Scratch Pad: Ballard, Oblique, IMAP

From the past week

At the end of each week, I usually collate a lightly edited collection of recent comments I’ve made on social media, which I think of as my public scratch pad. I find knowing I’ll revisit my posts to be a positive and mellowing influence on my social media activity. I mostly hang out on Mastodon (at post.lurk.org/@disquiet), and I’m also trying out a few others. And I generally take weekends off social media.

▰ “Rows and rows of disused milk floats / Stand dying in the dairy yard / And a hundred lonely housewives / Clutch empty milk bottles to their hearts”

The Jam’s “Town Called Malice” could be re-titled “Town Called Ballard,” as in JG, and you wouldn’t have to change another word.

▰ The excellent You Are Listening To website got a relaunch/reskin/reboot:

▰ An Oblique Strategies hack. Choose two, and contemplate how they play together and what tension surfaces between them:

phone: “Cut a vital connection”

laptop: “Destroy nothing; Destroy the most important thing”

▰ IMAP is still magic

▰ One of the best things comma I think comma about voice-to-text is overhearing people speaking punctuation out loud comma as if they’re standing at a blackboard in grade school period

Also comma you can easily weed out people who don’t use serial commas period

▰ When I’m back in New York, I always listen for whose music I’ll hear first: Billy Joel’s, Bruce Springsteen’s, or Bon Jovi’s. After a week and a half on Long Island free of all of them, I stepped off the LIRR and into Penn Station, only to be greeted by a subway busker playing “Uptown Girl” on a Melodica.

▰ Been in New York for two weeks now, read less than I have during any equivalent period of the year. Digging into a short novel to dig myself out of the whole. OK, a couple short novels.

More Solo (Roger) Eno

From his new album

Here’s another track in advance of the release of Roger Eno’s third album for the Deutsche Grammophon label, Without Wind / Without Air. As with the previous “Alembic Distillation,” this is a fairly brief solo piano piece. The focus is a pastoral melody, leaving equal parts for space and notes. Titled “Spell,” it hovers in an ambiguous zone. The somewhat elegiac quality registers as autumnal, but there’s a hint of spring green shoots in there, as well. 

Disquiet Junto Project 0722: Spook Street

The Assignment: Make music for a haunted spy film.

Each Thursday in the Disquiet Junto music community, a new compositional challenge is set before the group’s members, who then have five days to record and upload a track in response to the project instructions.

Membership in the Junto is open: just join and participate. (A SoundCloud account is helpful but not required.) There’s no pressure to do every project. The Junto is weekly so that you know it’s there, every Thursday through Monday, when your time and interest align.

Tracks are added to the SoundCloud playlist for the duration of the project. Additional (non-SoundCloud) tracks also generally appear in the lllllll.co discussion thread.

Disquiet Junto Project 0722: Spook Street
The Assignment: Make music for a haunted spy film.

Step 1: It’s intriguing that the word “spook” regularly means “haunt” (verb) but also can mean “spy” (noun). Consider this.

Step 2: This project coincides with Halloween 2025, so imagine a spooky spy film, and write some music for it.

Tasks Upon Completion:

Label: Include “disquiet0722” (no spaces/quotes) in the name of your track.

Upload: A person participating in the Disquiet Junto should post only one track per weekly project (SoundCloud account preferred but not required). If on occasion you feel inspired to post more than one track (whether to a single account or across multiple accounts), you should clarify which is the “main” rendition for consideration by fellow members and (if on SoundCloud) for inclusion in the SoundCloud playlist.

Share: Post your track and a description/explanation at https://llllllll.co/t/disquiet-junto-project-0722-spook-street/

Discuss: Listen to and comment on the other tracks.

Additional Details:

Length: The length is up to you. Are you writing a cue or the whole score?

Deadline: Monday, November 3, 2025, 11:59pm (that is: just before midnight) wherever you are.

About: https://disquiet.com/junto/

Newsletter: https://juntoletter.disquiet.com/

License: It’s preferred (but not required) to set your track as downloadable and allowing for attributed remixing (i.e., an attribution Creative Commons license).

Please Include When Posting Your Track:

More on the 722nd weekly Disquiet Junto project, Spook Street — The Assignment: The Assignment: Make music for a haunted spy film — at https://disquiet.com/0722/.