New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

twitter.com/disquiet: Noyes, Mingus, BPM

From the past week

I do this manually each Saturday, collating most of the tweets I made the past week at twitter.com/disquiet, which I think of as my public notebook. Some tweets pop up sooner in expanded form or otherwise on Disquiet.com. I’ve found it personally informative to revisit the previous week of thinking out loud. This isn’t a full accounting. Often there are, for example, conversations on Twitter that don’t really make as much sense out of the context of Twitter itself.

▰ I didn’t know until today that (yeah yeah TIL) “Noyes” is pronounced “noise.” A friend visiting Chicago sent me a four-second video from a train. The automated voice is heard saying what appears to be “This is noise.” The screen at the rear of the car reads “This is Noyes.”

(And yeah, now my cultural-jukebox brain is revisiting old issues of The Duplex Planet.)

▰ Got a bunch requests in this regard the past couple weeks while I was traveling, so I wanted to mention it here: I enjoy writing liner notes, and I make time for doing so. Artist bios (like for press kits, etc.) are something I don’t really have time for. Thanks.

▰ Start a blog. Then in 25 years you can tell yourself what a rewarding way it has been to spend 25 years, as I’ve been doing this year in between writing new disquiet.com blog posts.

▰ Yes, you’re drinking a cup of coffee while your brain whirrs up for the day, and you’re listening to the new edit of Peter Gabriel’s “Shock the Monkey,” and at the appropriate moment you do, indeed, find yourself crossing your arms, instinctually, in front of your chest.

Just as a side note, the original “Shock the Monkey” video now looks sort of like a supercut compression of the Moon Knight TV series.

▰ “So, what’s your optimal BPM?” That’s what I asked on Twitter. I got a lot of responses: ➔ twitter.com/disquiet

▰ It’s Earth Day. Take out your earbuds and open your window.

▰ “We care about your experience so we may record this call.”

Note: cause and effect are not simply the result of the insertion of a conjunction.

▰ The 10th novel I finished reading in 2022: I read Sayaka Murata’s excellent Convenience Store Woman earlier this year, and followed it up with Earthlings, which engages in a similar narrative (individual viewing society from an extreme remove) but in a much darker mode. And the novel’s end is hardcore Ballardian. Yow. (Also: There’s virtually no sound in Earthlings, a stark contrast with Convenience Store Woman, which was full not just with sound, but with the protagonist’s perception of sound.)

▰ Friday, April 22, 2022, was the 100th birthday of one of the greatest musicians of all time, American jazz bassist Charles Mingus. I tweeted a playlist of favorites to mark the moment, starting with a live 1964 concert with Eric Dolphy, wending through covers by Keith Richards and Joni Mitchel, touching inevitably on his own Ah Um and his trio album with Duke Ellington and Max Roach, Money Jungle, and closing on the opening cut of Mingus Mingus Mingus Mingus Mingus — his initial solo on “II B.S.” is so deep, so intimate. Then he invites the band in a bit at a time until it scales out to something utterly massive in scope. ➔ twitter.com/disquiet

▰ And finally, the weekend, which I take off social media. Some recommended plans:

  • Listen to more Mingus
  • Let Earth Day linger
  • Prep for World Listening Day (July 18)

By Marc Weidenbaum

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