Disquiet Junto Project 0627: Just Ice Society

The Assignment: Record the sound of ice in a glass and make something with it.

Each Thursday in the Disquiet Junto music community, a new compositional challenge is set before the group’s members, who then have just under five days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. (A SoundCloud account is helpful but not required.) There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time and interest.

Deadline: This project’s deadline is the end of the day Monday, January 8, 2024, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, January 4, 2024.

Tracks are added to the SoundCloud playlist for the duration of the project. Additional (non-SoundCloud) tracks appear in the lllllll.co discussion thread.

These following instructions went out to the group’s email list (at tinyletter.com/disquiet-junto). Note that this service will change shortly, likely to Buttondown, due to Tinyletter shutting down.

Disquiet Junto Project 0627: Just Ice Society
The Assignment: Record the sound of ice in a glass and make something with it.

Welcome to a new year of Disquiet Junto communal music projects. This week’s project is as follows. It’s the same project we’ve begun each year with since the very first Junto project, way back in January 2012. The project is, per tradition, just this one step:

Step 1: Please record the sound of an ice cube rattling in a glass, and make something of it.

It’s great if you can record your own ice sounds, but if you want some help, the always awesome Jason (Bassling) Richardson has provided some source audio:

WAV:
https://www.mediafire.com/file/e8qpnf0i1r2xhw1/bassling_-_pindari_glasses.wav/file

MOV:
https://www.mediafire.com/file/swq09kq409qhecg/bassling_-_pindari_glasses.mov/file

Background: Longtime participants in, and observers of, the Disquiet Junto series will recognize this single-sentence assignment — “Please record the sound of an ice cube rattling in a glass, and make something of it” — as the very first Disquiet Junto project, the same one that launched the series back on the first Thursday of January 2012. Revisiting it at the start of each January ever since has provided a fitting way to begin the new year. By now, it qualifies as a tradition. A weekly project series can come to overemphasize novelty, and it’s helpful to revisit old projects as much as it is to engage with new ones. Also, by its very nature, the Disquiet Junto suggests itself as a fast pace: a four-day production window, a regular if not weekly habit. It can be beneficial to step back and see things from a longer perspective.

Seven Important Steps When Your Track Is Done:

Step 1: Include “disquiet0627” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0627” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0627-just-ice-society/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you. 

Deadline: This project’s deadline is the end of the day Monday, January 8, 2024, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, January 4, 2024.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 627th weekly Disquiet Junto project, Just Ice Society — The Assignment: Record the sound of ice in a glass and make something with it — at: https://disquiet.com/0627/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0627-just-ice-society/

Inbound: Celtic Frost

Comin' up soon

A fun multi-author series of mini-essays has begun at Hilobrow on “metal records from the Eighties.” My piece on Celtic Frost will be up later in the series. I’m stoked to see my old friends Dean Haspiel and Erik Davis are part of it. You can read the introduction by Heather Quinlan, the series’ editor, now, as well as the first entry, on Metallica, by Crockett Doob.

Roy’s Radio

And a related question

I always love coming upon this three-dimensional piece by Roy Lichtenstein at the San Francisco Museum of Modern Art. Painted in 1962, it’s a great example of how the artist, best known for his oversized appropriations of comic book illustrations, found beauty in the geometries, textures, and purpose of everyday commercial objects. The dots that depict this radio’s speaker here bring to mind the signature dots of Lichtenstein’s famous paintings, dots that were themselves investigations of the patterns inherent in the printing process. He blew up what was previously invisible, ignored, taken for granted, or merely a subset of a larger story in a different context, and drew attention to details in a manner that made them alternately abstract or hyperreal — sometimes both simultaneously. For the first time, I found myself focusing on the radio station to which this imaginary device is tuned, just above 94 on the clearly selected FM dial. I wonder what station that was at the time, presumably in New York City. (If it’s of interest, I’ve written previously about Lichtenstein’s famed Blam, a painting that also dates from 1962.)

Novels Read, 2023

This doesn't include non-fiction (or novels I stopped reading)

I read a lot more than novels this year, but these are the 30 novels I read. I have several more I’m almost done with, but that I won’t complete until early 2024. The books with the + signs next to them are the ones I particularly recommend. (I kept a list last year, too.) This is the order in which I finished reading them:

1: Carole Stivers: The Mother Code
2: Lauren Belfer: And After the Fire
3: Daniel Nieh: Take No Names
4: +Amor Towles: A Gentleman in Moscow
5: +Elmore Leonard: City Primeval
6: +Malka Older: The Mimicking of Known Successes
7: +Benjamín Labatut: When We Cease to Understand the World
8: Stephen Blackmoore: Dead Things
9: Fernanda Melchor: Hurricane Season
10: +Charles Cumming: Box 88 (Box 88 Book 1)
11: Annalee Newitz: The Terraformers
12: Weike Wang: Chemistry
13: Lauren Wilkinson: American Spy
14: +Ray Bradbury: Fahrenheit 451
15: Charles Cumming: Judas 62 (Box 88 Book 2)
16: Hiron Ennes: Leech
17: Yeo-sun Kwon: Lemon
18: Kristin Chen: Counterfeit
19: Alan Furst: Night Soldiers (Night Soldiers Book 1)
20: John Darnielle: Devil House
21: +Alan Furst: Dark Star (Night Soldiers Book 2)
22: Yukito Ayatsuji: The Decagon House Murders
23: Lauren Oyler: Fake Accounts
24: Charles Cumming: Kennedy 35 (Box 88 Book 3)
25: Richard Powers: The Overstory
26: Lawrence Block: The Sins of the Fathers (Matthew Scudder Book 1)
27: Lawrence Block: In the Midst of Death (Matthew Scudder Book 3)
28: Lawrence Block: Time to Murder and Create (Matthew Scudder Book 2)
29: +Lawrence Block: A Stab in the Dark (Matthew Scudder Book 4)
30: +Sean Michaels: Us Conductors