I’ve been doing my best to really contain my social media use. This means not just limiting when I post (that is: not on weekends, nor on weekdays before breakfast or after dinner — with, of course, occasional exceptions, because being too strict is its own problem) but also frequency and range of topics. These end-of-day and end-of-week posts I make occasionally are a subcategory that just arose naturally, as I found myself at the edge of land on a regular basis, at the midpoint of a walk, whether to the Pacific Ocean or the San Francisco Bay. To a degree, these will all the look the same, which can also be said of most days. But at the same time, they’re quite distinct, as here given the awesome intensity of the fog down at China Beach. I watched a half dozen crows fly overhead, chatting nosily, and I could tell their relative distance from me because the closest ones were nearly black, the ones a little further were gray, and the ones furthest away seemed almost white, so deep were they in the fog.
Each Thursday in the Disquiet Junto music community, a new compositional challenge is set before the group’s members, who then have five days to record and upload a track in response to the project instructions.
Membership in the Junto is open: just join and participate. (A SoundCloud account is helpful but not required.) There’s no pressure to do every project. The Junto is weekly so that you know it’s there, every Thursday through Monday, when your time and interest align.
Disquiet Junto Project 0706: Tile One On The Assignment: Make the most of your bathroom.
This week’s project has just one step: record something that makes use of the acoustics of your bathroom. (Or someone else’s bathroom.)
Tasks Upon Completion:
Label: Include “disquiet0706” (no spaces/quotes) in the name of your track.
Upload: Post your track to a public account (SoundCloud preferred but by no means required). It’s best to focus on one track, but if you post more than one, clarify which is the “main” rendition.
License: It’s preferred (but not required) to set your track as downloadable and allowing for attributed remixing (i.e., an attribution Creative Commons license).
Please Include When Posting Your Track:
More on the 706th weekly Disquiet Junto project, Tile One On — The Assignment: Make the most of your bathroom — at https://disquiet.com/0706/.
This sentry stands atop a hill in San Francisco. Not a sentry, really. One of the city’s many outdoor public warning system (OPWS) speakers. Except not speakers, really, either — because the speakers don’t function. They were turned off years ago in advance of being updated. Then the pandemic hit, and budgets got hit, and now the speakers are remnants of best laid plans. The recent floods in Texas are a reminder that as archaic as such systems may seem, they are an essential component of life — rural and urban alike. I’m hopeful the San Francisco OPWS will eventually get fixed, and that the Tuesday noon siren tests, which were silenced toward the end of 2019, will once again be part of our local soundscape.
A simple drone and I IV V progression, both from electric guitar, the latter part glitched thanks to a somewhat chaotic LFO, the former frozen from a single opening chord, the combination done live in VCV Rack over lunch. Very simple, a lot of fun.
This setup has proved useful at the office. It’s an elegant way to get the guitar, via a simulated guitar amp cabinet, into the laptop:
There’s little chance that Saturday didn’t amount to the longest continuous* walk I’ve undertaken, nearly 14 miles across San Francisco, from the southeast (Fort Funston, which had so many dogs walking their humans that you’d think you’d stepped into a chapter of Philip Pullman’s His Dark Materials) to the northwest (Pier 23, following a trail-ending descent of the twisty Greenwich steps).
This route is called the Double Cross Trail, and it’s a twin to the Crosstown Trail, the two meeting atop Miraloma. By my iPhone’s telling — and these things differ by device generation, even by device, so I’ll note mine is an iPhone 13 Pro — the urban hike amounted to 71 flights and well over 30,000 steps. We started off at 10:41am and were done at 5:50pm, or just over seven hours. The trail is designed not for expediency but for green spaces and variety and vistas. It’s marked in blue in the image shown here: beginning at Fort Funston, then on to Lake Merced, then Stern Grove, then up through West Portal to Miraloma, up and down through Twin Peaks, Tank Hill, and Buena Vista Park, over to Alamo Square, then up Van Ness and over into Chinatown and North Beach, past Washington Square, up to Coit Tower, and down.
The next day I felt fine, though my calf muscles registered the impact. Two days later, I’m back to normal. Gonna try the Crosstown Trail next, likely starting in the southeast corner and continuing northwest, where it ends near where I live in the Richmond District.
I can’t recommend the Double Cross Trail highly enough. It’s fantastic to experience in one stretch of time not just a sense of the range of people and places here, but also how interconnected they are. I have never stood in Washington Square and thought, “Hey, let’s head over to the Embarcadero,” or driven down Sunset Boulevard and realized just how close Fort Funston is, even by foot. Long familiar landmarks, such as the statue of Juan Bautista de Anza at Lake Merced and the Painted Ladies alongside Alamo Square, took on new meaning as I thought of them not just as proximate to other areas, but as points along a greater, city-spanning itinerary.
I expected to take tons of photos and record lots of audio, but I only took a dozen or so of the former and one of the latter, this bit of a wind chime as we we approached West Portal. On the one hand, I can be disappointed when a sound can’t easily be isolated from apparent noise; on the other hand, I found myself reflecting on the combination of all the sounds, and how that correlated with the numerous connections (geographic, cultural, environmental) revealed over the course of the walk.
