Disquiet Junto Project 0746: Music for Takeoff

The Assignment: Help airplane passengers get off the ground.

/ By Marc Weidenbaum

Each Thursday in the Disquiet Junto music community, a new compositional challenge is set before the group’s members, who then have five days to record and upload a track in response to the project instructions.

Membership in the Junto is open: just join and participate. (A SoundCloud account is helpful but not required.) There’s no pressure to do every project. The Junto is weekly so that you know it’s there, every Thursday through Monday, when your time and interest align.

Tracks are added to the SoundCloud playlist for the duration of the project. Additional (non-SoundCloud) tracks also generally appear in the llllllll.co discussion thread.

Disquiet Junto Project 0746: Music for Takeoff
The Assignment: Help airplane passengers get off the ground.

Record a piece of music intended to be listened to in preparation for and as a plane begins its takeoff and initial ascent.

Tasks Upon Completion:

Label: Include “disquiet0746” (no spaces/quotes) in the name of your track.

Upload: A person participating in the Disquiet Junto should post only one track per weekly project (SoundCloud account preferred but not required). If on occasion you feel inspired to post more than one track (whether to a single account or across multiple accounts), you should clarify which is the “main” rendition for consideration by fellow members and (if on SoundCloud) for inclusion in the SoundCloud playlist.

Share: Post your track and a description/explanation at https://llllllll.co/t/disquiet-junto-project-0746-music-for-takeoff/

Discuss: Listen to and comment on the other tracks.

Additional Details:

Length: The length is up to you. How long do you taxi?

Deadline: Monday, April 20, 2026, 11:59pm (that is: just before midnight) wherever you are.

About: https://disquiet.com/junto/

Newsletter: https://juntoletter.disquiet.com/

License: It’s preferred (but not required) to set your track as downloadable and allowing for attributed remixing (i.e., an attribution Creative Commons license).

Please Include When Posting Your Track:

More on the 746th weekly Disquiet Junto project, Music for Takeoff — The Assignment: Help airplane passengers get off the ground — disquiet.com/0746.

Algorithmic Art Assembly Archived

The 2026 edition at Gray Area in San Francisco

/ By Marc Weidenbaum

Just a quick note that talks and performances from the 2026 edition of the multi-day Algorithmic Art Assembly event have begun popping up on YouTube thanks to the tireless efforts of its founder, my friend Thorsten Sideboard. I had the pleasure of giving a talk (“The Woodshed Is a Black Box”) at the first AAA and interviewing Mark Fell, Rian Treanor, and James Bradbury during the second AAA. As with those years, the 2026 AAA was held at Gray Area in the Mission District, here in San Francisco. I sadly couldn’t attend this year because as timing worked out, I was across the country in New York City when it happened (March 26 – 28), so I’m especially happy the material is getting a second life online. There’s — among many other videos — a performance and separate talk by Keith Fullerton Whitman, a live set by Kara-Lis Coverdale, and a lecture by Daniel Temkin, author of the excellent book Forty-Four Esolangs: The Art of Esoteric Code, which I’m currently reading. Can’t wait to spend time checking out everything I missed.

“Avril 14th” Turns 25

My kinda holiday season

/ By Marc Weidenbaum

April 14th is up there with August 8th (aka 808 Day, after the classic Roland drum machine) as the best electronic music holiday of the year. And you can fold in July 18, World Listening Day, timed to the birthday of Canadian acoustic ecologist and composer R. Murray Schafer.

Each year, musicians around the world record versions of Aphex Twin’s “Avril 14th” and share them on YouTube, SoundCloud, and Bandcamp, and elsewhere. Collected here are some of the covers to appear this year in the week leading up, and on the day itself. I kept some threads of these rolling throughout the day on social media, collating ones I located, or that I had recommended to me, like the Shane Parish one (via Curtis Burns on Threads). The first four here are particularly solid. I may add some more to 2026’s list before winding down from the festivities.

This year marks the 25th anniversary of the song, which first appeared on Aphex Twin’s 2001 album, Drukqs. When something cultural like this takes root, as enough time passes that you can think of it as an annual tradition, you start to wonder if and why the communal activity might ever stop — which is to say, in 25 years we will likely still be celebrating “Avril 14th” Day, and doing so on instruments and technologies that don’t yet exist, as well as on ones that predated the late-1980s technology, the Disklavier, on which it was first recorded. In that way, the song moves both forward and backward in time as it nestles deeper into the collective culture.

Agency & Gadgetry

Now emerging

/ By Marc Weidenbaum

Continuing to really dig my Xteink X4 ereader, a tiny eink device that easily fits in a shirt pocket, where mine has now semi-permanently taken refuge. I outfitted the gadget’s sleep screen with the central image from the American edition of William Gibson’s 2020 novel, Agency. Doing so was simple: You just make a 480 x 800 bitmap file and pop it on the memory card. Because the CrossPoint Reader alternate firmware provides wifi access for file transfer, doing so was all the more easy. As for the image itself, I’ve always loved the ingenious way this book’s designer drew attention to how a simple load sigil can signify emergence, especially when combined with the out-of-focus face. Even though you know it’s just a still image, the circle with the arrow suggests motion — or better yet, a software glitch that has resulted in a frozen state. Now reproduced in low resolution here on this cheap digital device, the image has a sense of actual software. This little Xteink ereader is unique at the moment (there’s also an X3, which is smaller but requires an idiosyncratic charging cable, circumstances at odds with the ease of the X4), and it suggests a new category, one in which things can be purpose-built using limited chips, older generation screens, and modestly scoped firmware — and then be hacked after the fact as the GitHub set demands.