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Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

A Corporate Drone at SFMOMA

There were over 246 objects in the San Francisco Museum of Modern Art exhibit 246 and Counting, which closed this past Sunday. And by my rough estimate, exactly one had sound. In the entry to the exhibit, a lulling drone filled the room. There were three works of art in that initial space: a wall of neon, three ceiling-high pillars of air purifiers, and a tiny little video screen. The latter, a work by Diller + Scofidio, was the source of the drone.

The video itself is ingenious: a three-and-a-half-minute series of corporate logos shown morphing from one to the next — from Kodak to Fina, from 3M to Apple, from NBC’s peacock to the Texas Instruments state silhouette. Here’s an example of the transitions, from GM to BMW:

The wall text at the SFMOMA dated the work, which is titled “Pageant,” to 1997, but the information on goes one year earlier, to the Johannesburg Biennial in South Africa. Whatever the specifics of the provenance, those logos are, for all intents and purposes, timeless, and as they shifted from one to the next on the SFMOMA wall, they slowly became one single meta-logo, as a friend put it.

As for the drone, it was easily attributable to any of the works in that room. The stacks of air purifiers and the wall of neon could easily have produced such a noise. If anything, that it emanated from the “Pageant” video (more specifically, from a speaker set several feet up along the wall above the minuscule monitor) seemed the least likely of the available options. Perhaps the drone is intended by Diller + Scofidio as an audio-visual pun: we stare at the corporate logos, and are thus surrounded by corporate drones. (Truth be told, the drone was somewhat muffled by audio from another nearby exhibit, a Las Vegas installation, titled Double Down, that emitted lounge classics and field recordings of slot machines.)

More on 246 and Counting at Though the exhibit has closed, the video is streaming at the duo’s website; the site’s user interface is a bit maze-like, but this link should go directly to a downloadable MOV file: MOV.

By Marc Weidenbaum

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  • Marc Weidenbaum founded the website in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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