iOS Journal App & Sound

A soft opening with potential

A few thoughts on the iOS Journal app that debuted with the latest update of the software, 17.2:

1: Limited Tool Kit: It’s nice to see a sound recording option in there right from day one (so to speak). That said, it will be nicer still when there are helpful additional audio tools, such as editing, noise reduction, effects, maybe even music, and so forth as time proceeds.

2: Speech-to-Text Next: Unless I’m doing something very wrong, the existing audio notes in the Journal app don’t even automatically provide transcription, even though that is built elsewhere into iOS.

3: Blog Platform: As a blog advocate, I think it’d be cool if at some point one could publish some of one’s journaling to the public — not all of it, but have the option to post material online.

4: Social Opportunity: I could easily see this Journal tool, as well, becoming the foundation of an Apple social network, one that is the opposite of Threads (from Meta / Facebook) in terms of how it initially engages people — rather than blankly drawing them over from another platform (Instagram, as Threads does), it builds up from personal activity.

5: Sound Diagnosis: Right now, the main bell/whistle of the Journal app is how it nudges users to scribble down bits of their lives. This approach seems closer to Apple’s health and fitness operations than it does to any other existing Apple products. The Journal ping to write something is akin to the reminder to get your steps in or to take a deep breath. The existence of these prompts opens the door to a broader range of meditative cues, in particular — for my interests — ones that encourage the user to think about what they hear, to record sound, and to do things with sound.

6: Leaving Files Behind: For the time being, I’m just toying with Apple’s Journal app. I’m a longtime journaler, meaning I already have an idiosyncratic system that works well for me: one markdown file for each month, each day beginning as a preset list of fields (e.g., sleep, health, family, music, reading, TV, etc.) that I fill in (or erase at the day’s end if the given field ends up with nothing applicable in it). It would take something special for me to ditch my habit — all the more ingrained due to it having evolved over time — for an app, but you never know.

If you try Journal, please share your experience. Thanks.

27 Years of Disquiet.com

Keep on bloggin'

Today, December 13, 2023, marks the 27th anniversary of when I started Disquiet.com (topic: ambient/electronic music, and more broadly the intersection of sound, culture, and technology). The website is so old that it predates the word “blog” by several years. I can’t imagine my past three decades — or the future, for that matter — without Disquiet. If you don’t have a blog as of today, then there’s no better day than today to start one. And if doing so is of interest, then here are two lengthier posts I’ve written about the benefits and process of blogging:

“Q: Why Blog? A: Blogs Are Great.” (2021)

“Bring Out Your Blogs” (2019)

For additional background, there’s a post I wrote two years ago, on the occasion of the site’s 25th anniversary, and ones on the 26th and 11th anniversaries. There are others, as well, on different anniversaries, all stabs at my memory of this website.

And that screenshot up top is what Disquiet.com looked like a year or so into its existence.

Another 30 Seconds

An ongoing series cross-posted from instagram.com/dsqt

I posted another 30-second recording on my Instagram account, @dsqt. Above is simply a still from it. Instagram’s interface can be a bit inscrutable, but it’s stored as a “highlight” called “30s,” where each entry is a half minute of straight audio/video. I recorded this on my phone while going for a walk in Daly City at night. Half a minute is a long time when you’re recording in public. It’s hard not to look untrustworthy. There were plenty of other places I would have liked to record, plenty of spots where a bright light quickly dimmed into the urban darkness. But to do so was to submit oneself to the suspicions of those around you. Recording can easily be misconstrued as an intrusion, as a challenge.

The Story of The Overstory

Who talks for the trees? Powers does.

It is safe to say I have enjoyed reading Richard Powers’ The Overstory so far. I’m almost done. There’s a lot of listening in the book — some metaphysical, some naturalist, some as hampered by language or by health concerns, with a lot of variations and overlaps in between.

Evergreen

Resources here

A funny thing about static web pages is they are just that: static. Without a dateline, they kind of hide on the site in plain sight. So here’s a reminder about some of them.

▰ There is an “about” page at disquiet.com/about.

▰ There is an FAQ at disquiet.com/faq.

▰ There is a list of places where I hang out online, mostly related to social media.

▰ There is a list of books I’ve written or contributed to, or that cover work I do, at disquiet.com/books.

▰ There is a list of all the interviews posted on the site to date.

▰ There is a list of all weekly Disquiet Junto projects to date — all 623 of them.

▰ The is an FAQ about the Disquiet Junto.

▰ There is a contact page, with a link to information about how to submit music for review consideration.