New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

How to Submit Music (& Apps) for Review on Disquiet.com

This site’s been experiencing a significant uptick in correspondence about how to submit music (as well as apps) for review. I just updated the Disquiet.com F.A.Q page (i.e., Frequently Asked Questions, at disquiet.com/faq) in this regard. Here are the key sections:

4. Can I send you music for review consideration? I would love to hear your music. However, just to get this clear from the outset, I am a horrible correspondent. I simply don’t have the time to engage in ongoing back and forths via email about whether I plan on covering your music. I get an enormous amount of music from musicians and their record labels, and that doesn’t count all time I spend seeking out music (and sound-related art), so I can’t promise to write back in a timely manner. Honestly, I can’t promise to write back at all. What I can promise is the following: I will listen to what you send to me, and I will consider it for coverage. So, how do you send me music? My preference is that you email me a link to a Zip file containing 320kbps MP3 files. If you feel the need to send me a CD (or vinyl, or some other physical format), you can email me (visit the Contact page) to get my address in San Francisco, where I live. Do not send MP3s as attachments: they clog up my email, and I just delete them. In closing, I do want to hear your music — but I also want to hear other people’s music, and the less time I spend in correspondence, the more time I can spend listening.

5. Do you review sound/audio/music-related apps? Yes, certainly — apps as well as applications. The intersection of sound and interactivity (aka games) is an important one. Since at least July 2000, I’ve been tagging such content on the site with the term “audio-games.” I can currently review apps written for Apple’s iOS operating system (I have an iPod Touch) and for Android (I have an Android mobile phone), and applications written for the Apple and Windows operating systems (I really should have a proper Linux set up, but currently do not). Just get in touch with me via the Contact page.

Full F.A.Q. at disquiet.com/faq.

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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    • December 13, 2022: This day marks the 26th anniversary of the founding of Disquiet.com.
    • January 6, 2023: This day marked the 11th anniversary of the start of the Disquiet Junto music community.

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    • April 16, 2022: I participated in an online "talk show" by The Big Conversation Space (Niki Korth and Clémence de Montgolfier).
    • March 11, 2022: I hosted a panel discussion between Mark Fell, Rian Treanor and James Bradbury in San Francisco as part of the Algorithmic Art Assembly (aaassembly.org) at Gray Area (grayarea.org).
    • December 28, 2021: This day marked the 10th (!) anniversary of the Instagr/am/bient compilation.
    • January 6, 2021: This day marked the 10th (!) anniversary of the start of the Disquiet Junto music community.
    • December 13, 2021: This day marked the 25th (!) anniversary of the start of the Disquiet Junto music community.
    • There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
    • A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)

  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

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    Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.

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  • 0548 / Drone Vox / The Assignment: Make a drone using just your voice.
    0547 / Genre Melee / Combine two seemingly different genres.
    0546 / Code Notes / The Assignment: Make music that includes a secret message.
    0545 / Unself-Awareness / The Assignment: Learn from feedback intended for others.
    0544 / Feedback Loop / The Assignment: Share music-in-progress for input from others.

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