Video, audio, patch notes
This isn’t an ornamental choice. The black face plate will allow me to put the silver-faced module horizontal (rather than vertical) into a new, small modular synthesizer case (the one seen in [the video](https://disquiet.com/2020/05/25/buddha-machine-variations-no-36-glass-tiles/) I posted two days ago).
This is the rear of another module I’ve enjoyed but am putting back into the pool. It’s the Befaco Muxlicer, and in many ways it did exactly what I wanted, sorting through variations, treating disparate elements as equals. But I’m going to try some other approaches to the same end, and see what comes of it. I may end up with one of these again down the road, but for the time being I’m keeping my setup fairly compact. Before sending it off, I wanted to capture its beautiful printed circuit board.
Been a few days since the previous Buddha Machine Variation. The camera died, after it had [stopped playing nice with audio](https://disquiet.com/2020/05/20/paper-music/
). And I got a new, smaller synthesizer case (from Pulp Logic, who were super helpful with plotting it out). This is the first time I’ve ever used an expression pedal with my synth, thanks to one of the three tiles in the upper left corner of the box. (“Tiles” being a term for the shorter modules seen top and bottom here, above and below the ER-301 module.) Very simple little patch. Just a proof of concept. The tiny foot (well, hand) pedal is triggering the recording of a microloop (400 or so milliseconds) of the choral audio coming from the Philip Glass 80th-birthday edition of the Buddha Machine. The expression pedal is varying how much we’re hearing the inbound Glass loop, and how much we’re hearing the microloop. If you’re wondering where the Buddha Machine is sending its audio into the synth, there are jacks in the side of the case itself.
For further patch-documentation purposes, here are two shots of the synthesizer:
Video originally posted at youtube.com/disquiet. There’s also a (https://www.youtube.com/playlist?list=PLAgCxRbmR1MIM4mCYe17nERi9xeEWAD2w) of the Buddha Machine Variations.
Shown here is the back of the Cold Mac synthesizer module from the company Whimsical Raps. I’ve enjoyed using it, but I’m putting it back in the pool of circulating used synthesizer equipment. Before doing so, I’m commemorating its time in my modular synth with this photograph of the lovely rear of its printed circuit board.
The semi-bad news is I spent a considerable amount of time a year or so ago researching how people notate their synthesizer patches, never coming to a conclusion that I felt was (yet) substantial enough to write about. That is, how they draw, or photograph, or otherwise annotate for future reference the combination of cables and knobs, sliders and (increasingly) menu settings of their modules.
The not unrelated good news is, having done that work, I had developed some fledgling ideas as to how to accomplish such a task, ideas I drew upon this evening when my camera failed to record audio for what would have been the day’s Buddha Machine Variation.
The second of the images below is how I transcribed some menu settings (on the ER-301 module, using the Feedback Looper unit). I was, apparently, especially (presciently?) primed to take these notes, because the first of these two images is something I wrote in a notebook last night when an idea for today’s patch first suggested itself. So, these are the before and after. What’s missing is the middle, the actual recording.
