“You broke my heart into a million pieces,” sing-says the voice. The voice is itself divided into many pieces, if not a million then certainly hundreds, perhaps approaching thousands. At a macro level it is a fifty-fifty split between sung and spoken. The phrase, however, is splintered further, courtesy of a musician seen seated in this video with her laptop perched on a folding table. The location and date, plus her name, provide the context in the form of the video’s title. It’s Erika Nesse at Firehouse (firehouseworcester.com) in Worcester, Massachusetts, on January 1, 2018, New Year’s Day. (The YouTube channel is that of Samual Hadge, who recently uploaded a slew of live sets from Firehouse, as well as from venues in Georgia, Florida, and elsewhere). Judging by the winter date and the puffy outerwear of the members of the audience, it is also very cold. Nesse is a poet of sonic fractals, of not just splintering sound into little piece but having those piece play out in patterns, systems, and processes, all of which entice the ear’s imagination. If we’re used to pop songs where the chorus takes on new meaning as it is repeated, one verse after another, here the phrase — “You broke my heart into a million pieces” — becomes its own meaning: the more the voice is disturbed by Nesse’s digital intrusions, the closer the listener comes to experiencing its truth.
Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media
• February 5, 2020: The first session of the 15-week course I teach at the Academy of Art about the role of sound in the media landscape.
• April 15, 2020: A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the forthcoming book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)
• December 13, 2020: This day marks the 24th anniversary of Disquiet.com.
• January 7, 2021: This day marks the 9th anniversary of the start of the Disquiet Junto music community.
• There are entries on the Disquiet Junto in the forthcoming book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
• At least two live group concerts by Disquiet Junto members in the San Francisco Bay Area are in the works for 2020.
• I have liner notes for a musician's solo album and an essay in a book about an art event due out. I'll announce as the release dates come into focus.
• The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
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Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.
• 0461 / Goldilocks Zone / The Assignment: Navigate a sonic space between the hospitable and the inhospitable.
• 0460 / Creative Destruction / The Assignment: Show how you got to a tortured sound.
• 0459 / From a Distance / The Assignment: Make music intended to be heard from afar.
• 0458 / Phrase Shift / The Assignment: Make music in a sequence of parts with shared elements.
• 0457 / System Alert / The Assignment: Compose sounds for an OS.
And there is a complete list of past projects, 461 consecutive weeks to date.
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