Scratch Pad: Sanborn, Poe, Chords

From the past week

I do this manually at the end of each week: collating (and sometimes lightly editing) most of the recent little comments I’ve made on social media, which I think of as my public scratch pad. Some end up on Disquiet.com earlier, sometimes in expanded form. These days I mostly hang out on Mastodon (at post.lurk.org/@disquiet), and I’m also trying out a few others. I take weekends and evenings off social media.

▰ RIP, saxophonist David Sanborn (b. 1945). Night Music, produced by the great Hal Willner, was some of the best music television of all time.

▰ I love Tuesday mornings because the latest #DisquietJunto project has ended and there’s a playlist packed with music on a specific theme or following a specific approach, in this case: recording a part, slowing it to 50%, then recording something else on top of it.

▰ Been thinking a lot about two authors whose work I admire, Charles Dickens (1812-1870) and Edgar Allan Poe (1809-1849), how closely their lifespans overlapped, how surprising to me that overlap is when I’m reminded of it, and how much more contemporary I always think of Poe as being.

▰ I have no idea why it was only today that I finally thought, “Hey, those Minirig 3 speakers work with your laptop, not just with music-making gear, so why don’t you hook ’em up?” My M1 MacBook Pro 14″ has great sound, mind you, but the additional bass on these is incredible for desktop activity.

▰ I can retain no more information. My brain is full of 7th chords and topped off with some 9th chords.

▰ Yes, I had to order a second cable holder for my synth

▰ The stereo at the barbershop just went from Nazareth’s “Love Hurts” to the Cascades’ “Angel on My Shoulder” and I figure either there’s someone behind the wheel with a broad, generous, and humorous take on pop music, or there’s an ahistorical algorithm at work just kludging stuff together

▰ Guitar practice this week has been half 7th/9th chords, half “Easy Living” by Robin/Rainger (mostly Rainger, since I’m not singing along, though I probably should be), and half trying to get myself to hold the pick between my thumb and index finger instead of using my thumb, middle, and index finger

▰ I haven’t touched a guitar pedal this week, just been practicing guitar through VCV Rack on my laptop with a simple audio interface. Gonna fold in some MIDI foot pedals soon.

▰ The sausage spot during lunch went from a playlist of X-Ray Spex, the Dictators, and the Dead Boys to one of Sade and Tears for Fears, and I enjoyed the ride

▰ I finished reading two novels this past week: HG Wells’ The World Set Free and Anthony McCarten’s Going Zero, published over a century apart, both of them involving technological threat at a global scale, and both of them starting out strong and and eventually get overstuffed. After reading Rebecca West’s book The Return of the Soldier, which is quite good, I wanted to read something by Wells, because I had learned he was her romantic partner, so I sought out a book by him from roughly the time when they would have met. The first third is really good. The second third is so-so, a bit like if Anthony Furst wrote alternate-history military science fiction, but the last third, which takes place further in the future, is a mess, like random story notes were mashed together to complete a required allotment of pages. There is a wistful, fable-like quality in that last stretch that reminds me of Osamu Tezuka (zero doubt Tezuka read it), but that association isn’t enough to excuse the mess.

Scratch Pad: Eno, Fog, Obsidian

From the past week

I do this manually at the end of each week: collating (and sometimes lightly editing) most of the recent little comments I’ve made on social media, which I think of as my public scratch pad. Some end up on Disquiet.com earlier, sometimes in expanded form. These days I mostly hang out on Mastodon (at post.lurk.org/@disquiet), and I’m also trying out a few others. I take weekends and evenings off social media.

▰ I love when a spam call comes through all glitchy and hard to understand, opening with a phrase along the lines of “This is an urgent message from …,” and it’s briefly like a Skynet warning from the future. Until, you know, it’s just spam about some fake loan.

▰ Among my memories of my grandfather is being left, on visits, to rummage through his desk, which always had many coins, many pairs of glasses, and pencils with erasers so old they’d become useless. I now have a desk full of many coins and pairs of glasses. In lieu of old pencils I have dead gadgets.

▰ Day 365 of Duolingo German. Not sure I’m gonna stick with it, but sticking with it for a year was interesting. We’ll see.

▰ Just been thinking about Steve Albini since the news broke. He was many things, but I realize that I think of him first and foremost as a guitarist.

▰ I get a little (a little) better at guitar when I practice guitar regularly, but I don’t get any better at installing firmware when I install firmware regularly, though I suppose my instruments get better.

▰ If you have trouble keeping a journal, I’d suggest starting a file called “tweets-not-sent.txt” and just put much of your negative thinking there rather than online

▰ More power to you keepers of handwritten journals. I’ve typed for too much of my life, starting with my fascination with my parents’ electric typewriter back in the days before my TRS-80. I’ve tried a handwritten synthesizer journal but I keep going back to markdown files with embedded images.

▰ No idea why I waited so long to really regularly use images in my Obsidian markdown notes, but in any case once you do it’s pretty great. The main thing I need to sort out now is a process for managing the images. Do I use one separate folder, or several, or project-specific, or monthly? I dunno.

▰ There’s a new (2024) Buddha Machine, and the creators, Christiaan Virant and 张荐 (Zhang Jian), who collaborate under the name FM3, put the loops up for free (aka “name your price”)

https://buddhamachine.bandcamp.com/album/buddha-machine-se

▰ OK, let’s see if I can get this podcast rolling again

▰ Obsidian (URL: obsidian.md) is, like, amazing, right? So useful. So efficient.

▰ Of course the fog horns piped up Thursday night: Friday, May 10, marks the birthday of the late Ingram Marshall.

