Mount Brunswick Hike Footage

And the sonic culture of YouTube forest walks

When I posted my [two-minute footage](https://disquiet.com/2021/06/18/redwoods-trail-june-2021/) of a recent redwood forest hike, I mentioned how YouTube is full of far longer journeys. I wanted to share another example of what I’m talking about. This video (not by me) is an hour straight (with a tiny bit of editing) of a walk at Mount Brunswick in British Columbia. The location is beautiful, and the footage fairly high resolution, as high as 1440, which isn’t 4K but will certainly do. Right from the start, the videographer’s footsteps are plainly evident. When walking, one isn’t quite aware of such sounds, because our brains largely blank them out, as they do any repetitive noise that should be ignored in favor of chance sounds that might provide evidence of danger or other reason for alert, if not alarm. That’s evolution for you. By 15 minutes in, the hiker’s breath makes itself heard, and by halfway through, that panting is almost as loud as the footsteps. While the footage remains breathtaking at times (take a look at the view at [50:01](https://youtu.be/aE1i5VLGFIg?t=3001)), we’re also plainly aware of the effort required to share it with us — it is breathtaking, quite literally, and anything but blissful. At times, the hiker pauses to look around, and in those moments birds might be heard cawing, but for the most part, the panting and foot stseps are our accompaniment. The video is titled “Mount Brunswick Virtual Hike No Music No Talking,” but of course humans can be present, can be heard, even when they’re not talking. I’m not posting this mention here as a critique of the video. Quite the contrary, it’s absolutely gorgeous, a generous act on the part of the individual who posted it. I am registering it as an interesting aspect of the culture of posting nature walks and, by extension, city hikes — that even when there is no talking, it is not as if the world beyond our own presence simply fills the sonic void.

Video originally posted at [youtube.com](https://www.youtube.com/watch?v=aE1i5VLGFIg).

Environmental Industrial Music

In outer space

Industrial music is generally all klang, and it is truly industrial more by association than by audio hallmarks. The sounds are sourced from what might very well be an active factory floor, but the dance floor is where they are intended to reside, and where they are most at home. Another kind of industrial music is more akin to environmental industrial music: the sound of an inactive factory floor, when the motors are humming but activity is on pause. Such is “Grave doubts – Decisioni difficili” by the Italian musician Marco Mascia, who lives in Cagliari. The gorgeous echoes of grating noise suggest an immeasurably cavernous space, one built to house vast human aspirations, and either temporarily unused, or perhaps left behind entirely. The spaciousness does have a space-ness, the more you listen into it. Because this is not merely music one listens to. It is music that asks you to step inside it, to explore it from the inside, from inside the geography it intimates. Perhaps this is interstellar industrial music, the room tone of a former robot-making facility on Mars, before civil war tore the planet apart, or an ice-processing plant in the asteroid belt, no longer in use since the stargates opened.

Track originally posted at [soundcloud.com/progettosonoro](https://soundcloud.com/progettosonoro/grave-doubts-decisioni-difficili). Found via a repost by Robert Knote.

Five Four

A mesostic

With each Fall of my Foot the sense
      of tIme can almOst feel 
 natural, Vital compoUnding 
       momEntum the gRoove deep

In fact, this is a double mesostic. I haven’t done one of these previously. I don’t think I’ve ever seen one before, though I imagine they must exist. I have seen double acrostics.

I’ve Got Some Mesostics in The B0ardside

A local zine

Stoked to have two pages of [mesostics](https://disquiet.com/tag/mesostic/) in the [third issue](http://theb0ardside.com/b0ardside3/) of *The B0ardside* (tagline: “Art and Culture from the Edge of the World,” that being the ocean side of San Francisco). The invitation came from Thorsten Sideb0ard, the *B0ardside* cofounder who put together the [Algorithmic Art Assembly](https://aaassembly.org/), at which I gave [a talk back in March 2019](https://www.youtube.com/watch?v=GzHrOpBwhMU). Here’s the cover (atop the two previous issues) and the spread.

More at [theb0ardside.com](http://theb0ardside.com/).