twitter.com/disquiet: Mailman, Ida, Phaedra

From the past week

I do this manually each Saturday, collating recent tweets I made at [twitter.com/disquiet](https://twitter.com/disquiet), which I think of as my public notebook. Some tweets pop up in expanded form or otherwise on Disquiet.com sooner. It’s personally informative to revisit the previous week of thinking out loud.

▰ “If you’d prefer to wait in silence, press 4.”

▰ Waiting for the *What If…?* episode in which the Watcher recalls that he once, long ago, played Jean-Michel Basquiat, and that Basquiat had once, long ago, drawn superheroes.

▰ The first day of every month is when I’m reminded of how many Mailman-powered email lists I’m subscribed to.

▰ Ida WFH. Rob Walker [recorded](https://soundcloud.com/murketing/the-sound-of-ida-in-my-home-office-late-morning-august-29-2021) the sound of the hurricane from his New Orleans home office on August 29th:

▰ [Highlights](https://disquiet.com/2021/08/31/this-week-in-sound-the-12262-megaphone/) from latest [This Week in Sound](http://tinyletter.com/disquiet) issue: smart speaker surveillance, listening to gravitational waves, the $12,262 megaphone, AI crime-fighting failure, newfangled hold music, Val Kilmer’s new voice, and more.

▰ Set my Zoom background to a production still from *Devs*. Right now I’ll take a machine-learned dystopia over reality.

▰ Current status

(Fact check: I’m not actually watching *Billions* at this moment. Just mental/emotional status.)

▰ I recently bought a second 25″ screen. All I keep on it is a pair of browser windows, each a spreadsheet. It’s the best whiteboard for such things because when I want to I just turn it off (or pull up footage of someone wandering Tokyo), and I don’t have to look at the lists.

▰ Just gonna have “Phaedra” off the upcoming Amon Tobin album, *How Do You Live*, on repeat until the good news outdoes the bad news. So, for a while.

Technically I’m listening to Amon Tobin’s “Phaedra (People Scraping the Outside of the Building Prior to Painting Because I Need to Recharge My Noise Cancelling Headphones’ Battery Remix),” but I’m pretty sure the original is awesome, too.

▰ I can no longer hear the work being done on the building so maybe they’re taking a break but more likely I have simply, fully, willingly succumbed to this song.

▰ Perhaps you’d be astonished by how many press releases and announcements go out for singles and albums saying nothing about the music. Here’s the cover, here’s some merch (need another branded tote?), here’s a moody artist photo. Thanks for the inbox clutter. Unsubscribe. Delete.

▰ It’s a Bandcamp Friday, but rather than list a few records I recommend, or other people’s lists of recommended records, maybe I’ll recommend other people’s lists of other people’s lists of recommended records. Or, you know, suggest people read some reviews and buy some records.

Instagr/am/bient Vol. II Update

Anything but instant

Life has been busy, and among the busy things has been the inbound expressions of interest in participating in the [*Instagr/am/bient*](https://disquiet.com/2011/12/28/instagrambient-25-sonic-postcards/) sequel project, celebrating the 10th anniversary of that compilation (last week of December 2021), just shy of the 10th anniversary of the Disquiet Junto (first week of January 2022). I’m experiencing minor flashbacks to the flurry of interest in a video project I mentioned at the outset of the pandemic last year, a response that was so substantial it ended up occluding the project, which has been on hold ever since. I hope to get back to the video project, but the logistics got unwieldy once hundreds of people got involved. The beauty of the Disquiet Junto is that I send out a project concept and people do the work independently. This is precisely why the projects are structured as they are, and why proposed projects that deviate from the now standard norm don’t happen (that would be: projects where some sort of collaboration, coordination, or syncing up during the project is necessary). Anyhow, I’m pretty sure we’re going to do the *Instagr/am/bient Volume II* project, but the response has been a lot to manage. Which is a long way of saying, if you expressed interest, thanks, and I’ll be back in touch shortly(ish). Which is also to say: It’s wonderful how many people want to engage. I’m quite excited about it. (For those reading about *Instagr/am/bient* for the first time, the concept back in 2011 was that people each sent me a photo, and I recirculated those photos, and when they received one from me it became the cover to a single they then recorded. It’s still [online](https://disquiet.com/2011/12/28/instagrambient-25-sonic-postcards/).)

Disquiet Junto Project 0505: Line Out

The Assignment: Share a track, get feedback, and give feedback.

Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. (A SoundCloud account is helpful but not required.) There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

Deadline: This project’s deadline is the end of the day Monday, September 6, 2021, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, September 2, 2021.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0505: Line Out

The Assignment: Share a track, get feedback, and give feedback.

Step 1: The purpose of this week’s project is to provide participants opportunities to get feedback on works-in-progress. Consider work you’re doing you’d appreciate responses to from fellow Junto participants.

Step 2: Either upload an existing recording (sketches and mid-process takes may prove optimal), or record something new and post it online for feedback. If there are some things in particular you’d like feedback on, mention what they are.

Step 3: After uploading, be sure to listen to the work of other participants, and to post responses.

Seven More Important Steps When Your Track Is Done:

Step 1: Include “disquiet0505” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0505” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

[https://llllllll.co/t/disquiet-junto-project-0505-line-out/](https://llllllll.co/t/disquiet-junto-project-0505-line-out/)

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Note: Please post one track per weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Deadline: This project’s deadline is the end of the day Monday, September 6, 2021, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, September 2, 2021.

Length: The length of your finished track is up to you.

Title/Tag: When posting your tracks, please include “disquiet0505” in the title of the tracks, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 505th weekly Disquiet Junto project — Line Out (The Assignment: Share a track, get feedback, and give feedback) — at: https://disquiet.com/0505/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: [https://llllllll.co/t/disquiet-junto-project-0505-line-out/](https://llllllll.co/t/disquiet-junto-project-0505-line-out/)

There’s also a Disquiet Junto Slack. Send your email address to [email protected] for Slack inclusion.

The image associated with this project is by Alex McConnell, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

[https://flic.kr/p/7Enqhx](https://flic.kr/p/7Enqhx)

[https://creativecommons.org/licenses/by-nc-sa/2.0/](https://creativecommons.org/licenses/by-nc-sa/2.0/)

Sound Ledger¹ (Taking Measure of a Sound Cannon)

Audio culture by the numbers

162: The maximum output in decibels of a sound cannon approved for purchase by a local police department in New York State

12,262: Price in dollars of the device

90: Volume in decibels above which a pending state law would outlaw for “acoustic weapons”

▰ ▰ ▰

¹Footnotes: All three items this week: [timesunion.com](https://www.timesunion.com/opinion/article/Troy-does-not-need-sound-cannons-for-policing-16412336.php)

*Originally published in the [August 30, 2021, edition](https://disquiet.com/2021/08/31/this-week-in-sound-the-12262-megaphone/) of the This Week in Sound email newsletter ([tinyletter.com/disquiet](https://tinyletter.com/disquiet)).*