Disquiet Junto Project 0545: Unself-Awareness

The Assignment: Learn from feedback intended for others.

Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. (A SoundCloud account is helpful but not required.) There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

Deadline: This project’s deadline is the end of the day Monday, June 13, 2022, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, June 9, 2022.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

**Disquiet Junto Project 0545: Unself-Awareness**
The Assignment: Learn from feedback intended for others.

Step 1: This project builds on the previous one, but you needn’t have participated in project 0544 to do 0545. In project 0544, participants posted tracks for which they wanted feedback from other participants. Familiarize yourself with the discussion here:

[https://llllllll.co/t/disquiet-junto-project-0544-feedback-loop/](https://llllllll.co/t/disquiet-junto-project-0544-feedback-loop/)

Step 2: Pay particular attention to the feedback provided in the comments as the discussion thread proceeds.

Step 3: Choose one bit of feedback, and think about how you might apply it to your own music.

Step 4: Create or make a new track that benefits from what you learned in Step 3.

Step 5: Consider providing feedback to other people’s tracks.

Note: The Lines BBS runs on a discussion platform called Discourse, which has some built-in restrictions. Among these is that you can’t reply too many times to the same thread before someone else replies first. This is a “consecutive replies” matter. The best practice is to compile feedback to multiple tracks, and to tag reach recipient in one reply. If those instructions aren’t clear, just wait a little while after tracks begin to appear on the thread. Soon enough you’ll see examples of people doing exactly this.

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0545” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0545” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

Project discussion takes place on llllllll.co: [https://llllllll.co/t/disquiet-junto-project-0545-unself-awareness/](https://llllllll.co/t/disquiet-junto-project-0545-unself-awareness/)

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to [email protected] for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Deadline: This project’s deadline is the end of the day Monday, June 13, 2022, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, June 9, 2022.

Length: The length is up to you.

Title/Tag: When posting your tracks, please include “disquiet0545” in the title of the tracks, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 545th weekly Disquiet Junto project — Unself-Awareness (The Assignment: Learn from feedback intended for others) — at: https://disquiet.com/0545/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: [https://llllllll.co/t/disquiet-junto-project-0545-unself-awareness/](https://llllllll.co/t/disquiet-junto-project-0545-unself-awareness/)

Office Accessory

An ongoing series cross-posted from instagram.com/dsqt

New workspace essential. Really nice. The mono mix out puts the guitar into the left and right channels, and uses a 3.5mm jack — so: right into the headphones; no adapter needed. And no, I’m not playing it loud through the headphones. This is just for practicing half an hour or so — and for not bothering other people with (currently) the minor pentatonic on repeat all over the fretboard.

This Week in Sound: Singing Volcanos, Rats with Mics

A lightly annotated clipping service

These sound-studies highlights of the week are lightly adapted from the June 6, 2022, issue of the free Disquiet.com weekly email newsletter This Week in Sound ([tinyletter.com/disquiet](https://tinyletter.com/disquiet)).

As always, if you find sonic news of interest, please share it with me, and (except with the most widespread of news items) I’ll credit you should I mention it here.

“[R]esearchers have found a new way to identify key signs of Kilauea’s eruptive potential—by listening to vibrations from these lava lakes. Eventually, they hope to use these lava ‘songs’ to forecast when a volcano will start and stop erupting.” Zack Savitsky reports on the phenomenon of “singing” lava lakes. ➔ [science.org](https://www.science.org/content/article/singing-lava-lakes-could-help-predict-when-volcanoes-will-blow)

“Takara Tomy, a popular Japanese toymaker, will soon release its AI smart speaker that can easily copy a person’s voice using deepfake. … This smart home gadget is perfect for parents who want to read bedtime stories to their children even though they are away from home.” This is either a technological marvel or a dystopian act of outsourcing affection. Perhaps both. ➔ [techtimes.com](https://www.techtimes.com/articles/276172/20220601/takara-tomy-ai-smart-speaker-emulate-parents-voice-during-bedtime.htm)

“A call made by a humpback near Bermuda,” writes Elizabeth Kolbert, “would take twenty minutes to reach a humpback swimming off the coast of Nova Scotia. If the Canadian whale answered immediately, it would be forty minutes before the Bermuda whale heard back. To imagine what it’s like to be a whale, ‘you have to stretch your thinking to completely different levels of dimension,’ Clark says.” (Clark is Christopher Clark, a Cornell researcher.) ➔ [newyorker.com](https://www.newyorker.com/magazine/2022/06/13/the-strange-and-secret-ways-that-animals-perceive-the-world-ed-yong-immense-world-tom-mustill-how-to-speak-whale)

Matt Burgess summarizes the state of voice privacy, as well as the main ways to maintain enhance it. These include “obfuscation”: “Simple voice-changing hardware allows anyone to quickly change the sound of their voice. More advanced speech-to-text-to-speech systems can transcribe what you’re saying and then reverse the process and say it in a new voice.” And “distributed and federated learning” (“where your data doesn’t leave your device but machine learning models still learn to recognize speech by sharing their training with a bigger system”). And “anonymization” (“attempts to keep your voice sounding human while stripping out as much of the information that could be used to identify you as possible”). ➔ [wired.com](https://www.wired.com/story/voice-recognition-privacy-speech-changer/)

