Alarm Will Tag

A #dense #textural work by Jay Lin with the heart of a swarm

In a compact parallel to micro-fiction, liner notes have not so much gone away as been reduced to bare essentials. Liner notes more often than not these days take the form of a complementary blog post, or a brief text accompanying a track posted online, or — in the perhaps most constrained format — just a series of tags. Such is often the case with Alarm Will Sound, the highly regarded chamber ensemble, which regularly posts performances it does of works outside the standard chamber literature. Not that standard chamber repertoire is its modus operandi. This is the group that made its name initially with an album of Aphex Twin covers. The group’s [SoundCloud page](https://soundcloud.com/alarm-will-sound) gives a false impression of its activity. The “spotlight” section up top focuses on music released about a year ago, if not longer. But down below more recent items pop up, including [“Half-Glimpsed” by composer Jay Lin](https://soundcloud.com/alarm-will-sound/half-glimpsed). It was posted just today. Recorded live at the Mizzou International Composers Festival on July 27, 2013, it is primarily built around a frenetic series of organized cacophonies. Even the quieter moments early on are antic, with strings and horns playing against each other in a swarm-like manner: individually at their own pace, but collectively forming something spacious and very much alive. And for context, there is just that datestamp and this brief collection of tags:

#sinfonietta

#noise

#textural

#dense

#contemporary classical

#chamber orchestra

Track originally posted at [soundcloud.com/alarm-will-sound](https://soundcloud.com/alarm-will-sound/half-glimpsed).

MF Doom + DJ Krush + Comics + Manga

A series I'm editing for Red Bull Music Academy's Tokyo festival

20141103-mfdoom

I initiated and have been editing a series of three-page comics and manga for Red Bull Music Academy to coincide with its Toyko festival, which is underway right now. The first in the Red Bull Music Academy series tells the story of [“The Rise of MF Doom”](http://www.redbullmusicacademy.com/magazine/mf-doom-comic/) (detail above) through the lens of classic comics like, naturally, *The Fantastic Four*, with art by Dean Haspiel (*Billy Dogma*, *The Fox*, *Batman*) and a script by Gabe Soria (*Batman ’66*, and *Life Sucks* with Jessica Abel), supported by Allen Passalaqua on colors and Vito Delsante on lettering.

20141103-djkrush

The second RBMA piece (detail above), created by manga-ka (or manga creator) Haruhisa Nakata (“The Tree of Maüreca,”*Levius*) focuses on one of my favorite Japanese musicians, DJ Krush. The story takes Krush’s early childhood habit of making new toys out of spare parts and connects it to his making music from pre-existing recordings. Titled [“Building It,”](http://www.redbullmusicacademy.com/magazine/dj-krush-comic) the manga is based on an interview that Krush did specifically for the RBMA series. I co-edited the Krush manga with Hideki Egami, who was long the editor of the excellent manga magazine *Ikki*, known for such series as Daisuke Igarashi’s *Children of the Sea*, Iou Kuroda’s *Sexy Voice and Robo* (I wrote an essay that appears in the English edition of the manga), and Taiyō Matsumoto’s *No. 5* and *Sunny*. Egami generously accepted my invitation to help on the Japanese side of this international project. All the RBMA comics are appearing online in English and Japanese, and each features light elements of animation. The crew has coalesced in a great way, with Nakata taking the time to assist by lettering in Japanese some of the English-language comics, and Delsante assisting on some of the English versions of the manga.

For background, I edited the comics in the music magazine *Pulse!*, published by Tower Records, from 1992 to 2002, and later worked for half a decade at Viz, the U.S.-based publisher of manga in translation, and it’s been great to bring those experiences together. At Viz I worked with folks like Jessica Abel, Ed Brubaker, Barry McGee, and Adrian Tomine early in their careers, and with folks like Dan DeCarlo, Justin Green, Peter Kuper, and P. Craig Russell further along in theirs. Full index of the *Pulse!* comics [here](https://disquiet.com/2009/02/26/index-pulse-comics-1992-2002/).

There is more to come in this Red Bull Music Academy series. Watch it unfold at [redbullmusicacademy.com](redbullmusicacademy.com/magazine/) in English and [redbullmusicacademy.jp](http://www.redbullmusicacademy.jp/jp/home/) in Japanese.

Wire and Tin

An experiment in percussion, and a lesson in tagging

RP Collier of Portland, Oregon, makes spare and admirable use of tags on his SoundCloud account. It means one thing when a track of Collier’s is tagged “ambient” and another when it says “minimal” — and as for “percussion,” that seems to signify something else entirely. The work is “minimal” in the sense of limited resources, but it’s quite apart from minimal music otherwise, quite ecstatic and exploratory, pushing the tools in various directions, from springy resonance to abstract rhythmic opportunities. Collier explains the piece in this case was made with the following setup: “Pulling and plucking thin piano wire through tiny holes drilled in the center top and bottom of a medium-size cookie tin.” And despite being more a collection of sonic potentialities than a self-contained composition, a working out of a small set of equipment, the piece ends with a little flourish.

Track originally posted at [soundcloud.com/rpcollier](https://soundcloud.com/rpcollier/pulling-wire).

Disquiet Junto Project 0148: Peripheral Listening

The Assignment: Make music inspired by and suitable for listening to while reading William Gibson's novel The Peripheral.

20141030-peripheral

Each Thursday in [the Disquiet Junto group on SoundCloud.com](https://soundcloud.com/groups/disquiet-junto/) and [at Disquiet.com](https://disquiet.com/tag/junto/), a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate.

This assignment was made in the evening, California time, on Thursday, October 30, with 11:59pm on the following Monday, November 3, 2014, as the deadline.

These are the instructions that went out to the group’s email list (at [tinyletter.com/disquiet-junto](http://tinyletter.com/disquiet-junto)):

Disquiet Junto Project 148: Peripheral Listening

The Assignment: Make music inspired by and suitable for listening to while reading William Gibson’s novel The Peripheral.

For this week’s project we’re making music that would make suitable listening material when reading William Gibson’s new novel, *The Peripheral*. These are the steps:

Step 1: You will make two minutes of loopable background music. The music will be inspired by a phrase from William Gibson’s novel The Peripheral. Think about music that is suitable to reading.

Step 2: Select one of these three phrases, or locate another phrase from the book:

Chapter 6 (“Patchers”): “The square filled with a low moaning, the island’s hallmark soundscape.”

Chapter 32 (“Tipstaff”): “Then a ringing silence, in which could be heard an apparent rain of small objects, striking walls and flagstones.”

Chapter 56 (“The Light in Her Voice Mail”): “The ambient sound was glum as the light, as calculated to unsettle.”

Step 3: Compose a piece of music two minutes in length that is informed by the phrase you have selected.

Step 4: Upload the finished track to the Disquiet Junto group on SoundCloud. Be sure to mention the source phrase from the novel in the text field accompanying your piece.

Step 5: Listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Length: Your finished work should be 2 minutes long.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0148-peripherallistening” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 148th Disquiet Junto project — “Make music inspired by and suitable for listening to while reading William Gibson’s novel The Peripheral” — at:

Disquiet Junto Project 0148: Peripheral Listening

More on the Disquiet Junto at:

https://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

https://disquiet.com/forums/