This Week in Sound: Hippos, Destiny, Scooters

A lightly annotated clipping service

These sound-studies highlights of the week are lightly adapted from the January 31, 2022, issue of the free Disquiet.com weekly email newsletter This Week in Sound ([tinyletter.com/disquiet](https://tinyletter.com/disquiet)).

As always, if you find sonic news of interest, please share it with me, and (except with the most widespread of news items) I’ll credit you should I mention it here.

▰ **”Warner Music Group is creating a performance venue in the metaverse.”**
[engadget.com](https://www.engadget.com/warner-music-group-theme-park-concert-venue-metaverse-the-sandbox-174958065.html)

▰ **New research suggests “hippopotamuses can distinguish friends from acquaintances, and acquaintances from strangers, by the way they sound.”** Writes Nicholas Bakalar: “They found that hippos make a lot of noise. Their ‘wheeze honks can be heard more than a half-mile away, and their verbal repertoire includes grunts, bellows and squeals. The wheeze honk is generally considered the way hippos announce their presence, but its social function is unclear.”
[nytimes.com](https://www.nytimes.com/2022/01/24/science/hippos.html)
(Thanks, Mike Rhode!)

▰ **A “person’s gait, voice recognition and ultrasonic signals” could be used to identify them**, based on a new Apple patent. “Various characteristics of the user’s ear provide an echo of the ultrasonic signal which is unique to the user,” according to the patent. “Variations in the surface of the user’s ear canal may cause the ultrasonic signal to reflect off the surface and generate an echo having a signature that is associated with the user. For example, a user having a larger ear canal may result in an echo having a longer reverberation time than a user having a smaller ear canal.”
[forbes.com](https://www.forbes.com/sites/kateoflahertyuk/2022/01/28/apple-patent-hints-at-ground-breaking-new-airpods-feature/?sh=76fd0c735e08)

▰ **Another Apple AirPod patent might “allow you to hear certain people but not others, and you’d be able to choose who made the cut.”**
[tomsguide.com](https://www.tomsguide.com/news/airpods-pro-2-could-get-this-killer-voice-recognition-upgrade)

▰ **An electric scooter firm is testing the use of a hum (like a tuba)** in order to “prevent accidents and improve their safety record.”
[thetimes.co.uk](https://www.thetimes.co.uk/article/e-scooters-test-drive-fake-sound-to-curb-accidents-lv02rbzkm)

▰ **Sound supervisor/sound designer Robert Hein and re-recording mixer Robert Fernandez talk about their work on director Mariama Diallo’s feature film** debut, a horror film titled *Master*. The movie “draws on Diallo’s own experience of social isolation and exclusion as an African-American student at a predominantly white college.”

[asoundeffect.com](https://www.asoundeffect.com/sundance-behind-the-supernatural-sound-of-master/)
(Via [twitter.com/asoundeffect](https://twitter.com/asoundeffect)

▰ **This newsletter is always down for a good hum story:** “A strange, low-frequency hum is being reported all around the neighbourhood, prompting complaints to the City of North Vancouver and an investigation by Vancouver Coastal Health.”
[vancouverisawesome.com](https://www.vancouverisawesome.com/local-news/mystery-hum-noise-annoys-residents-in-north-vancouvers-central-lonsdale-video-4982373)

▰ A subreddit on the popular video game Destiny includes discussion of players’ favorite sounds from the game**, and it has over 1,500 comments. These include:

“It used to be the sound of Titans popping hammers in D1 and the immediate fear or relief it would cause.”

“A dragonfly rampage ringing nail was the best sounding for me.”

“The sounds of popping a fallen’s head off it’s very satisfying to hear”

“The whipcrack from the Chaperone reload.”

“The whistle of a Dead Man’s Tale hitting max stacks.”

“The sound when you select a shotgun.”