To the rescue: “rats will wear tiny backpacks with built-in microphones so rescue teams can communicate with survivors trapped in rubble.” ➔ [boingboing.net](https://boingboing.net/2022/06/03/rats-given-tiny-backpacks-and-microphones-and-sent-to-rescue-people-trapped-in-earthquake-rubble.html)

The TV series Under the *Banner of Heaven*’s sound editor, Michael J. Benavente, talks about accomplishing “Utah quiet” in the making of the show. From a police stations to neighborhood kids playing, he always pulled things back, in his words, to get at the region’s atmosphere. ➔ [youtube.com](https://www.youtube.com/watch?v=rlwSCKap2p4)

“Road traffic noise outside schools may impair the development of a child’s attention span and short-term memory.” A studied looked at data on 2680 students from 38 schools. “The children in schools with higher average indoor noise levels — defined as above 30 decibels, about the volume of whispering — saw a slower improvement in attentiveness, measured by comparing their performance on tests at the start of the year with those at the end of the year.” Quoted in the coverage is Maria Foraster, Assistant Research Professor at the Barcelona Institute for Global Health. ➔ [newscientist.com](https://www.newscientist.com/article/2322853-traffic-noise-at-schools-may-hinder-a-childs-memory-and-attentiveness/), [theguardian.com](https://www.theguardian.com/environment/2022/jun/02/traffic-noise-slows-childrens-memory-development-study-finds)

As voice expands its presence in the asynchronous web, new UX scenarios arise. In Discord, “users can drop a link, text, GIF, emoji, in the chat during their video calls.” ➔ [9to5mac.com](https://9to5mac.com/2022/06/01/discord-voice-channels/)

Slack update: “New features include the option to add name pronunciation guides (either by recording audio or adding phonetic spelling).” ➔ [theverge.com](https://www.theverge.com/2022/6/1/23148162/slack-name-pronunciation-user-profiles-pop-up-card)

Apple had one of its occasional products/services/software announcements today. In terms of sound, “Personalized Spatial Audio uses the TrueDepth camera on an iPhone running iOS 16 to scan your ears and the area around you, delivering a unique listening experience that’s tuned to you.” Also, the new MacBook Air retains its 3.5 mm audio jack. ➔ [macrumors.com](https://www.macrumors.com/2022/06/06/ios-16-personalized-spatial-audio/), [apple.com](https://www.apple.com/macbook-air-m2/specs/)

“While the top of the podcast charts on Spotify and Apple are still dominated by garrulous, jawboning hosts, these days you can also reliably find a smattering of white noise shows appearing in the mix,” reports Ashley Carman. One white noise purveyor is making over $18,000 a month. ➔ [sfgate.com](https://www.sfgate.com/news/article/Spotify-podcasters-are-making-18-000-a-month-17214583.php)

“If you are a billionaire, you can afford the best soundproofing, so when we are in the company run by Mike Prince [played by Corey Stoll], it’s very quiet.” Notes on sound production work for the TV show *Billions*. ➔ [mixonline.com](https://www.mixonline.com/post-and-broadcast/silence-is-golden-in-the-world-of-high-finance)

Sound Ledger¹ (AI, Parrots, Big Voice)

Audio culture by the numbers

7: Number of years in the contract between vehicle manufacturer Hyundai and voice AI company SoundHound

21: Number of days after which parrot chicks begin to babble

20,000,000,000: Projected value, in $U.S., of the “Big Voice” industry within a few years

________
¹Footnotes

SoundHound: [finance.yahoo.com](https://finance.yahoo.com/news/soundhound-signs-7-agreement-hyundai-130000352.html). Parrots: [science.org](https://www.science.org/content/article/wild-parrot-chicks-babble-human-infants). Voice: [wired.com](https://www.wired.com/story/voice-recognition-privacy-speech-changer/)

*Originally published in the June 6, 2022, edition of the This Week in Sound email newsletter. Get it in your inbox via [tinyletter.com/disquiet](https://tinyletter.com/disquiet).*

Revisiting Ark II

Children's TV in the mid-1970s was awesome

Jetpacks, a talking monkey, capricious gang leaders, child endangerment, full-on societal collapse — children’s TV in the mid-1970s was awesome. I revisited the short-lived series *Ark II* for hilobrow.com. The piece begins:

>A year before the arrival in theaters of a movie we’d come to call *A New Hope*, CBS broadcast the serial *Ark II*, now a mere 15-episode footnote from the Golden Age of Saturday morning television. While our current cultural moment, a Golden Age of Golden Age reboots, has arguably run its course, I’d sure welcome an opportunity to revisit and perhaps revise this short-lived bit of just-pre–Skywalker science fiction. I, then age 10, wouldn’t learn to regularly employ the four syllables that constitute “millennium” for another 12 months, but *Ark II* was already set a full half millennia in the future — 2476! — on an Earth so devastated by societal collapse that it could almost pass for the desert planet of Tatooine.

Not music-related, but wanted to mention it here. Read in full at:

[https://www.hilobrow.com/2022/06/06/kojak-enthusiasm-20/](https://www.hilobrow.com/2022/06/06/kojak-enthusiasm-20/)