New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Tangents: Prefuse 73 on Classical, Rhys Chatham on 200 Guitars, RjDj on Tour …

Recommended reading, news, and so forth elsewhere:

Guillermo Scott Herren (aka Prefuse 73) on Electronica’s Classical Under-girding ( Lengthy interview with Guillermo Scott Herren, aka Prefuse 73, on, among other things, the influence of abstract contemporary classical music on his electronica: "It's just me being really nerdy and listening to these tape records, these weird throwback Nonesuch records. I'm the first to go to the old experimental music section and just buy all the dollar records that nobody buys. And everybody's like, 'Pfft, what are you buying? Oh, I got that, it's so boring.' But you listen to it, and you're like: What is going on? Because those records are like, one minute will be this beautiful kind of composed piece, and all of a sudden swoosh. And it's so random. And it all came together." Interview by Trevor Hunter. Video available, too.

Rhys Chatham & 200 Guitars ( Rhys Chatham's 200-guitar piece "A Crimson Grail (Outdoor Version)" performed a week ago Saturday at Lincoln Center in Manhattan (a year after its initially scheduled run was scuttled by inclement weather), reviewed in New York Times by Steve Smith: "Chatham’s piece dealt in massed sonorities and mingling overtones rather than manual calisthenics." Also available, HD performance video of the “end of first part” ( and of the “finale” ( Video found via, which also listed two additional reviews: There’s‘s Sophie Harris: “The sound of two hundred tremoloed guitars ricocheted around the space, even setting off a car alarm in the street (miraculously in tune!).” And‘s Andrew Hultkrans: “The third section opened with the guitarists playing repeated fifths, with the basses dropping one sustained bomb at the end of each measure, reminding me of the intro to the Who’s ‘Won’t Get Fooled Again’ stuck on auto-repeat.”

Moon Score Composer Clint Mansell Q&A ( Pop Will Eat Itself‘s Clint Mansell talks (a bit) about working on the score to the recent chamber-sci-fi film Moon, as well as about working with Darren Aronofsky, musicians whom he admires (Philip Glass, the Buzzcocks), and performing his soundtrack music live. Also: "I mean, if somebody called me to do the music for Pirates of the Caribbean 4 you know what that score needs to be, and whilst I may be able to make a passable attempt at it I don't think that would be my strong suit." Interview by Andrew Male.

Up, Bustle and Out Has New Album in the Works ( Been a few years since (former Ninja Tune mixmasters) Up, Bustle and Out's album Istanbul's Secrets (latest in an ongoing series of audio travel guides), but the group has a new album, titled Soliloquy, that it's "pitching to reputable labels."

RjDj (Interactive Music App for iPhone/Touch) Starts World Tour September 10 in Tokyo (

Cellphone Speaker Interference Can Be Diminished with Electrostatic Bag (

More online resources at

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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    • December 13, 2022: This day marks the 26th anniversary of the founding of
    • January 6, 2023: This day marked the 11th anniversary of the start of the Disquiet Junto music community.

  • Recent
    • April 16, 2022: I participated in an online "talk show" by The Big Conversation Space (Niki Korth and Clémence de Montgolfier).
    • March 11, 2022: I hosted a panel discussion between Mark Fell, Rian Treanor and James Bradbury in San Francisco as part of the Algorithmic Art Assembly ( at Gray Area (
    • December 28, 2021: This day marked the 10th (!) anniversary of the Instagr/am/bient compilation.
    • January 6, 2021: This day marked the 10th (!) anniversary of the start of the Disquiet Junto music community.
    • December 13, 2021: This day marked the 25th (!) anniversary of the start of the Disquiet Junto music community.
    • There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
    • A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at

  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

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    Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.

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  • 0544 / Feedback Loop / The Assignment: Share music-in-progress for input from others.
    0543 / Technique Check / The Assignment: Share a tip from your method toolbox.
    0542 / 2600 Club / The Assignment: Make some phreaking music.
    0541 / 10BPM Techno / The Assignment: Make some snail-paced beats.
    0540 / 5ive 4our / The Assignment: Take back 5/4 for Jedi time masters Dave Brubeck and Paul Desmond.

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