open-ended melodies

Tired: album liner notes.

Wired: a link to the GitHub repository where the open-source software used to record the music is housed.

Case in point: Ambalek’s track “Lofi Snowflakes,” a sedate sequence of tones that follow a pace seemingly static but varying regularly throughout. The melody alters just enough to feel of a piece, but in fact it shifts continuously, effortlessly, notes occasionally warped in a manner that echoes the open-ended refraction context. The script, titled Raindrops, was written for the Norns, a device from Monome (see:

Track originally posted at Github at

By Marc Weidenbaum

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