And there is a ton of colorful onomatopoeia: KAH KOWWWW, BRGHHHH CLANK, PANG PANG PANG, shhhuiiiing, BONK-DAFF-DAFF-DAFF, fiuuuuuuu, SCHING BONNNNG
[reddit.com](https://www.reddit.com/r/DestinyTheGame/comments/sbncbi/guardians_what_is_your_favorite_sound_in_destiny/)

Sound Ledger¹ (Fish Heads, MIT Ears)

Audio culture by the numbers

**155,000,000:** The estimated number of years ago that that sound production appeared in ray-finned fishes

**33:** The number of times sound evolved separately in the fish family tree

**1,500:** The number of virtual models of human listening developed by MIT neural network researchers in order to train an AI to spatially locate sound much as people do

________
¹Footnotes: Fish: [sci-news.com](http://www.sci-news.com/biology/fish-sound-communication-10501.html). MIT: [mit.edu](https://news.mit.edu/2022/where-sound-come-from-model-0127) (Via Paul Roquet).

*Originally published in the January 31, 2022, edition of the This Week in Sound email newsletter [tinyletter.com/disquiet](https://tinyletter.com/disquiet).*

Kobo Abe’s Synthesizer

And a Twitter translation

My favorite things have aligned. Here’s a video, from 1985, of Japanese novelist Kobo Abe (*The Woman in the Dunes*, *The Ark Sakura*) talking about his synthesizer, an EMS Synthi AKS, as part of his efforts in the theater. (I recommend Nancy Shields’ book *Fake Fish: The Theater of Kobo Abe* if that aspect of Abe’s output is of interest.) I worked in manga for five years and the only word I recognize is “ongaku” but that’s on me. Fortunately, the Japanese musician NRV (aka Nerve, aka Manabu Ito) generously [posted](https://twitter.com/NRV_nerve/status/1486694015689183232) this translation of it in reply to my [initial tweet](https://twitter.com/disquiet/status/1485772721258598400).

Kobo Abe: This is…

Interviewer: A synthesizer?

KL Yes, that’s right. You know, I don’t mean to sound pretentious, but… When you’re doing a play, if you ask a composer to do it, the music is done at the last minute. In the worst case, the music is not ready until the stage rehearsal. In my case, it’s not good if the music doesn’t come first. I’m an amateur, but I thought if I could manage it myself, so I started to make music by buying these things. So from a certain point, I’ve been adding my own music to all my plays.

I: So you have a piece of work, could you play it?

K: Yes, it’s a bit of an exaggeration to call it a work, but I make various sources.

I: Sound sources?

K: Yes. And I put them together in various ways.

I: So it’s a work of chance?

K: A kind of, and sometimes I get interesting sounds. Would you like to have a listen?

I: Yes, please.

K: It’s like the sound of a bell, isn’t it? This is a beautiful sound, isn’t it? This is how I make music.

. . .

Update: And in the ongoing discussion on Twitter, Jim Whittemore [uploaded](https://twitter.com/synchro1/status/1485779197112979456/photo/1) this 1976 photo of the U.S. importer of EMS synthesizers, EMSA (EMS America) in Northampton, MA. Credit for the photo goes to Dennis Kelley.

twitter.com/disquiet: Bruford, Syfy, Bleep

From the past week

I do this manually each Saturday, collating most of the tweets I made the past week at [twitter.com/disquiet](https://twitter.com/disquiet), which I think of as my public notebook. Some tweets [pop up](https://disquiet.com/2022/01/28/listening-on-the-way-to-an-angry-planet/) in expanded form or otherwise on Disquiet.com sooner. It’s personally informative to revisit the previous week of thinking out loud. This isn’t a full accounting. Often there are, for example, conversations on Twitter that don’t really make as much sense out of the context of Twitter itself.

▰ Score. Bill Bruford has his own [YouTube channel](https://www.youtube.com/watch?v=cKwocCGTt-Q) now. He’s posting old performance clips, lectures, and more.

▰ Got the [This Week in Sound](https://tinyletter.com/disquiet) email out, fourth week in a row, if a little later in the day on Monday than I hope to be the norm going forward.

▰ As the reboot culture went on and on, I frequently joked about (slash wished for) a remake of a distant childhood memory, the TV series *Ark II*. When I read about the new Dean Devlin sci-fi (slash
Syfy) series (titled: *The Ark*), I briefly imagined that’s what it is.

▰ My 33 1/3 book on Aphex Twin’s album *Selected Ambient Works Volume II* is now available via the mothership, [bleep.com](https://bleep.com/merch/66785-marc-weidenbaum-aphex-twins-selected-ambient-works-volume-ii/related).