Uncut Monolake Cinemascope MP3

There’s uncut, and then there’s four times the original length. That’s how Monolake‘s expanded edition of “Indigo,” the track that closed his 2001 album Cinemascope, sizes up. The original track, at about eight and a half minutes long, is now available, for free for the month of December, at Monolake’s website, monolake.de. The key elements are a swelling bassy substructure and a high-fidelity recording of water drops. Now for more than half an hour, those raw materials collude and collide in slow motion, occasionally gathering in a deep dub. That found sound, it turns out, is almost a decade older than the album. Says Monolake of the recording:

… I came across a long deep ambient session that I had already edited down into a shorter track that was incuded in the Cinemascope album in 2001.

Here comes the original session, from the moment where I decided to press record till the point when I thought it is enough. I do not remember so much of that session, but I am quite sure it was late at night, and there were some friends present and we were all a bit stoned…

Tech stuff: The water drop sample has been recorded in my bathtub in april 1993. It is played back and processed with an ASR-10 sampler, which also contributes most of the other sounds. Which were themselfes recordings of sounds created with a Juno-6 and a SY77. All mixed together on a small mixer and with lots of reverb from the ASR-10, from a PCM-80 and a Quadraverb. Sequenced with Logic 1.0 running on a Apple Macintosh IIcx, recorded straight to DAT.

Monolake posts a new free download almost every month, but with the stipulation that no one link directly to the file, so just click on the above link — while the calendar still reads 2007.

tangents / Ike, albums, Dylan

Quick News, Links, Bits: (1) Ike Turner, the rock’n’soul legend who will forever be remembered as Tina Turner‘s abusive husband, passed away earlier this week (November 5, 1931 ”“ December 12, 2007). I’ll never forget standing in the refurbished Sun Studio in Memphis, Tennessee, and being told the story of the chance damage to a speaker, the sound of which reportedly permeated Turner’s “Rocket 88,” thought by many to be the first rock’n’roll song (abcnews.go.com, guardian.co.uk, sunherald.com). What I didn’t know until today is there’s a brand of home-entertainment cables called “Rocket 88,” and they’re billed — with no apparent intended irony — as follows: “Solid conductors prevent strand interaction, a major source of cable distortion.” Maybe the marketing department at audioquest.com.au should take a field trip to Memphis. (Image at left from a timeline of recording-technology history at history.sandiego.edu — which borrow it from tefteller.com.) …

(2) It isn’t just that the album as a format is dying; it’s that the whole idea of a multi-song release as an even somewhat constant entity is dying. Case in point, the new EP of remixes of Amon Tobin‘s song “Kitchen Sink” (pictured left) off his excellent album Foley Room (both released on Ninja Tune). It contains four different mixes, one each by Clark, Sixtoo, Nosia and Boxcutter — but if you buy it digitally through ninjatune.net itself, there’s a fifth track, a special vocal mix by Sixtoo. (Complicating things further — that fifth track is available on the emusic.com edition of Kitchen Sink Remixes.) … (3) Among the remixers on Y34RZ3R0R3M1X3D, an album of takes on Nine Inch Nails‘s Year Zero: Ladytron, Bill Laswell, Kronos & Enrique Gonzalez Müller, Fennesz and Saul Williams (nin.com). NIN’s Trent Reznor produced Williams’s recent The Inevitable Rise and Liberation of Niggy Tardust, which, in light of said liberation, is available for free download in its entirety at niggytardust.com.

(4) Alex (therestisnoise.com) Ross proposes that today, December 17, 2007, marks the 100th anniversary of atonality: “On that date in 1907, Arnold Schoenberg sketched the song “Ich darf nicht dankend” (“I must not in gratitude [sink down before you]”), music in which conventional tonal harmonies grow exceedingly scarce.” … (5) Composer and critic Kyle Gann buys a scanner for his computer and treats readers to a 1989 photo of him with the late Conlon Nancarrow — no player piano in sight (artsjournal.com/postclassic). … (6) Also via Gann, Peter Cherches‘s new “Downtown Music” blog, downtownmusicguide.blogspot.com, focused on the years 1971-1987. … (7) Review of one of Matmos‘s first concerts since the formerly San Fransisco Bay Area duo relocated to Baltimore (citypaper.com). … (8) In a spin on its own “Who Flipped It Best?” series, the great hip-hop blog soul-sides.com pits two uses by Cut Chemist (both for the group Jurassic 5) of the same sample against each other. … (9) How a “bass trap” speaker (from bagend.com) can make your space quieter: wired.com. … (10) Post sounds, geo-code ’em, and share: soundtransit.nl. … (11) A 21st-century kalimba, Thumbtronics: thummer.com. … (12) Another “Lemon”? U2‘s next record, produced with Brian Eno and Daniel Lanois, said to be “trance” (launch.yahoo.com).