▰ In case there was any doubt, the fog horns are still clearly functioning in the San Francisco Bay

▰ Steps:

make music

buy cables

search “cable management”

make music

buy cables

search “cable management”

[repeat]

▰ Who better to follow Brian Eno, godfather of ambient music, than Sleeping Beauty?

End of Week Notes

Four quick items

1: I’m going to see the Brian Eno documentary, Eno, this evening at the Palace of Fine Arts Theatre here in San Francisco. As I’ve joked since the movie was announced, I feel like Dieter Rams should have composed the score, since Eno scored the Rams documentary by the same director, Gary Hustwit. Since every showing of Eno is a little different, due to the projection process Hustwit employs, I do plan to see it a second time, but at $40 a pop, I’m going to wait.

2: I’ve been trying to do one audio thing a day, just getting back in the swing of things after spending a way larger percentage of my modest music-making time on guitar practice. This week that included:

  • reorganizing one of my main modular synthesizer racks
  • getting my recently obtained Expert Sleepers ES-9 module hooked up with my laptop and iPad
  • sending audio from the iPad to the synth with the ES-9 (in this case, running it through the excellent reverb module Bunker Archaeology)
  • using some Jacklights to identify activity on some modules so technical their functions have eluded me thus far
  • reminding myself how to use my H4N as an audio interface, and learning by chance that this can be done without batteries (the USB transfers sufficient power to it)
  • I’m trying to get into the habit of ABR (“always be recording) but I’m not quite there yet.

3: I’m plotting the return of my Disquietude podcast. I sent requests out to artists whose music I want to feature, and I quickly (within an hour or so) heard back from most of them. I only feature music by artists who have themselves approved its inclusion, or whose record label or management provided approval.

4: If you haven’t seen the new Paul Simon documentary, In Restless Dreams, I recommend it so far — by “so far” meaning I’m about halfway through the first two episodes. It mostly takes place in the present (and yes, he is quite old, and yes, he seems to be becoming Mel Brooks — and yes, he can still play and sing, boy can he), as a summary of his recent album, Seven Psalms, but also threads a simple chronology of his life. The director is Alex Gibney (The Inventor, Going Clear, We Steal Secrets, Taxi to the Dark Side). There are some exceptional moments, like a hand-drawn grid of the relative chart movements of the top 20 singles made by Art Garfunkel when he was a teenager, a moment when Simon (off screen) tells us he is crying (“weeping”) after summoning up a simple memory, and an instance when Simon recounts going deaf in one ear in October 2023 and at that moment in the film the audio gets muddy in a way that brings the audience into a semblance of his experience. The effect isn’t subtle, but it’s still quite well done. The Garfunkel chart, by the way, is straight outta the “Great Rock and Roll Pauses” section of Jennifer Egan’s A Visit from the Goon Squad (and the related material in The Candy House).

Heavy Metal

An ongoing series cross-posted from instagram.com/dsqt

A glimpse of the rear of a synth PCB before the module goes back into the slightly rearranged case. This one looks like the map of a city metro line. Oddly, the name of the module, the Bizmuth, was a word in the New York Times Strands puzzle today, May 7, 2024.

Scratch Pad: Journal, Tabs, Sugar

From the past week

I do this manually at the end of each week: collating (and sometimes lightly editing) most of the recent little comments I’ve made on social media, which I think of as my public scratch pad. Some end up on Disquiet.com earlier, sometimes in expanded form. These days I mostly hang out on Mastodon (at post.lurk.org/@disquiet), and I’m also trying out a few others. I take weekends and evenings off social media.

▰ If you have trouble keeping a journal, write down the most mundane aspects of your day. The things we take for granted are often the things that, down the road, experience a change that is otherwise hard to track back in retrospect — or foresee in advance. Just noting those items, duties, processes, and instances can cement thoughts and provide a foundation for something to linger on and write about.

▰ Yow, 30 MPH gusts are something else

▰ The Punisher does a bit of time-sensitive acoustic deduction in the first issue of the new run (with a new title character) by David Pepose (author) and Dave Wachter (illustrator):

▰ My guitar teacher, looking further ahead in the score: “And you know this chord.”

▰ Me not recognizing the chord but, yes, seeing it later in between where I have gotten so far and where he is currently: “I think you mean I will have known this chord.”

▰ The funny thing about practicing “Easy Living,” the Robin/Rainger tune, in guitar class so as to learn more about 7th chords is that life is thus not particularly easy

▰ A day in which both the Connections and Strands games in the New York Times have the same word (“aioli”). I’d always wondered if the editors kept an eye out for such things, or weren’t concerned. Either way, both puzzles were fun (earlier this week).

▰ Halfway through episode 5 of the Colin Farrell show Sugar I said something out loud — something that turned out to be the case in the episode 6.

(And just as a side note, the whole thing looks like an Ed Brubaker / Sean Phillips jam. I’d swear the storyboards must resemble one of their comics.)

▰ The café has played Lucinda Williams, the Kinks, Sam Dees, and Pavement, and I’m easily twice the age of anyone apparently employed here. Everything will be fine.

▰ For every 10 browser tabs I have open, at least one will be for some esoteric-to-me guitar chord

▰ There are days when I’m not even sure which is my default web browser, and so I find a link in an email and click on it to remind myself

▰ According to my notes, I finished reading three books this week (while juggling more than I usually do, and adding several more in the process), a novel and two graphic novels. The novel is The Return of the Solidier by Rebecca West, about which I can’t say enough. It’s fantastic, and it sent me subsequently to The World Set Free by HG Wells (with whom she had a long out-of-wedlock relationship that early on yielded a son, the writer Anthony West); I’m just over the 50% mark on that one. Also In the Sounds and Sea by Marnie Galloway (a wordless comic with a mythical, Odyssean narrative) and the first volume of a new, ongoing Blade series, written by Bryan Hill and drawn by Elena Casagrande.