Disquiet.com 25th Anniversary Countdown (7 of 13): Home Decorating in the Age of Mechanical Reproduction

An archival ambient advent calendar from December 1st – 13th, 2021

It’s day 7 of my 13-day countdown to Disquiet.com’s 25th anniversary. I started Disquiet.com in December 1996. That’s three years before the word “blog” arrived, and seven years after I began writing professionally. Sometimes I dig up old pieces, ones that predate the site itself, like the essay “Home Decorating in the Age of Mechanical Reproduction,” which was inspired in part by a comic by Matt Madden, shown here.

The comic, titled “House Music,” originally ran in *Pulse!*, the Tower Records music magazine I helped edit from 1989 to 1996, and for which I later worked freelance until the company closed in bankruptcy. (I edited the comics at *Pulse!*, starting off with Adrian Tomine, then still a high school student, and Justin Green, and soon expanding to a wide range of great artists and illustrators, with a focus on artist-illustrators.) The essay was for Jeff LeVine’s *Destroy All Comics* zine (#5, May 1996).

In the rough sketch, shown above, of Matt’s comic, a man sits in front of the computer, typing. His presence thoroughly changes the strip. In the early version we’re led to believe that the comic’s narration is what the man is typing. In the final version, the narration is freed from such a physical mooring, much as the sounds are freed from their reference points and allowed to mingle into an imaginary musical composition.

Read: [“Home Decorating in the Age of Mechanical Reproduction.”](https://disquiet.com/1996/05/15/home-decorating-in-the-age-of-mechanical-reproduction/)

*(Oops! I had an attribution wrong.* Destroy All Comics *was edited and published by Jeff LeVine. I had mistakenly attributed it to Frank Santoro, but that’s just ’cause Frank drew the cover of the issue. I have Matt Madden to thank for alerting me to my error.)*

Rewinding 2021 in The Wire

Listening back

You know the font, or you should. The latest issue is out from *The Wire* magazine‬⁩. I contributed to the year-end Rewind section, writing about a highlight of 2021 for me: how online discussions between musicians (from Twitter to Discourse to Discord to GitHub) shed light on forms of collaboration. (I’ll post the full piece after the next issue comes out.)

Buddha Machine Variations No. 40 (MBP BMV VCV)

A series of focused experiments

Been a while. This is a new entry in the occasional Buddha Machine Variations series. The previous one was about 10 months ago. This was a test run of something I’ve never done before: recording video straight off my laptop (a MacBook Pro), bypassing the microphone in favor of the internal sound. Oddly, such a routing isn’t an immediate option within macOS Monterey, so I had to use a third-party tool, in this case Loopback from Rogue Amoeba. Recorded in QuickTime. Edited in iMovie. Cover image in InDesign. The source audio is one of the tracks from the original Buddha Machine, created by the duo FM3. It’s been looped and processed in VCV Rack (this is the Pro edition, but there’s probably nothing going on in this patch you couldn’t do in the free edition, except a few of the modules may have had a fee associated with them). In any case, this was more a proof of concept, or of several concepts: (1) could the routing work, and (2) would this all happen without the new laptop’s fan turning on. In both cases: yes!

Video originally posted at [youtube.com/disquiet](https://www.youtube.com/watch?v=wpjBdcz0o38). There’s also a (https://www.youtube.com/playlist?list=PLAgCxRbmR1MIM4mCYe17nERi9xeEWAD2w) of the Buddha Machine Variations.

Disquiet.com 25th Anniversary Countdown (6 of 13): Laraaji in 2015

An archival ambient advent calendar from December 1st – 13th, 2021

It’s day 6 of the 13-day Disquiet.com 25th anniversary countdown (the occasion occurs on December 13, 2021). Time is strange. You know a blog has been around for a while when you can say something like, “This from only six years ago.” In any case, this interview with the great Laraaji is from 2015. Laraaji talks in detail about how he achieves his watery sonics, bridging the spiritual gap with the great skeptic Brian Eno, finding peace in the process of tuning the zither’s 36 strings, and his early career as a standup comic.

Reads the full interview: [“The Eternal Life Aquatic with Laraaji.”](https://disquiet.com/2015/08/24/laraaji-all-in-one-peace/)

Disquiet.com 25th Anniversary Countdown (5 of 13): Our Lives in the Bush of Disquiet

An archival ambient advent calendar from December 1st – 13th, 2021

Just shy of 10 years after I founded Disquiet.com, I did something here I hadn’t done before: rather than write about music and sound someone produced somewhere else, I published music that I myself had assembled.

In 2006, Brian Eno and David Byrne posted (for free download) stems from one of my favorite albums of all time, *My Life in the Bush of Ghosts*, and asked people to remix them. I listened to what people had posted and I found nothing that was particularly appealing. Most of the tracks just slotted the provided raw material above rote 4/4 percussion. So, I sent the Eno/Byrne project news to some friends and musicians I corresponded with, and I asked if they’d participate. The response I got back was, in essence, uniformly: This is cool, but the tracks showing up on the official website leave a lot to be desired. So, I told everyone I’d post the results of their work on Disquiet.com instead. A dozen musicians participated, resulting in this collection:

1. “Help Me Help Me” – AllThatFall
2. “If You Make Your Bed in Heaven” – Roddy Schrock
3. “Leftover Secrets to Tell” – Pocka
4. “Secret Life Remix” – Stephane Leonard
5. “The Black Isle (Byrne/Eno Remix)” – (dj) morsanek
6. “Hit Me Somebody (Help Me Somebody Remix)” – MrBiggs
7. “Being and Nothingness (A Secret Life Remixed)” – john kannenberg
8. “Somebody Help Us” – My Fun
9. “Hey” – Mark Rushton
10. “My Bush in the Secret Life of Ghosts” – Prehab
11. “Not Enough Africa” – Ego Response Technician
12. “Helping (Help Me Somebody Remix)” – doogie

This was almost a year before SoundCloud launched, so the natural place to post the music was the [Internet Archive](https://archive.org/details/OurLivesInTheBushOfDisquiet), the offices of which are about a mile from where I live. (The offices are actually a block from where I lived when I first moved to San Francisco in 1996, but the building wasn’t the Internet Archive then. It was a church.)

It’s hard to describe what a transformation this collection was both for this website, and for my sense of how I relate to and communicate with musicians. In the following years, I’d release a series of other such compilation albums, largely inspired by the work of Hal Willner, and eventually I’d open up the format (moving from narrow commission to open call), resulting in the Disquiet Junto music community.

More details, and all the audio, in [the original post](https://disquiet.com/2006/09/04/our-lives-in-the-bush-of-disquiet/). And major thanks to Brian Scott of Boon Design ([boon.design](https://www.boon.design)) for the gorgeous cover.