This Week in Sound: Musical Trainspotting

A lightly annotated clipping service

These following sound-studies highlights originally appeared in the May 20, 2026, issue of my Disquiet.com weekly email newsletter, This Week in Sound. This Week in Sound is the best way I’ve found to process material I come across. Reader support provides resources and encouragement. Most issues are free. An occasional annotated mixtape is for paid subscribers. Thanks.

▰ Keeping Tine: “In order to document bird songs, Mathews hiked through the thickets of the heavily forested White Mountains with a tuning fork and a notebook. Some contemporaries toted a stopwatch, too. He would have had to listen for birds calling repeatedly and long enough to decipher them. He might have tapped the tuning fork with a mallet to determine the key of the bird’s song. Then it was penciling each note onto the staff. Ironically, he called his notations ‘recordings’—not recordings in the analog or digital form, but a handwritten record of each song.” (From the always excellent newsletter This Week in Birding, by Bob Dolgan.)

▰ Round the Bend: The sound of a Siemens automotive called the Taurus makes when getting going is something to behold: “The power converters have to adapt the current from the overhead line to convert it to the three-phase motors of the locomotive, and that generates a rising tone. The engineers decided to change the logic to increment the tone in precise few steps resembling a musical scale, rather than allowing it to rise continuously.” (From Marchin Wichary’s Unsung.)

▰ Volume Control: “Now we can add a new gripe [about data centers] to the list: in addition to just being noisy, a sustainability nonprofit called the Environmental and Energy Study Institute (EESI) is claiming that data centers are emitting ultra-low frequencies [or “infrasound”] — think the powerful sub-bass at an EDM festival — that, while not picked up by a conventional decibel meter, cause an unsettling rumble for nearby residents.” (From Krystle Vermes at futurism.com.)

▰ Button Mash: The new video game controller from Steam has some tricks up its plastic and metal sleeve: “[A user] recently discovered that one of those easter eggs is how the controller literally screams when you drop it. More specifically, it will recreate the Wilhelm scream, which originated in a 1950s Western and is now considered the ‘most famous scream of all time.’”

 GRACE NOTES: (1) Lip Service: Tips on controlling your phone with your voice (Wired).  (2) Wave Form: Why not build yourself a radio wave detector with aluminum foil? (Wired).  (3) Sound Art: Jeff Koons’ iconic “balloon dog” sculpture is now a speaker (4) Smoking Jacket: “Experimental clothing brand Vollebak has created the prototype Sonic Jacket, which is fitted with 180 inward-facing speakers.”  (5) Dynamic Duo: A pair of pristine WWII-era radio transmitters “survived the war in brand new condition in their original shipping crates.”  (6) Public Venture: Industrial-music legend JG Thirwell (Foetus) has a Tumblr and apparently he sees music performances all the time and posts clips of them, among other things.

 Citation Credits: Thanks, Lowell Goss (WWII)!

Sound Ledger: Environment, Earbuds, Mars

Audio culture by the numbers

60: Percent of UK adults estimated to be adversely affected by their sonic environments.

60: “The 60-60 rule asserts that you shouldn’t listen to music at a volume louder than 60% of maximum for more than 60 minutes at a time.”

70: The percent slower that sound moves on Mars than on Earth.

Sources: UK (pipedown.org), 60-60 (zdnet.com), Mars (nature.com)

Disquiet Junto Project 0751: Gastropod Meter

The Assignment: Go slow for an imagined nature documentary.

Each Thursday in the Disquiet Junto music community, a new compositional challenge is set before the group’s members, who then have five days to record and upload a track in response to the project instructions.

Membership in the Junto is open: just join and participate. (A SoundCloud account is helpful but not required.) There’s no pressure to do every project. The Junto is weekly so that you know it’s there, every Thursday through Monday, when your time and interest align.

Tracks are added to the SoundCloud playlist for the duration of the project. Additional (non-SoundCloud) tracks also generally appear in the llllllll.co discussion thread.

Disquiet Junto Project 0751: Gastropod Meter
The Assignment: Go slow for an imagined nature documentary.

Imagine you’ve been invited to compose music for a nature documentary about slugs. Record a track for one of the film’s slower scenes.

Note: Cover photo shot at the Headlands Center for the Arts in Marin County, California.

Tasks Upon Completion:

Label: Include “disquiet0751” (no spaces/quotes) in the name of your track.

Upload: A person participating in the Disquiet Junto should post only one track per weekly project (SoundCloud account preferred but not required). If on occasion you feel inspired to post more than one track (whether to a single account or across multiple accounts), you should clarify which is the “main” rendition for consideration by fellow members and (if on SoundCloud) for inclusion in the SoundCloud playlist.

Share: Post your track and a description/explanation at https://llllllll.co/t/disquiet-junto-project-0751-gastropod-meter/

Discuss: Listen to and comment on the other tracks.

Additional Details:

Length: The length is up to you. Maybe 3 to 5 minutes?

Deadline: Monday, May 25, 2026, 11:59pm (that is: just before midnight) wherever you are.

About: https://disquiet.com/junto/

Newsletter: https://juntoletter.disquiet.com/

License: It’s preferred (but not required) to set your track as downloadable and allowing for attributed remixing (i.e., an attribution Creative Commons license).

Please Include When Posting Your Track:

More on the 751th weekly Disquiet Junto project, Gastropod Meter — The Assignment: Go slow for an imagined nature documentary — disquiet.com/0751.

Junto x Bern 2026

It's a "blitz"

I’m excited to report we’re again teaming up with Musikfestival Bern this year, thanks as always to Tobias Reber.

The festival will run in Bern, Switzerland, from September 2 – 6, and we’ll be doing four projects in advance, playing in various ways — direct and indirect — with the theme for this year’s events, which is «Blitz» (or “Lightning”), and we’ll be responding, as well, to concepts introduced by various composers and musicians involved this coming season. Some of the music we create over the course of these projects may also end up being part of one of the festival’s many sound installations. The first of these Junto x Bern projects will likely occur next week, for Disquiet Junto project 0752, which will begin on May 28.

Read more about the festival at musikfestivalbern.ch. This will be the eighth year in a row that the Junto has collaborated with Musikfestival Bern. It’s always a pleasure and a privilege, and precisely the sort of creative connection-making I love to happen for the Junto community.