This Week in Sound: Benjamin Franklin, Jackson Lamb, Sensory Gating

A lightly annotated clipping service

These sound-studies highlights of the week are lightly adapted from the April 11, 2022, issue of the free Disquiet.com weekly email newsletter This Week in Sound ([tinyletter.com/disquiet](https://tinyletter.com/disquiet)).

As always, if you find sonic news of interest, please share it with me, and (except with the most widespread of news items) I’ll credit you should I mention it here.

“Filtering acoustic information according to its relevance, a process generally known as sensory gating, is crucial during sleep to ensure a balance between rest and danger detection.” Read a study from Nature’s Scientific Reports on neurological research into sleep-deprived rodents. ➔ [nature.com](https://www.nature.com/articles/s41598-022-09457-6)

Apparently many deepfake detection systems are trained on catalogs of pre-existing deepfakes. A new system, developed by researchers at University of Federico II in Naples and the Technical University of Munich, “looks only at real videos of a subject, and then uses those videos to create a biometric profile of that individual.” ➔ [findbiometrics.com](https://findbiometrics.com/researchers-introduce-new-approach-deepfake-detection-040806/)

Farts are a central component of the sound design that depict the character of Jackson Lamb, as depicted by Gary Oldman in the new TV series Slow Horses. (I’ve read all the novels in the series. The show is a fairly solid adaptation so far, if lacking the books’ signature digressions into atmosphere.) ➔ [cinemablend.com](https://www.cinemablend.com/interviews/gary-oldmans-frequent-farts-on-slow-horses-are-actually-an-important-character-trait)

There was a glitch that had Android’s Google Assistant reading Brazilian Portuguese to people in Portugal, and vice versa. ➔ [androidpolice.com](https://www.androidpolice.com/android-auto-glitch-google-assistant-reading-messages-in-the-wrong-language/)

“Sound, timing, feeling, instinct; we both rely on all of that. That’s because we use ambience to tell the story. It’s more important than music.” Akritchalerm Kalayanamitr, sound designer for such Apichatpong Weerasethakul films as Tropical Malady and, more recently, Memoria (which, no, I haven’t seen yet but very much want to) talks about the role of audio as a narrative and emotional tool. The interview is by Lukasz Mankowski. ➔ [mubi.com](https://mubi.com/notebook/posts/how-it-sounds-to-remember-the-sonic-work-of-akritchalerm-kalayanamitr)
*(Via Cormac Donnelly)*

A special “Sonic South” issue of Southern Cultures has been edited by Outkast scholar Regina N. Bradley, who wrote an detailed exegesis of video of Sandra Bland’s arrest back in 2015. ➔ [southerncultures.org](https://www.southerncultures.org/issues/sonic-south-vol-27-no-4/)
*(Thanks, Rob Walker!)*

Duncan Geere shares details of a sonification tool he is building for the free virtual modular synth program VCV Rack: “What I’m trying to do is create a virtual module which loads a CSV file containing data, allows the user to pick a column, then jumps from datapoint to datapoint every time it receives a trigger, spitting out control voltages based on the data that you can send other modules that actually make sounds.” ➔ [duncangeere.com](https://blog.duncangeere.com/tenday-notes-21-mar-10-apr-2022/)

Sound Ledger¹ (Holy Noise)

Audio culture by the numbers

301: The number of religious locations (“mosques, temples, churches,” etc.) alerted by police in Bangalore, India, about possible noise infractions by loudspeakers

1,001: The number of locations alerted by police in Mangalore, India, about possible noise infractions by loudspeakers

620: The number of those Mangalore locations that are either mosques (168), temples (357), or churches (95) 

_________
Footnotes: Bangalore: [livemint.com/news](https://www.livemint.com/news/india/karnataka-bengaluru-police-asks-over-300-temples-mosques-to-comply-with-noise-pollution-rules-11649320753136.html). Mangalore: [indiatimes.com](http://timesofindia.indiatimes.com/articleshow/90692717.cms).

