Algorithmic Art Assembly 2022

And I'll be participating on March 11

The Algorithmic Art Assembly conference/festival is back, with quite the lineup. Additional details at [aaassembly.org](https://aaassembly.org). It runs March 10, 11, and 12, 2022, at Gray Area in San Francisco ([grayarea.org](https://grayarea.org)).

I’m looking forward to being part of it, doing a live interview with Mark Fell, Rian Treanor, and James Bradbury on the second day. I gave [a talk about the Disquiet Junto](https://youtu.be/GzHrOpBwhMU) at the first Algorithmic Art Assembly, back in 2019. The organizer, Thorsten Sideb0ard, puts his all into this.

And here’s the full lineup:

Thursday 10th March (Algorave)
Rich DDT \ d0n.xyz \ A/V Club \ Iván Abreu \ C. Lilly \ LuisaMei \ Spednar \ William Fields

Friday 11th March
Shader Park \ Jamie Fenton \ Chris Carlson \ Mark Fell, Rian Treanor & James Bradbury \ Amy Alexander \ Hannah Davis \ Lauren Sarah Hayes \ John Bischoff \ SPACEFILLER with Mick Marchan \ {arsonist} \ Trash Panda QC \ Myriam Bleau

Saturday 12th March
Phil Burk \ Barcelona AAA node w/ the Intelligent Instruments Lab \ RM Francis \ Ellen Phan \ Irwin/Miller \ Cassie Tarakajian \ Tom Hall \ Ross Goodwin \ CNDSD \ Kindohm \ Richard Devine

Tickets at [grayarea.org](https://grayarea.org). (Also, there are discounted festival scholarships for artists, students, and scholars from diverse backgrounds that are underrepresented in the fields of art, design, and technology. This scholarship gives preferences to those who self-identify as LGBTQ, women, nonbinary, or minority racial and ethnicity groups.)

twitter.com/disquiet: Batman, Adult Education, “Country Life”

From the past week

I do this manually each Saturday, collating most of the tweets I made the past week at twitter.com/disquiet, which I think of as my public notebook. Some tweets pop up in expanded form or [otherwise](https://disquiet.com/2022/02/11/high-voltage-sunset/) on Disquiet.com sooner. It’s personally informative to revisit the previous week of thinking out loud. This isn’t a full accounting. Often there are, for example, conversations on Twitter that don’t really make as much sense out of the context of Twitter itself.

▰ The feeling in guitar class where you don’t just have a question. You have a question about how to express your question.

Me: “So … when we move up the fretboard with triads there are, uh, two “forms,” major and minor, aside from the 7th, which is diminished. But when we move up the fretboard with 7th chords, the 5th is, like, a third “form”? Why’s that?” (That’s after several attempts and still a mess.)

(And I understand the answer now. I’m just reflecting on the difficulty I had in forming the question. And I’m not sure I can, yet, concisely explain the answer. But I’m making strides.)

(The difference between understanding and the ability to explain being an important step toward, you know, actually understanding. On a positive note, I did get the underlying concept. I just couldn’t verbalize it. For me, being unable to verbalize something is, like, claustrophobic.)

▰ Recently got reacquainted with the Watersons due to their music’s use in Autumn de Wilde’s (highly enjoyable) film adaptation of Jane Austen’s novel *Emma*. RIP, Norma Waterson (obituary: [theguardian.com](https://www.theguardian.com/music/2022/jan/31/norma-waterson-obituary)).

I love this bit from their song “Country Life”: “And I like to hear them small birds singing / Merrily upon their laylums.” The meaning of “laylums” today is apparently not entirely clear. There are varied interpretations (“chorus, or group of birds,” “meadow or cropland,” “fallow land”). Much online discussion is uncertain: [afolksongaday](https://www.afolksongaday.com/?p=404), [traditionalmusic.co.uk](http://www.traditionalmusic.co.uk/traditional-music/ency/l.htm), [efdss.org](https://media.efdss.org/resourcebank/docs/RB222SongsOfRuralLifeSEN-CatKelly.pdf). Those links go to a handful of people who have specific (and differing) opinions on the topic. A general search for “laylums” yields lots of conversation among people looking to find out what it means.

▰ There was a fun but of chatter on Twitter due to Robert Pattinson having been quoted in GQ as saying how he bided his time in the Batman suit ([nme.com]((https://www.nme.com/en_au/news/film/robert-pattinson-made-ambient-electronic-music-while-suited-up-as-batman-3157454))): ““I’d be in the tent just making ambient electronic music in the suit, looking over the cowl.” This led to a lot of fun jokes, and I weighed in with [a thread](https://twitter.com/disquiet/status/1491476824517341188), beginning with the ideas that Alfred just puts “Bat-” stickers next to the logos on a lot of synth equipment he buys used via Reverb and Craigslist (Bat-Moog, Bat-sequencer, etc).

▰ Michel Fiffe’s sound effects are where it’s at.

▰ If you’re in Oslo in March, this Jon Hassell tribute concert looks pretty great. Of course, anything with Eivind Aarset and Jan Bang and Arve Henriksen and Nils Petter Molvær looks pretty great: [nasjonaljazzscene.no](https://nasjonaljazzscene.no/arrangement/jon-hassell-minnekonsert/?fbclid=IwAR23CsaiSJwuCSIBcaJkjaxQn4nM13iwPaQGm6J4nXxZO6jGandjPkiMLzA).

▰ Clearly a lot of Hassell fans in mourning. I post this announcement, and then Twitter goes down. :)

▰ Twitter loops video, so I’ve just got Ted Laderas running while I eat lunch: [twitter.com/ooray](https://twitter.com/ooray/status/1492229929487921153).

▰ Recommended weekend strategies:

– Remember the room tone of a place where you used to live.
– Imagine what Monday morning will sound like. Write down what you foresee (“forehear”?) and then compare come Monday.
– Re-listen to your least favorite record by a favorite musician.

Disquiet Junto Project 0528: Landscape Architecture

The Assignment: Forge an unobtrusive path through musical flora.

Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. (A SoundCloud account is helpful but not required.) There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

Deadline: This project’s deadline is the end of the day Monday, February 14, 2022, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, February 10, 2022.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

**Disquiet Junto Project 0528: Landscape Architecture**
The Assignment: Forge an unobtrusive path through musical flora.

Step 1: Take as inspiration the warning in the photo that serves as this project’s cover image.

Step 2: Think about the concept of creating an unobtrusive path through the musical equivalent of fragile vegetation.

Step 3: Record a piece of music that traces the path you imagined in Step 2.

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0528” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0528” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

[https://llllllll.co/t/disquiet-junto-project-0528-landscape-architecture/](https://llllllll.co/t/disquiet-junto-project-0528-landscape-architecture/)

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to [email protected] for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Deadline: This project’s deadline is the end of the day Monday, February 14, 2022, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, February 10, 2022.

Length: The length is up to you.

Title/Tag: When posting your tracks, please include “disquiet0528” in the title of the tracks, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 528th weekly Disquiet Junto project — Landscape Architecture (The Assignment: Forge an unobtrusive path through musical flora) — at: https://disquiet.com/0528/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: [https://llllllll.co/t/disquiet-junto-project-0528-landscape-architecture/](https://llllllll.co/t/disquiet-junto-project-0528-landscape-architecture/)