New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Current Favorites: Trumpet, Melodica, Buddha Machine

Heavy rotation, lightly annotated

My weekly(ish) answer to the question “What have you been listening to lately?” It’s lightly annotated because I don’t like re-posting material without providing some context. I hope to write more about some of these in the future, but didn’t want to delay sharing them:

▰ There’s a new album from the late Japanese trumpeter Toshinori Kondo due out next month. It’s two CDs. One CD is all what the label describes as ambient pieces, and here’s a taste:

The second CD is a concert from 2005. Here’s a video of some of it, complete with live painting by Seitaro Kuroda. The band is Kondo (trumpet) + Bill Laswell (bass) + Hideo Yamaki (drums) + Yoshinobu Kojima (keyboards).

Kaori Suzuki’s nearly half-hour “Music for Modified Melodica” exemplifies her penchant for intensity. The overtone overload — the notes note: “Intended for hi-volume listening!” — cycles through like a massive chorus of insects with phenomenal breath control, and I mean that as a high compliment.

▰ With “Transporter,” J Butler reworks a Buddha Machine, singing bowls, and other atmospheric source material along with field recordings into something that sounds like if Brian Eno’s “Apollo” was about a walk in the forest:

By Marc Weidenbaum

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