*Originally published in the April 11, 2022, edition of the This Week in Sound email newsletter. Get it in your inbox via [tinyletter.com/disquiet](https://tinyletter.com/disquiet).*

twitter.com/disquiet: Teen Wolf

From the past week

I do this manually each Saturday, collating most of the tweets I made the past week at [twitter.com/disquiet](https://twitter.com/disquiet), which I think of as my public notebook. Some tweets pop up sooner in expanded form or [otherwise](https://disquiet.com/2022/04/06/dark-rooms-of-the-past/) on Disquiet.com. I’ve found it personally informative to revisit the previous week of thinking out loud. This isn’t a full accounting. Often there are, for example, conversations on Twitter that don’t really make as much sense out of the context of Twitter itself.

▰ Safe to say my parents’ records did have an influence on me:

And yes that’s a slide projector, for added ’70s feel, holding up the LPs in the rear.

▰ That thing where you find a typo in your tweet so you confirm no one has liked it yet and then you delete it and (re)tweet it.]

▰ A touching memorial for Tom Moody (hashtag: netart 8bit ogblogger) by Cory Arcangel: [artforum.com](https://www.artforum.com/passages/cory-arcangel-remembers-tom-moody-88329). Moody was an early Disquiet Junto member. He played at the concert we did for Rob Walker’s 2012 Apex Art exhibit. Some of the old internet died with Moody last month. And here’s an obituary for Moody: [artnews.com](https://www.artnews.com/art-news/artists/tom-moody-dead-1234622521/). And Gene McHugh on Moody: [rhizome.org](https://rhizome.org/editorial/2022/apr/06/remembering-tom-moody-artist-musician-and-blogger/). And remembrances: [rhizome.org](https://rhizome.org/editorial/2022/apr/06/artists-remember-tom-moody/).

▰ Big memories: “Cult heroes: Thin White Rope were scorched, alien, hostile” at [theguardian.com](https://www.theguardian.com/music/musicblog/2015/mar/24/cult-heroes-thin-white-rope-were-scorched-alien-hostile) by Graeme Thomson. Thin White Rope were a constant presence when I lived in Davis and Sacramento, working for Tower’s Pulse! magazines. In fact, I got my room at a house in Davis when TWR’s drummer vacated it to go on tour. They did my favorite Can cover ever, “Yoo Doo Right.” (Via Marc Masters)

▰ Briefly in New York, thus back in my childhood bedroom. My dad made these narrow shelves for me a million years ago, back when dial-up BBS was social media. These shelves fit behind the door, and they’re the depth of a paperback book. Of which I had many. Floor to ceiling.

▰ Oh yeah

▰ Not sure why voice recognition is much better on the iPhone than the iPad, but:

“Link weenie link weenie and clams are us for dinner oh my god. Clamor sauce.”

I do have that mess to thank now for the phrase “clamor sauce.” Seems like a great term for failed voice recognition.

▰ I’ve been publishing something or other since I entered 10th grade in 1981 and joined the school newspaper, and I still find that the phrase “full bleed” (in printing terminology) makes me palpably uncomfortable.

▰ What you find in the basement when your dad taught high school biology:▰

▰ Watching the Ken Burns Ben Franklin documentary, hoping for some OG Junto info. Ended up watching the second episode first. That’s after the Junto, but it had this tasty sonic bit, Franklin on the rattlesnake:

“One of those rattles singly, is incapable of producing sound, but the ringing of thirteen together, is sufficient to alarm the boldest man living.”

▰ Thank you, Zoom, for reminding me every time I cough (I caught a bad cold) that I have my mic muted.

▰ Been quiet on Twitter ’cause I’m on Long Island with my parents (and a bad cold). Last time here, I heard trains from the top of the hill, which I don’t recall from childhood. This time I noted these beautiful wood floors used to be carpet. Totally changes things for the better. Of course by “quiet” I don’t mean “silent,” and of course in the general course of life, “silent” doesn’t mean “silent,” either.