Pink Floyd on Pause (MP3)

Ambient from Sweden

“Longing” by **Ï€ Dogx** is mournful drone of a song, nearly six minutes of gentle swells that sound like someone took snatches from Pink Floyd tracks, slowed the just shy of recognizability, and wove new sonic cloth from them. Aching bits suggest a voice struggling to be heard, and the pace is slow enough to cause BPM counters to short circuit. Though just uploaded this past week to SoundCloud, it’s a track from a January 2009 album, *Reliquum Fertilis*.

https://soundcloud.com/peedogx/02-longing

Track originally posted for free download at [soundcloud.com/peedogx](https://soundcloud.com/peedogx/02-longing). Ï€ Dogx is **Bo Davidson** and **HÃ¥kan Müller** of Linköping, Sweden.

Disquiet Junto Project 0081: Cheap Generative

The Project: create generative music with four loops of differing lengths.

20130718-iching

*Each Thursday at [the Disquiet Junto group on Soundcloud.com](https://soundcloud.com/groups/disquiet-junto/) a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: [just join and participate](https://soundcloud.com/groups/disquiet-junto/).*

This assignment was made in the evening, California time, on Thursday, July 18, with 11:59pm on the following Monday, July 22, 2013, as the deadline.

These are the instructions that went out to the group’s email list (at [tinyletter.com/disquiet-junto](http://tinyletter.com/disquiet-junto)):

>Disquiet Junto Project 0081: Cheap Generative
>
>The theme of this week’s project is generative, an approach in which music is produced beyond the strict, immediate control of the composer-performer. The composition and performance are less a linear work than they are a system that is set in motion. We’ll use this approach to investigate pre-existing work. Your finished Junto project should link back to the pre-existing work for comparison’s sake.
>
>Step 1: Choose a recent work that has isolatable parts, preferably layers, or at least distinct elements.
>
>Step 2: Create loops from four of these distinct elements: one 2 seconds in length, one 3 seconds, one 5 seconds, and one 7 seconds long.
>
>Step 3: Add a 3-second pause to one of the elements and a 1-second pause to another of the elements. The choice is yours.
>
>Step 4: Record a five-minute swath of the four loops playing simultaneously. The sounds will rotate through at their own individual paces, create numerous chance intersections. The result is your finished track. Feel free to add a fade-in and a fade-out, though it is not necessary.
>
>Deadline: Monday, July 22, 2013, at 11:59pm wherever you are.
>
>Length: Your track should have a duration of five minutes.
>
>Information: Please when posting your track on SoundCloud, include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto.
>
>Title/Tag: Include the term “disquiet0081-cheapgenerative”in the title of your track, and as a tag for your track.
>
>Download: Please consider employing a license that allows for attributed, commerce-free remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
>
>Linking: When posting the track, be sure to include this information — and to post a link to the track from which the elements were derived.
>
>More on this 81st Disquiet Junto project, in which generative music is produced with four loops of differing lengths, at:
>
>https://disquiet.com/2013/07/18/disquiet0081-cheapgenerative/
>
>Original source track at this URL:
>
>[insert link]
>
>More details on the Disquiet Junto at:
>
>http://soundcloud.com/groups/disquiet-junto/

Modest Beatcraft (MP3)

From Patrick from Seattle

Another fine bit of slomo instrumental hip-hop from the Seattle-based musician who goes, simply, by **Patrick**. He’s a SoundCloud engineer, according to his brief bio, which may explain why [his SoundCloud page](https://soundcloud.com/patrick/) has one of those snazzy personalized banners that are mostly reserved for big-league accounts. Big-league graphics aside, the track is reliably modest in scope, just a flutter of sub-downtempo beatcraft with enough bridge-like asides to keep things interesting. Ripe for repeat.

Track originally posted for free download at [soundcloud.com/patrick/amethyst](https://soundcloud.com/patrick/amethyst). More from him at [patrick.bandcamp.com](http://patrick.bandcamp.com/).

Where Beat and Background Merge (MP3)

An archival noise performance by Tore Honoré Bøe

**Tore Honoré Bøe** has posted four and a half minutes of a performance recorded live at Det Akademiske Kvarter in Bergen, Norway, back in 2001. It is an industrial drone that is interrupted regularly by a pounding, percussive element. This is self-evident in the waveform visualization of the track, what with all those ragged, saw-blade juts. The pounding at first is in stark contrast to the background sound, but as time passes what becomes clear is that the pounding is not so self-contained, that the sound of the percussive has a resonance that extends beyond its initial imposition of a beat. And as these attenuations come to the fore, the distinction between the background and foreground gets confused. It is often said that repetition is a form of change, but generally what that means is that repetition fuels the ear’s attention to previously unapparent variety; by contrast, in Bøe’s piece, as time passed it is similarities, rather than distinctions, that make themselves heard.

http://soundcloud.com/origamirepublika/music-even-16-years-in-bergen

Track originally posted at [soundcloud.com/origamirepublika](http://soundcloud.com/origamirepublika/music-even-16-years-in-bergen). Bøe’s “acoustic laptops” were mentioned here back in [May](https://disquiet.com/2013/05/06/the-acoustic-laptop-mp3/). More from him at [origami.teks.no](http://origami.teks.no/thb/) and [twitter.com/origamiboe](https://twitter.com/origamiboe). He is based in Gran Canaria, Spain.

Return Engagement / “Sounds of Brands, Brands of Sounds”

I'll be teaching the course again this fall at the Academy of Art in San Francisco.

This coming fall semester I will again be teaching a course on sound in the media landscape at the Academy of Art in San Francisco.

The class meets Wednesdays from noon until 2:50pm. It begins on September 11 and ends on December 18. There are 15 weeks in all. The course is divided roughly into thirds. The first third is about listening, the second third (“Sounds of Brands”) is about how companies and products use sound to define themselves in the market, and the final third (“Brands of Sounds”) is about how sound-related companies (music social networks, record labels), people (musicians, bands), and products (headphones, record albums) define themselves. In the Academy of Art’s catalog (online at [academyart.edu](http://catalog.academyart.edu)), the course goes by the title “ADV 499-30: Special Topics: Sound Branding.”

Previous posts about the course are collected here under the [“sounds-of-brands”](https://disquiet.com/tag/sounds-of-brands/) tag.