studio journal – Page 5

SubSix x VCV Rack

Six strings, one at a time

September 7, 2025September 7, 2025 / By Marc Weidenbaum

I picked up one of the SubSix pickups from Submarine last year and then promptly hurt my hand bad enough that I have barely touched the guitar in the time since. I fiddled with it a bit, but now I’ve finally set up the SubSix properly. The SubSix separates the guitar’s half dozen strings into individual channels. The result is not pristine, but the device does a solid job, and I’m learning to work with it.

The main issues I face are (1) the electric guitar signal is quite clean, so I have to do something with it promptly in the signal chain, or it sounds sort of anemic, and (2) I’m still getting a buzzing, even having raised the action on my Telecaster. I’ll sort out both those issues.

I made a little Eurorack setup with six small VCAs, one for each string, and then sent those into my laptop (thanks to a pair of Expert Sleepers modules: ES-6 and ES-8), running VCV Rack, the modular synthesizer emulation software. As it turns out, one of my VCAs doesn’t work (I may have blown it out), but fortunately my Pulp Logic case has a pair of mono inputs, so I can use that as a temporary replacement.

This video is a quick test run. Each of the three oscilloscopes shows a pair of strings, moving from lowest string to highest string, from left to right. I set it up in VCV Rack with a set of send/return modules, so I can easily augment any of the individual lines (this video doesn’t do that). I’ve been experimenting with varying delay lengths, and doing fun things with panning, and using one string as a trigger, and also with leaning into the SubSix’s lack of purity — that is, recording the sympathetic vibrations in the strings I haven’t struck.

This video is just a proof-of-concept recording of how I’ve arranged things currently in VCV Rack. I saved this patch as a foundation for future experiments.

More on the SubSix pickup at submarinepickup.com.

M8 Headless Cheat Sheet

Keys to the tracker kingdom

August 12, 2025August 12, 2025 / By Marc Weidenbaum

The above image is borrowed from the manual for the M8 Operation Manual. This shows the layout for the physical M8 Tracker device. The text in gray on the eight buttons on the bottom half of the device is what I’ve added to the provided image. Here is a more useful detail:

Those eight keys are, I believe, the default settings for using a computer keyboard as replacements for the physical buttons on the official M8 Tracker. From my experience with the M8 Tracker, you cradle it with both hands and control the buttons with your thumbs, though I imagine some people may rest the device on a table, or lap, and employ additional fingers.

This is a picture of the first version of the M8, which is the one I have. There’s a more recent version, but the buttons are in the same place.

I’m trying to port some of my experience with the official device to running the software on a Teensy 4.1, connected to my laptop with a USB cable, as I’ve mentioned here recently. The transposition gets a little confusing, in part because I’m inclined to use more than just my thumbs on my laptop, and also because the arrow keys are on the lower right side of my laptop keyboard but on the upper left side of the M8 Tracker. Much M8 use is muscle memory.

I’ll continue to track, so to speak, as I explore the M8 Tracker further.

M8 Headless Experiment

Teensy 4.1 called into service

August 10, 2025August 10, 2025 / By Marc Weidenbaum

This was a satisfying series of initial steps. I have an M8 Tracker, which is a music-making device that combines a sequencer (hence the name “tracker”), a synthesizer, and a sampler, all in the palm of your hand. The M8 exists in part because of the creative opportunities afforded by the Teensy (specifically the 4.1), an inexpensive (roughly $35US) circuit board for product development.

Since the M8 runs on this common tool, and because Dirtywave, the manufacturer of the M8, makes its software available for download, you can make your own M8 equivalent pretty easily. Doing so is usually accomplished by hooking a Teensy to a game system or a laptop. I decided to try the latter, using a MacBook Pro, to begin with. This process is called a “headless” approach, though it’s not quite headless, because you’re using the game system or laptop as the screen.

The instructions, as laid out on Dirtywave’s GitHub documentation, were fairly easy to follow. I only encountered two sources of confusion:

First: Under Step 3 (“Install a M8 Display Client and Run M8 Headless”) of the headless process, there are three primary options for the Teensy to feed visuals through the laptop. However, the way it’s written out, it looked to me like the first two options had one step, whereas the third option had multiple steps. I didn’t initially understand those subsequent steps applied the first and second options, as well.

Second: I was confused that when the Teensy connected to my laptop via a USB cable, I didn’t see the SD card mounted via the MacBook’s file system. The SD card not appearing in the Finder meant I couldn’t transfer audio files, like beats and field recordings. I eventually sorted out that I needed to remove the SD card, and put it separately into the laptop in order to transfer files. Not a big deal, but this wasn’t self-evident to me. I interpreted this as a problem to be solved, not a norm I had to work around.

And that about covers it. The M8 Tracker is now running headless on my laptop, as shown up above. I ordered a little $10 plastic case to (somewhat) protect the Teensy 4.1, which is just a raw circuit board. And I’ll be experimenting some more.

The primary reason I did all this was because I’ve been looking into alternate firmware, and while to my knowledge there is no fork of the M8 software, this project was useful to give me some experience with flashing software to the Teensy. Also, I really enjoy my M8 Tracker, and using the headless Teensy version means I’ll have more ways to play around with the system.

“gl-i-iv-v-tched”

Lunch time, fun time

July 8, 2025July 8, 2025 / By Marc Weidenbaum

A simple drone and I IV V progression, both from electric guitar, the latter part glitched thanks to a somewhat chaotic LFO, the former frozen from a single opening chord, the combination done live in VCV Rack over lunch. Very simple, a lot of fun.