(13) Speaking of Lanois, I’ve received some thoughtful responses to the essay I published at newsmusicbox.org last week (“Juiced In It: Bob Dylan and the Consequences of Electricity”). I finally, last night, caught the new Todd Haynes film, I’m Not There, in which six actors play variations on Dylan over the course of his career. I noticed that Moondog, the maverick blind composer (and himself the subject of a new biography, albeit in book form), appears during the opening credits — and that there appears to be a little boy playing a young version of Moondog (complete with horned helmet) in what are most easily termed “the Richard Gere sequences.” Also early on, the subject of the film — who is and is not Dylan — is described in a voiceover (by Kris Kristofferson) as a “star of electricity” and later, a British TV host (played by Bruce Greenwood) interrogates the Dylan figure Jude Quinn (played by Cate Blanchett) about his embrace of “electronic music.” The movie is a messy jumble, all in all, and my favorite part is the haunting drone of a harmonica solo just before the end credits roll, as Dylan appears to melt into an alien from Close Encounters of the Third Kind. Oh, and totally off topic, David Cross does a mean Allen Ginsberg.

Erasing Yorke’s Remixes

This just in, via email:

Subject: fRm thm y
From: [email protected]
Date: 7:08 AM

please excuse this addiTion to YouR pile of email.

ThIs is not stricTly junk.

this is a quick notE to Let YoU know thAT there will be shorttlY be a bunch of rmxs of some of the songs from the ERAser album made available to download from boomkat.com.

on the 17th of Dec a BURIAL rmx of anditrainedallNight a ModeSeleKtOR rmx of skipdivideD & a VAriouS rmx of aNaLYse

on the 18th of Dec a FoURtet rmx of AtoMS for PEace & two Christian Vogel rmxs of ‘Black sWAn’

on the 19th of Dec the SuRGEon rmx of the CLock a rmx of HarrOWdown HiLL by THE buG & a rmx of Cymbal RUsh by The FIEld

that’s it. apoloGIes for the disturbanCE. check themm out if you get amoment.

i Hope yours is a pEaceful CHRistmas.

>

thom yorke.

Judging by the pricing structure at boomkat, an excellent web-music retailer, these may not be inexpensive. Most single songs go for a pound, which is about two bucks. Still, that’s an excellent line-up of remixers.

Quote of the Week: Glass on Moondog

From “Remembering Moondog,” Philip Glass‘s preface to Moondog: The Viking of 6th Avenue, the authorized biography written by Robert Scotto and published this year by Process:

“I wondered how, as a blind man, he managed to cross the street without an instant of hesitation until he showed me how he listened to traffic lights; I had never heard them before in this way.”

Dying Buddha Machine MP3

If you meet the Buddha on the road, you know what to do: kill him. But what if you meet the Buddha on the Internet, and he’s already dying?

Back in early August of this year, at a website called santafesound.blogspot.com, the site’s owner posted a unique sound sample of the Buddha Machine. Now, the Buddha Machine, that little box of lo-fi sound loops, has been written about a lot since its initial release, and it has been a source of sonic inspiration for musicians as diverse as minimal-techno guru Monolake, dark-metal band Sunn O))), and dub figure Adrian Sherwood, among others.

But this santafesound post is special. The half-minute recording is that of a Buddha Machine dying (MP3): “I was thrilled the other day when I switched it on and heard a brand new sound — the sound of the almost-dead Made-In-China Gaosheng batteries trying to drive the built-in speaker.” That image to the left accompanied the original post and shows the back of the Buddha Machine in question.

As the name of the santafesound website suggests, it’s focused on sound. Other previous entries include a nearly five-minute field recording in an apartment where a new swamp cooler and some window blinds colluded to create a haunting sonic atmosphere (MP3, santafesound.blogspot.com):

For this recording I cranked up the mics and made the background very foreground. It’s actually a mix of 2 recordings, one done at 4:30 pm and the other at 10 pm. I’m not usually the sort to say “listen to this on headphones” but in this case there are lots of low frequencies that will be lost on the average laptop speaker so whatever you can do to hear the low end would be good.